Fiocco Lamentationes Hebdomadæ Sanctæ Ensemble Bonne Corde & Diana Vinagre

• Joseph-Hector Fiocco (1703 - 1741): Première lamentation du Mercredi saint:
• 1 Fiocco: Première lamentation du Mercredi saint: I. Incipit lamentatio Jeremiae prophetae 03:52
• 2 Fiocco: Première lamentation du Mercredi saint: II. Beth - Plorans ploravit 02:54
• 3 Fiocco: Première lamentation du Mercredi saint: III. Ghimel - Migravit Judas 01:57
• 4 Fiocco: Première lamentation du Mercredi saint: IV. Daleth - Viae Sion 02:49
• 5 Fiocco: Première lamentation du Mercredi saint: V. He - Facti sunt hostes 02:51
• 6 Fiocco: Première lamentation du Mercredi saint: VI. Parvuli ejus 02:33
• Seconde lamentation du Mercredi saint:
• 7 Fiocco: Seconde lamentation du Mercredi saint: I. Vau - Et egressus est 05:29
• 8 Fiocco: Seconde lamentation du Mercredi saint: II. Teth - Sordes ejus 03:11
• Troisième lamentation du Mercredi saint:
• 9 Fiocco: Troisième lamentation du Mercredi saint: I. Jod - Manum suam 01:17
• 10 Fiocco: Troisième lamentation du Mercredi saint: II. Caph - Omnis populus 02:24
• 11 Fiocco: Troisième lamentation du Mercredi saint: III. Lamed - O vos omnes 01:47
• 12 Fiocco: Troisième lamentation du Mercredi saint: IV. Mem - De excelso 01:18
• 13 Fiocco: Troisième lamentation du Mercredi saint: V. Nun - Vigilavit jugum 03:21
• Première lamentation du Jeudi saint:
• 14 Fiocco: Première lamentation du Jeudi saint: I. De lamentatione Jeremiae prophetae 03:21
• 15 Fiocco: Première lamentation du Jeudi saint: II. Teth - Defixae sunt 03:14
• 16 Fiocco: Première lamentation du Jeudi saint: III. Jod - Sederunt in terra 03:42
• 17 Fiocco: Première lamentation du Jeudi saint: IV. Defecerunt prae lachrimis 04:03
• 18 Fiocco: Première lamentation du Jeudi saint: V. De lamentatione Jeremiae prophetae 03:07
• 19 Fiocco: Première lamentation du Jeudi saint: VI. Teth - Defixae sunt 02:48
• 20 Fiocco: Première lamentation du Jeudi saint: VII. Caph - Defecerunt prae lachrimis 02:25
• 21 Fiocco: Première lamentation du Jeudi saint: VIII. Jerusalem convertere 03:00
• Seconde lamentation du Jeudi saint:
• 22 Fiocco: Seconde lamentation du Jeudi saint: I. Lamed - Matribus suis dixerunt 03:48
• 23 Fiocco: Seconde lamentation du Jeudi saint: II. Mem - Cui comparabote? 04:18
• 24 Fiocco: Seconde lamentation du Jeudi saint: III. Prophetae tui 01:48
• 25 Fiocco: Seconde lamentation du Jeudi saint: IV. Samech - Plauserunt super te manibus 02:22
• 26 Fiocco: Seconde lamentation du Jeudi saint: V. Jerusalem convertere 02:12
• Troisième lamentation du Jeudi saint:
• 27 Fiocco: Troisième lamentation du Jeudi saint: I. Aleph - Ego vir videns 02:47
• 28 Fiocco: Troisième lamentation du Jeudi saint: II. Aleph - Tantum in me vertit 02:05
• 29 Fiocco: Troisième lamentation du Jeudi saint: III. Aedificavit in gyro meo 00:41
• 30 Fiocco: Troisième lamentation du Jeudi saint: IV. In tenebrosis collocavit 00:45
• 31 Fiocco: Troisième lamentation du Jeudi saint: V. Circumaedificavit 03:10
• 32 Fiocco: Troisième lamentation du Jeudi saint: VI. Aleph - Ego vir videns 03:47
• 33 Fiocco: Troisième lamentation du Jeudi saint: VII. Beth - Vetustam fecit pellem meam 01:10
• 34 Fiocco: Troisième lamentation du Jeudi saint: VIII. Beth - Aedificavit in gyro meo 05:24
• 35 Fiocco: Troisième lamentation du Jeudi saint: IX. Jerusalem convertere 01:41
• Première lamentation du Vendredi saint:
• 36 Fiocco: Première lamentation du Vendredi saint: I. De lamentatione Jeremiae Prophetae 08:37
• Seconde lamentation du Vendredi saint:
• 37 Fiocco: Seconde lamentation du Vendredi saint: I. Aleph - Quomodo obscuratum est aurum 01:29
• 38 Fiocco: Seconde lamentation du Vendredi saint: II. Beth - Filii Sion incliti 01:18
• 39 Fiocco: Seconde lamentation du Vendredi saint: III. Sed et laminae nudaverunt mammam 00:44
• 40 Fiocco: Seconde lamentation du Vendredi saint: IV. Daleth - Adhaesit lingua 02:07
• 41 Fiocco: Seconde lamentation du Vendredi saint: V. He - Qui vescenbantur voluptuose 01:47
• 42 Fiocco: Seconde lamentation du Vendredi saint: VI. Et major effecta est 02:14
• Troisième lamentation du Vendredi saint:
• 43 Fiocco: Troisième lamentation du Vendredi saint: I. Incipit oratio Jeremiae Prophetae 03:05
• 44 Fiocco: Troisième lamentation du Vendredi saint: II. Hereditas nostra 02:41
• 45 Fiocco: Troisième lamentation du Vendredi saint: III. Egypto dedimus manum 00:47
• 46 Fiocco: Troisième lamentation du Vendredi saint: IV. Patres nostri 03:26
• 47 Fiocco: Troisième lamentation du Vendredi saint: V. Pellis nostra 03:16
• Total Runtime 02:08:52

