Pettersson: Symphony No. 14 Norrköping Symphony Orchestra & Christian Lindberg

• Allan Pettersson (1911-1980): Symphony No. 14:
• 1 dotted quarter note = 89 (Presto) [Tempo I] 02:45
• 2 quarter note = 48 (Tempo II) [Fig. 17] 02:56
• 3 half note = 72 (Tempo III) [3 bars after Fig. 27] 08:01
• 4 quarter note = c. 84 (Tempo IV) [2 bars before Fig. 45] 16:01
• 5 half note = 64 (Tempo V) [2 bars after 87] 09:01
• 6 half note = 48 (Tempo VI) [Fig. 115, final quaver] 04:52
• 7 half note = 72 (Tempo III) [4 bars before Fig. 125] 00:55
• 8 half note = 64 (Tempo V) [3 bars after Fig. 126] 03:54
• 9 half note = 48 (Tempo VI) [Fig. 138] 03:45
• Total Runtime 52:10

Info for Pettersson: Symphony No. 14

Erst ein Jahr nach dem Tod des Komponisten, 1981, erlebte die 14. Symphonie ihre Uraufführung. Wie viele ihrer Vorgängerinnen ist die 14. in einem einzigen, riesenhaften Satz geschrieben und erfordert umfangreiches Orchesterpersonal, nicht zuletzt in einer sehr ausgeweiteten Schlagzeug-Abteilung.

Und doch unterscheidet sie sich von anderen Symphonien Petterssons. So wendet er hier wesentlich konsequenter als in anderen Werken die Zwölftontechnik an, die er bei René Leibowitz Anfang der 1950er Jahre im Studium kennen gelernt hatte. Als roten Faden durchzieht die Symphonie die Melodie des Liedes „Klokar och knythänder“ (Weise Männer und verschränkte Hände), die nicht weniger als fünf Mal zitiert wird.

Norrköping Symphony Orchestra
Christian Lindberg, Dirigent

The Norrköping Symphony Orchestra
SON for short, has the reputation of being one of the most exciting orchestras in Scandinavia. Through foreign tours and an extensive CD production, SON has developed a large following and much well deserved respect on the international stage. SON was founded in 1912 and is today comprised of 81 musicians. Through its long and rich history it maintains a special place in the region’s cultural life. The orchestra’s home is The Louis De Geer Concert Hall which is situated in Norrköping’s historical industrial landscape. CEO and artistic director is Karin Veres.

Recent awards: SON’s history is dominated by both tradition and new thinking. The orchestra’s main repertoire consists of the great romantic era composers from Beethoven to Mahler but it is just as important to perform 20th century music and Swedish/Nordic music. The orchestra is currently involved in a long term project to perform and record all of Allan Pettersson’s symphonies together with conductor Christian Lindberg, an effort that has achieved great international acclaim. In february 2015 the recording of the Allan Pettersson symphony no 9 won a Grammis, the oldest and most important music award in Sweden.

A hothouse for conductors: SON has placed Norrköping on the world map with their tours of Europe, Japan, and China. SON’s history is characterised by the many young conductors that began their international careers in Norrköping. Herbert Blomstedt and Franz Welser-Möst are the most famous examples – both have been Chief Conductor for SON. Since 2012 Michael Francis is The Norrköping Symphony Orchestra’s Chief Conductor and Artistic Advisor.

Christian Lindberg
In an astonishingly short time, Christian Lindberg has, alongside his activities as a soloist and composer, already conducted orchestras including the Rotterdam Philharmonic, the Orchestra di Milano Giuseppe Verdi, Swedish Radio Orchestra, the Gürzenich-Orchester Köln, the Nordic Chamber Orchestra, the Malmö Symphony Orchestra, the Deutsche Staatsphilharmonie, the Extremadura Orchestra, the Umeå Symphony Orchestra, the Tiroler Symphonieorchester, Het Noord Nederland Orkest, Het Gelders Orkest, the Taipei Symphony Orchestra, the Poznań Symphony Orchestra, Danish Radio Orchestra, the Oulu Symphony Orchestra, the Euscadi Orchestra, the Maggio Fiorentino, the Haydn Orchestra Bolzano, the Northern Sinfonia, the Helsinki Philharmonic, the Lahti Symphony Orchestra, the Sinfonietta Finlandia and the Norwegian Arctic Philharmonic Orchestra in his very successful opera debut Carmen just recently in Norway. This season Christian Lindberg begins in his new position as Principal Conductor and Artistic Advisor of the newly established Norwegian Arctic Philharmonic Orchestra, an orchestra which enjoys strong Government support. The Arctic Philharmonic Orchestra will be performing at the Mariinsky Theatre during the Brass Evenings at the Mariinsky festival. Christian Lindberg and his new orchestra will also undertake extensive tours of China and Japan this season. Future guest conducting appearances will take him to the Liverpool Philharmonic Orchestra, the Royal Stockholm Philharmonic Orchestra, the Irish National Orchestra, the Royal Flemish Philharmonic Orchestra, the Porto Symphony Orchestra, the Cape Philharmonic Orchestra, the Aarhus Symphony Orchestra, the Shanghai Opera Orchestra, the Nürnberger Symphoniker, the Iceland Symphony Orchestra, the Jenaer Philharmonie, the Simón Bolívar Orchestra, the Orchestra Palau de la Música, the Orquestra Simfònica del Vallès Barcelona, the Riga Sinfonietta, the Württembergische Philharmonie, the Norrköping Symphony Orchestra and the Tenerife Symphony Orchestra. Lindberg will continue to record extensively on BIS, and he will be completing the series started by Leif Segerstam of the seventeen symphonies by Allan Pettersson with the Norrköping Symphony Orchestra as well as several projects with the Norwegian Arctic Philharmonic Orchestra. Lindberg’s earlier recordings with his Nordic Chamber Orchestra and with the Norrköping Symphony Orchestra have received outstanding reviews and international critical acclaim.

