Greensleeves - Folk Music of the British Isles Armonico Consort & Christopher Monks

• Traditional, arr. Geoffrey Webber:
• 1 Lisa Lân (Fair Lisa) (arr. G. Webber for vocal ensemble) 02:49
• Charles Villiers Stanford (1852 - 1924):
• 2 The Blue Bird 03:59
• Traditional, arr. Geoffrey Webber:
• 3 The Banks of My Own Lovely Lee (arr. G. Webber for vocal ensemble) 05:50
• Traditional, arr. Toby Young:
• 4 She Moved Through the Fair (arr. T. Young for vocal ensemble) 03:23
• Robert Pearsall (1795 - 1856):
• 5 Lay a garland on her hearse 04:38
• Traditional, arr. Geoffrey Webber:
• 6 Sweet Kitty 03:20
• Traditional, arr. Toby Young:
• 7 Suo Gân (arr. T. Young for vocal ensemble) 03:11
• Traditional, arr. Gustav Holst:
• 8 I Love My Love (arr. G. Holst for vocal ensemble) 04:29
• Traditional, arr. Geoffrey Webber:
• 9 Dadl Dau (arr. G. Webber for vocal ensemble) 01:20
• Thomas Morley (1557 - 1602):
• 10 Ballets for 5 Voices, Book 1: No. 11. Now is the month of maying 02:07
• Traditional, arr. Christopher Monks:
• 11 An Rosen Wyn (The White Rose) (arr. C. Monks for vocal ensemble) 05:10
• Traditional, arr. Geoffrey Webber:
• 12 Greensleeves (arr. G. Webber for vocal ensemble) 03:28
• Traditional, arr. R. Vaughan Williams:
• 13 Loch Lomond (arr. R. Vaughan Williams for vocal ensemble) 03:24
• Traditional, arr. Patrick Hadley:
• 14 O Love, 'Tis a Calm Starry Night (arr. P. Hadley for vocal ensemble) 02:59
• Traditional, arr. Geoffrey Webber:
• 15 The Wraggle-Taggle Gypsies, O! (arr. G. Webber for vocal ensemble) 02:03
• Total Runtime 52:10

Info for Greensleeves - Folk Music of the British Isles

Greensleeves is a celebration of music spanning the length and breadth of the British Isles, featuring mesmerising new arrangements by Geoffrey Webber and Toby Young of some of the most beautiful folk music ever written. The recording includes Loch Lomond, Lisa La?n and of course, perhaps the most famous British melody ever written Greensleeves.

"I don't know what they're putting in the coffee over there at Signum Classics, but this is another brilliant wonder, and obviously a labour of love for all concerned." (Classical Nowhere)

"Best are solo contributions from soprano Eloise Irving and tenor Matthew Vine, who take the lead in the exquisite opener, Lisa Lan." (Gramophone)

"This is a disc which works because the singers combine fine musical quality with a sympathy and enthusiasm for their material, giving us a delightfully evocative 50 minutes." - Planet Hugill, May 2016 "The best is Holst's version of 'I Love My Love', which develops from simplicity gradually into more elaboration that works." (Early Music Review)

"Here's a richly satisfying traversal of British songs delivered with consummate feeling and eloquence by the Armonico Consort...a delightful recital sung with entrancing beauty." (Choir & Organ)

Armonico Consort
Christoph Monks, conductor

Armonico Consort
began life in 2001, set up by Christopher Monks and a group of university colleagues with a shared passion for music from the Renaissance to Baroque, coupled with the imagination to find new and unusual ways to present concerts. Audiences seemed to love their engaging and imaginative approach, and most concerts in the first years sold out. “That gave us the confidence, energy and self-belief to carry on and do more, also to take more risks with our programming, and keep on experimenting” says Christopher.