Info for Fiocco Lamentationes Hebdomadæ Sanctæ

Zum Zeitpunkt seines Todes im Jahr 1741 verkaufte die Witwe von Joseph-Hector Fiocco die Manuskripte der Werke des Komponisten an Joannes Vanden Boom, Dekan und Kapellmeister der Kathedrale Saint-Michel und Saint-Gudule in Brüssel, wo der Komponist bis zu seinem vorzeitigen Tod das Amt des Zangmeesters (Chorleiters) innehatte. In dieser Sammlung befindet sich eine vollständige Serie von neun Lamentationen für die Karwoche in der ungewöhnlichen Besetzung von Solostimme, obligatem Cello und Basso continuo. Fioccos Lamentationen sind im erhabensten italienischen Stil des frühen achtzehnten Jahrhunderts gehalten. Sie sind meisterhaft und können sich aufgrund ihrer dramatischen Kraft und ergreifenden Emotion mit den schönsten Kompositionen dieser Art messen. Zusätzlich zu den neun Klageliedern, die aus dem oben erwähnten Manuskript bekannt sind, bietet die vorliegende Aufnahme als Weltpremiere zwei neue Vertonungen und eine anders instrumentierte Version, die in den Archiven des Fonds St.-Jacob in Antwerpen gefunden wurden.

Ensemble Bonne Corde
Diana Vinagre, Cello, Leitung

Bonne Corde
is an early music ensemble that dedicates itself primarily to the cello repertoire of the 18th century, regularly highlighting works of Portuguese composers. Founded by cellist Diana Vinagre, it brings together a group of musicians with a shared passion of rediscovering repertoire from a historically-informed perspective.

Following Diana’s doctoral research on the role of the cello as a solo obbligato instrument in vocal music - specifically Portuguese repertoire at the threshold of the 19th century - Ensemble Bonne Corde has directed its attention to the recovery of vocal works in which new textures are explored through the use of bass instruments. In this context, the group has presented the modern première of several 18th century composers.

Among the upcoming projects we highlight the recordings for the label Ramée of the complete Lamentations for the Holy Week by Joseph-Hector Fiocco, coming out in November 2022, and António Pereira da Costa’s Concerti grossi, with the support of the Ministry of Culture of Portugal and GDA Foundation, to be released in the Spring 2023.

Diana Vinagre
After completing her studies at the National Academy of Orchestra in Lisbon, in the class of Paulo Gaio Lima, her passion for the historically informed interpretation takes Diana to the Royal Conservatory of The Hague in the Netherlands. In the class of Jaap ter Linden Diana obtains both Bachelor and Master degrees in Historical Interpretation Practice with distinction, having received the Top Talent Scholarship, attributed by the Conservatories of The Hague and Amsterdam. She was a member of the European Union Baroque Orchestra and integrated the Jerwood Project with the Orchestra of the Age of Enlightenment.

Diana has an intense activity with several of the most renowned early music groups such as the Amsterdam Baroque Orchestra, Cappella Mediterranea, L'Arpegiatta, Les Arts Florissants, Orchestra of the 18th century, Le Cercle de l'Harmonie, B'Rock, Ludovice Ensemble, Holland Baroque, Al Ayre Español and Divino Sospiro, working under the direction of musicians such as René Jacobs, Bartold Kuijken Leonardo Garcia Alarcon, Ton Koopman, Enrico Onofri, Laurence Cummings, Christina Pluhar, Frans Bruggen, and Lars Ulrik Mortensen. She regularly performs in the most important concert halls in Europe, both in orchestral and chamber settings, including the Concertgebow in Amsterdam, Opera Garnier and Opera Bastille in Paris, La Scala in Milan, Barbican Center, Palau de la Musica in Barcelona, Philarmonie de Paris and Barbican Center and Royal Albert Hall in London as well as at major ancient music festivals such as Utrecht, Aix-en-Provence, Ambronay and Brugges. Throughout her years of activity, Diana has participated in several recordings for different radio stations, such as Antena 2, Klara, BBC and France Musique, and specialized television channels such as Mezzo, Arte and Culturebox, as well as record labels as Alpha, Ricercare, Sony and Winter & Winter.

In 2009 she founded Ensemble Bonne Corde specialized in18th century cello repertoire, both instrumental and vocal, working actively in the recovery of an unknown repertoire of the baroque and classical periods. In this context, the work of research and execution of Portuguese sacred repertoire of the second half of the eighteenth and early nineteenth centuries stands out, as this was the central subject of Diana’s doctoral research at the Universidade Nova de Lisboa (INET-Md) under the guidance of Professor Rui Vieira Nery. In 2021 he founded, together with double bassist Marta Vicente, the Lisbon based baroque orchestra Real Câmara which, under the direction of the Italian conductor and violinist Enrico Onofri, is dedicated to the recovery of Portuguese musical heritage.

Booklet for Fiocco Lamentationes Hebdomadæ Sanctæ