Le rappel des oiseaux Michel Grizard

Album info

Album-Release:
2018

HRA-Release:
10.01.2018

Label: Skarbo

Genre: Classical

Subgenre: Instrumental

Artist: Michel Grizard

Album including Album cover

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FLAC 88.2 $ 13.20
  • John Dowland (1563-1926):
  • 1Lachrimae Pavan, P. 15 (Arr. M. Grizard for Guitar)04:40
  • 2Forlorn Hope, P. 2 (Arr. M. Grizard for Guitar)03:39
  • Silvius Leopold Weiss (1687-1750): Lute Sonata in A Minor, WeissSW 29 (Arr. M. Grizard for Guitar):
  • 3I. Entrée03:55
  • 4II. Courante02:44
  • 5III. Sarabande03:56
  • 6IV. Menuet02:03
  • 7V. Musette04:17
  • 8VI. Paysanne02:53
  • Johann Sebastian Bach (1685-1750): French Suite No. 1 in D Minor, BWV 812 (Arr. M. Grizard for Guitar):
  • 9I. Allemande04:43
  • 10II. Courante02:44
  • 11III. Sarabande03:42
  • 12IV. Menuets I & II03:47
  • 13V. Gigue04:18
  • Jean-Philippe Rameau (1683-1764):
  • 14Les tendres plaintes (Arr. M. Grizard for Guitar)03:51
  • 15L'entretien des muses (Arr. M. Grizard for Guitar)08:24
  • 16Pièces de clavecin, Suite in E Minor: V. Le rappel des oiseaux (Arr. M. Grizard for Guitar)04:14
  • 17Les tricotets (Arr. M. Grizard for Guitar)02:26
  • 18Nouvelles suites de pièces de clavecin, Suite in G Major-Minor: II. L'indifferent (Arr. M. Grizard for Guitar)02:52
  • 19Les Indes galantes (Arr. M. Grizard for Guitar)02:47
  • Total Runtime01:11:55

Info for Le rappel des oiseaux

Transcription has an important place in guitar repertoire. Starting in the 1930s, it was in part thanks to the transcriptions of major composers made and played by guitarist Andres Segovia that non-guitarist composers began to write for this instrument. So it is today that the repertoire has been enriched with works by the most important composers of the 20th and 21st centuries. Transcription for solo guitar has also evolved considerably since the first half of the 20th century: from a ‘melodic instrument allowing harmony,’ as Andres Segovia defined it, the guitar has become an instrument allowing polyphony. Thus, in addition to transcriptions made from works for violin, cello or lute, others have come from the piano or harpsichord. This programme illustrates in part this brief history of transcription for solo guitar, with works originally written for lute, or for harpsichord, brought together around the same instrument: the guitar.

Michel Grizard, guitar



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