Christian Lindberg’s achievements on the trombone can only be compared with those of Paganini on the violin or of Liszt on the piano. Having premiered over three hundred works for the trombone (including more than thirty composed by himself), recorded more than seventy solo CDs and having an international solo competition created in his name in Valencia in Spain, Christian Lindberg is today nothing less than a living legend.

At an early stage of his career he joined Yo-Yo Ma and Gidon Kremer as the BBC Music Magazine’s soloist of the year. In 2000, together with Louis Armstrong and Miles Davis, he was voted by an international poll as one of the greatest brass players of the 20th century. He was the first Swedish instrumentalist ever to be invited to perform as a soloist with the Berliner Philharmoniker and the Chicago Symphony Orchestra. In 2007 he was artist in residence at the Musikverein in Vienna. Christian Lindberg has worked with practically every major orchestra and conductor in the world today. For a trombonist to achieve all this before turning fifty is remarkable to say the least.

Lindberg took up the trombone at the age of seventeen having been inspired by jazz trombonist Jack Teagarden. At the age of eighteen he gained admission to the Royal College of Music in Stockholm and, having played for only two years, he was given a position as trombonist in the orchestra of the Royal Swedish Opera in Stockholm. Aged twenty, he left the orchestra and has since built up a unique and impressive career as the first trombone soloist in history as well as embarking on two new enormously successful careers as a conductor and composer.

Today Lindberg’s schedule is fully booked for years in advance. This schedule combines being Principal Conductor of the Nordic Chamber Orchestra and the Swedish Wind Ensemble with guest conducting of orchestras such as the Rotterdam Philharmonic and the Orchestra di Milano Giuseppe Verdi, working on composition commissions from ensembles such as the Chicago Symphony Orchestra, the Australian Chamber Orchestra and the Swedish Radio Chorus and continuing his solo appearances with orchestras such as the London Philharmonic, the NDR Orchestra in Germany and Tokyo’s Yomiuri Orchestra. In addition to these activities, Christian Lindberg makes sure he can devote valuable leisure time to his family and his wife at their country residence on a peninsula of the beautiful Stockholm Archipelago.

Christian Lindberg’s career as a composer is remarkable. Already at the age of six he was composing music, but at the age of sixteen he decided to study harmony, counterpoint and composition seriously with Torsten Nilsson in Stockholm. Two years later, he wrote his first official composition, a brass quintet, but after the first rehearsal Christian was so shocked and disappointed that he withdrew the piece and resolved never to compose again.

This was roughly the same time that he fell in love with and began to study the trombone and, instead of composing, he began to orchestrate, arrange and edit music by other composers. He also decided that his main goal would be to inspire other composers to write for the trombone. Today he has arranged over one hundred works for trombone, and over eighty trombone concerti have been dedicated to him by composers such as Berio, Takemitsu and Xenakis. However, after eager persuasion from his friend, the composer Jan Sandström, he broke his promise not to compose. At the age of thirty-nine he accepted a commission from the Musica Vitae string orchestra. Sandström said “Whatever you do, do not try to prove anything. Just write whatever comes into your mind without judging it to be good or bad. Like when a five-year-old does a drawing.”

This first piece, Arabenne, was, to Lindberg’s immense surprise, a huge success with both the audience and the critics. Immediately after the first performance Christian was faced with two new commissions and an offer from BIS records to start an extensive recording project with him as a composer. Today Lindberg has recorded three portrait CDs of his own music on BIS and has received commissions from orchestras including the Chicago Symphony Orchestra, the Rotterdam Philharmonic Orchestra, the Orchestra di Milano Giuseppe Verdi and the Australian Chamber Orchestra to name but a few. His pieces Akbank Bunka, Helikon Wasp, The World of Montuagretta and Mandrake in the Corner have been particularly successful.

Chick’a’Bone Checkout, commissioned by the Chicago Symphony Orchestra, received three standing ovations in a row at the premiere, something that had not happened to a contemporary piece in fourteen years at Orchestra Hall in Chicago. The Chicago Sun Times, Chicago Tribune and New York Times gave Lindberg stunning reviews for this composition. Today Lindberg is booked up to 2011 with international commissions by orchestras such as Rotterdam Philharmonic, the Orchestra di Milano Giuseppe Verdi, Orchestra of St John Smith Square, the Scottish Chamber Orchestra, Royal Stockholm Philharmonic, the Australian Chamber Orchestra, the Arctic Philharmonic Orchestra, the Odense Symphony Orchestra, the Swedish Chamber Orchestra, the Bodø Sinfonietta, Share Music Sweden, the Swedish Wind Ensemble, the Nordic Woodwind Quintet, the Trondheim Soloists and the Frankfurt Biennale. His own philosophy regarding his work as a composer is simple: “I do not write in any style whatsoever! I purely listen to what my brain and soul are telling me, and what I hear I simply put down on paper. To say anything more about my work would be pretentious nonsense.”

Booklet for Pettersson: Symphony No. 14