Le rappel des oiseaux Michel Grizard

• John Dowland (1563-1926):
• 1 Lachrimae Pavan, P. 15 (Arr. M. Grizard for Guitar) 04:40
• 2 Forlorn Hope, P. 2 (Arr. M. Grizard for Guitar) 03:39
• Silvius Leopold Weiss (1687-1750): Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar):
• 3 I. Entrée 03:55
• 4 II. Courante 02:44
• 5 III. Sarabande 03:56
• 6 IV. Menuet 02:03
• 7 V. Musette 04:17
• 8 VI. Paysanne 02:53
• Johann Sebastian Bach (1685-1750): French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar):
• 9 I. Allemande 04:43
• 10 II. Courante 02:44
• 11 III. Sarabande 03:42
• 12 IV. Menuets I & II 03:47
• 13 V. Gigue 04:18
• Jean-Philippe Rameau (1683-1764):
• 14 Les tendres plaintes (Arr. M. Grizard for Guitar) 03:51
• 15 L'entretien des muses (Arr. M. Grizard for Guitar) 08:24
• 16 Pièces de clavecin, Suite in E Minor: V. Le rappel des oiseaux (Arr. M. Grizard for Guitar) 04:14
• 17 Les tricotets (Arr. M. Grizard for Guitar) 02:26
• 18 Nouvelles suites de pièces de clavecin, Suite in G Major-Minor: II. L'indifferent (Arr. M. Grizard for Guitar) 02:52
• 19 Les Indes galantes (Arr. M. Grizard for Guitar) 02:47
• Total Runtime 01:11:55

Info for Le rappel des oiseaux

Transcription has an important place in guitar repertoire. Starting in the 1930s, it was in part thanks to the transcriptions of major composers made and played by guitarist Andres Segovia that non-guitarist composers began to write for this instrument. So it is today that the repertoire has been enriched with works by the most important composers of the 20th and 21st centuries. Transcription for solo guitar has also evolved considerably since the first half of the 20th century: from a ‘melodic instrument allowing harmony,’ as Andres Segovia defined it, the guitar has become an instrument allowing polyphony. Thus, in addition to transcriptions made from works for violin, cello or lute, others have come from the piano or harpsichord. This programme illustrates in part this brief history of transcription for solo guitar, with works originally written for lute, or for harpsichord, brought together around the same instrument: the guitar.

Michel Grizard, guitar

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