The ideas kept flowing, as did the titles “many of them were created down the pub...” including the concert programmes Naked Byrd, Supersize Polyphony, Monteverdi’s Flying Circus, Too Hot to Handel, Love Handels and Baroque around the Block. Their horizons broadened to include more contemporary repertoire but at the heart remained music of the Baroque and Renaissance,including some rarely heard gems performed by some of the world’s finest singers and period instrument players: “We take great care to craft programmes which bring as much little-known music to life as possible, and find new and imaginative ways to bring this music to audiences. I’m particularly proud of Supersize Polyphony where we perform 40 and 60-part works by Tallis and Striggio in the round, surrounding the audience, interpolated by the timeless chants of Hildegard of Bingen.” It was this particular programme which earned the group their first 5-star reviews, from The Times and the BBC Music Magazine, and there were plenty more to follow.

An education programme was fundamental to Armonico Consort from the outset and now encompasses three AC Academy after-school choirs and an in-school choir creation programme which trains teachers as choir leaders, leaving a strong legacy across the UK, to date creating almost 300 choirs and choir leaders reaching over 250,000 young people. Christopher Monks says “Having reached 20 years, we are seeing so many of these young people who have been with the group since the age of 7 now singing as AC Academy Scholars alongside the professional singers. It is so rewarding to see how the opportunities we have created have changed them not just as musicians, but as humans, and this has driven much of what we are now going on to create”.

Future developments for AC Academy include the overseas expansion of the Choir Creation programme in Kenya working in partnership with several organisations to create choirs for street children, aiming to bring them back into health care and education, and away from abuse or addiction. In addition to this, Armonico Consort has begun a major new partnership with Foundaçion Azteca in Mexico which will see them train new choir leaders across Mexico working with the Orchestra of the Americas to create the first high level symphony orchestra and chorus in the country.

In 2016, in partnership with their sponsors Phillips66, Armonico Consort created a major new initiative ‘The Voice Squad’ introducing a Phillips66 workplace choir in an effort to improve the wellbeing of employees. This has had an incredibly positive impact on the mental health of the workforce, especially now that the beneficial effects of singing on the human mind are so well established. The ‘Voice Squad’ has since been extended to workplaces and communities around the country and as of 2020, following a new partnership with the Alzheimer’s Society, now includes care homes and their first ever choir for those living with dementia. Most exciting of all is the new research which suggests that Baroque music in particular is extremely effective at unlocking memories for those affected by dementia which is something the Consort plans to fully explore as they continually strive to find new ways for their musicians to thrive in the modern world.

Christopher Monks
The founder and Artistic Director of Armonico Consort and its ground-breaking education programme AC Academy, Christopher Monks has established himself as a versatile and prolific conductor and keyboard player. Specialising in the performance of music from the Baroque and late Renaissance, he is equally at home with modern choral repertoire and during his career has conducted at many of the greatest concert halls in the UK with many of his concerts and recordings, including Supersize Polyphony and Purcell’s Dido & Aeneas, earning five-star reviews in The Times, Independent, Guardian and BBC Music magazine.

Christopher performs regularly at major national festivals and has worked extensively abroad, including in Israel, Italy, Ireland and France. Alongside his work with Armonico Consort, he has conducted internationally renowned orchestras and ensembles such as the Royal Philharmonic Orchestra, the Philharmonia and European Union Chamber Orchestra.

A chorister at the age of eight, Christopher was introduced to the musical world of Byrd, Tallis, Bach, Monteverdi and Handel. After graduating from Cambridge University, where he was organ scholar at Gonville and Caius College, he became an organist under David Hill at Winchester Cathedral and it was through David’s inspiration, he developed an enthusiasm and talent for choral conducting.

A passionate advocate of reaching out to children of all backgrounds through the creation of youth choirs, Christopher developed AC Academy, a music education programme “which is unique in the UK, highly effective in its legacy and absolutely brilliant in quality. I never cease to feel proud of it.”

Christopher coaches and lectures on the MMus choral conducting course at Cambridge University and is a guest speaker on the Harvard Global Leadership Programme. He is also part of a programme to roll out the choir creation and leadership programmes in Kenya with institutions aiming to reinstate street children into mainstream education.

When not conducting, Christopher loves fine cooking. After a long day of music preparation, he often enjoys going for a cycle to process everything he has worked on.

“When I talk to other people about their jobs for which they struggle to get out of bed, and I have never felt like a have a job. I just wake up and do a hobby.”

Booklet for Greensleeves - Folk Music of the British Isles