Neuklang Sampler Vol. 3 Various Artists

Album info



Label: Neuklang

Genre: Jazz

Subgenre: Compilations

Album including Album cover


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FLAC 96 $ 12.80
  • 1Life Stream Suite I05:00
  • 2The Crest of the Wave05:07
  • 3Where Would I Be Without You04:40
  • 4In the Meadows (44.1 kHz, 24bit)05:22
  • 5Kolybel'naya (44.1 kHz, 24bit)07:56
  • 6A Glimpse of Past Events (44.1 kHz, 24bit)05:38
  • 7Paoca (44.1 kHz, 24bit)04:16
  • 8Jeder Tag08:13
  • 9Stango04:45
  • 10Monk and Fisher05:29
  • 11Life Stream Suite IV06:49
  • Total Runtime01:03:15

Info for Neuklang Sampler Vol. 3

Discover the difference, experience the Sound!

NEUKLANG is the place for experiments, provocations and innovation. This is where established artists and newcomers feel home. For us artist development is a long-term partnership.

NEUKLANG stands for high standards in sound and artistry. Our high-quality productions are the result of a diligent and delightful working process from the recording to the finished product.

More information on

A compilation dedicated to funk and pre – zouk period, which has never been documented before. It is compilated by specialists of the genre: Julien Achard (Digger's Digest) and Nicolas SKLIRIS (ex-Superfly Records).

After the success of Kouté Jazz, Heavenly Sweetness comes back with a dancefloor but not jazz compilation, enough to move your feet at through the whole summer ! 13 disco, boogie and Zouk tracks recorded in the 80’s in the West Indies.

The advantage of this selection is precisely that it reveals a broader spectrum than the zouk music style that are badly defined. Most of the tracks, were not much broadcasted even if interpreted by some big names in Caribbean music (Pierre-Edouard Decimus / Patrick St. Eloi / Eddy La Viny). They were too fast classified as Zouk. These Tracks reveal this will of singularity, this merger between traditional and other rhythms genres (funk, disco, afro-beat, Latin Brazilian ...), with the addition of new instruments such as synthesizers and drums machine in the creative process.

In many zouk’s albums, this period often included one or even several, tracks that were qualified as "proto-zouk" and "funky-zouk" or the "boogie-zouk" to emphasize the fusion of genres . But these tracks have remained unknown to the general public because only the "hits" were played on the radio, dance floors (the famous "tan" or “zouk”), clubs and bus.

This album contains no booklet.

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