Dreams & Songs (Live) Warren Haynes

• 1 Dreams and Songs (Pt. One) (Live) 04:40
• 2 Dreams (Live) 11:08
• 3 Banks of the Deep End (Live) 06:41
• 4 Spots of Time (Live) 08:19
• 5 Broken Promised Land (Live) 07:24
• 6 Thorazine Shuffle (Live) 09:54
• 7 Makes No Difference (Live) 06:50
• 8 Terrapin Station (Live) 12:28
• 9 Raven Black Night (Live) 06:55
• 10 Just Another Rider (Live) 08:02
• 11 Black Peter (Live) 07:15
• 12 Instrumental Illness (Live) 10:44
• 13 One (Live) 05:39
• 14 Shakedown Street (Live) 06:44
• 15 Whipping Post (Live) 12:15
• 16 Dreams and Songs (Reprise) (Live) 04:10
• Total Runtime 02:09:08

Info zu Dreams & Songs (Live)

Warren Haynes has made a career of defying expectations. For more than three decades, this Grammy-winning US bandleader and roots master has outrun genre, classification and comfort zone, journeying between the acclaimed solo work with his own name on the marquee, his storied jam-band Gov't Mule, and America's fabled rock 'n' roll institutions from the Allman Brothers Band to the Grateful Dead.

“I had come up with this arrangement that went from ‘Raven Black Night’ into ‘Silent Scream Pt. 2’ and back into ‘Raven Black Night’,” shares Haynes. “The way those two things married together is really cool, and the way the orchestra accepted that challenge was really amazing. I think the way those two songs work together kind of lend themselves to orchestration, in some ways, more than anything else on this recording. They sound like the orchestration completes the thought, like the orchestration sounds like part of the composition, which is a tall order and very high praise indeed. I love the arrangement for the piece and really enjoyed singing ‘Raven Black Night’ in that light, because the original recording had no drums and was very stripped-down. It had a little percussion thing in the middle and no bass. Whereas this arrangement is just full-bodied, full orchestration – the opposite of the original – and it really takes it to a place that completes it and turns it into another thing.”

Dreams & Songs: A Symphonic Journey, co-produced by Don Was and Warren Haynes, was recorded in 2019 at the Thomas Wolfe Auditorium in Haynes’ hometown of Asheville, North Carolina when Haynes debuted his one-of-a-kind Dreams & Songs symphonic show alongside the 64-piece Asheville Symphony Orchestra and his lineup of seasoned rock ‘n’ roll improvisers including Oteil Burbridge on bass, John Medeski on organ and keys, Jeff Sipe on drums, and Greg Osby on saxophone as well as Edwin McCain and Jasmine Muhammad on background vocals.

The expansive live album, mixed by the legendary Bob Clearmountain (David Bowie, Bruce Springsteen, The Rolling Stones), explores all aspects of Warren’s incredible catalog and 30+ year career with music from Gov’t Mule, Allman Brothers Band, The Dead, his solo albums, and more, reimagined with bold new orchestral arrangements. To help create these unique takes on such beloved songs, Haynes recruited a team of orchestral arrangers for each individual song, including industry-renowned giants such as David Campbell (Adele, Justin Timberlake, Beyonce), Jim Gray (Barbra Streisand, Imagine Dragons), Tom Matta (Aretha Franklin, Art Garfunkel), Vince Mendoza (Sting, Elvis Costello, Joni Mitchell), Sean O’Loughlin (Josh Groban, Sarah McLachlan), and Chris Walden (Paul McCartney, Stevie Wonder).

Visionary artist Warren Haynes – ranked among the “Greatest Guitarists of All Time” by Rolling Stone – is a cornerstone of the American music landscape, lauded as one of the most formidable guitarists and vocalists of the modern era and a prolific songwriter and producer. Throughout his prolific career as part of three of the greatest live groups in rock history – Allman Brothers Band, Gov’t Mule and the Dead – and an acclaimed solo artist, he has become one of music’s most treasured storytellers and his artistry has led to thousands of memorable performances and millions of album and track sales. After joining the Allman Brothers Band in 1989, Haynes released his first solo album, Tales of Ordinary Madness, in 1993 and soon after, formed Gov’t Mule, originally as a side project during band breaks. The Mule has since created a revered catalog of more than 20+ studio and live albums over the past 30 years, including multiple GRAMMY nominations. Haynes has also released a total of four acclaimed solo albums. In addition, he curates and hosts the Christmas Jam, an annual star-studded charity show in Asheville, which celebrated its 33rd event in 2025, making it one of the longest running live concerts in the U.S.

Warren Haynes, guitar, vocals
Oteil Burbridge, bass
John Medeski, organ, keyboards
Jeff Sipe, drums
Greg Osby, saxophone
Edwin McCain, background vocals
Jasmine Muhammad, background vocals
Asheville Symphony Orchestra

Warren Haynes
You wouldn't know it from listening to Warren Haynes' work with Gov't Mule or the Allman Brothers Band, but there was a time when he didn't play guitar. He says, "I didn't get my first guitar until I was 12. My oldest brother had an acoustic guitar and I would bang around on it and try to play." But guitar wasn't even his first love -- it was singing. Around the time he was eight or nine, Haynes' two older brothers began turning him on to soul music. He would sit in his room, singing Smokey Robinson, Diana Ross, Otis Redding and Wilson Pickett. He became fascinated with sounds of Motown and Memphis. "All I cared about was the singer. The really strong singers really knocked me out. Levi Stubbs of The Four Tops still is one of my favorite voices of all time. And I always liked B.B. King even before I liked the blues. His voice was the main thing."

Guitar didn't escape Haynes' attention for long, however: he would soon turn on to rock and roll. "I really liked Eric Clapton. He was the first guitar hero I had. I liked really heavy Cream stuff. I liked all the Derek And The Dominoes stuff." Haynes' brothers used his admiration of Clapton to expand his musical horizons to take in the blues masters. They would tell him to check out Howlin' Wolf because Clapton played on it. Interviews with Haynes' favorite guitarists led him to other blues players, and the scope of his guitar playing grew accordingly.

Soon Haynes found himself performing at private gigs and pool parties. When he was about 14, he started hanging around a local pizza parlor that had been converted into a nightclub. About six months later, word got out that Haynes played guitar. The regulars wondered what this kid could do, so they offered to let him on stage.

It wasn't long before Haynes was playing in a band called Ricochet that developed a good regional following. One day, Haynes got a call from David Allan Coe, and it was a major break for the 20-year-old Haynes. He played with Coe from 1980 to 1984 (traveling all over the States and Europe) and played on nine of Coe's albums. Haynes also met Dickey Betts and Gregg Allman through Coe, and when Coe's band opened for The Allman Brothers at the Fox Theater in Atlanta, Betts sat in. Four years later, Haynes moved to Nashville to do session work, but the Allman connection was still there. Betts was doing some demos in Nashville and called someone to put together a group of background singers. As fate would have it, Haynes was one of them. Later, he called Haynes and invited him down to work on some songs. Those songs turned into Betts' solo album, Pattern Disruptive.

At the same time, Allman decided to record "Just Before the Bullets Fly," which Haynes co-wrote, as the title track to his 1988 album. It's no wonder that when The Allman Brothers reformed for their Reunion Tour in 1989, Haynes got a call to join. That tour turned into two studio albums and two Grammy nominations for Best Instrumental Rock Performance (in 1990 for "True Gravity" and 1991 for "Kind of Bird," both of which were co-written by Haynes and Betts) and then a live album in 1992 An Evening with the Allman Brothers Band. Haynes' songwriting, singing and playing helped make Seven Turns, Shades of Two Worlds and An Evening with the Allman Brothers Band, the Brothers' most critically acclaimed albums in years. Many critics give Haynes credit for putting the fire back in The Allman Brothers Band.

Haynes also took time out to release his first solo album, Tales of Ordinary Madness. The album featured the piano work of Chuck Leavell. Leavell also played on the album, joining another former Allman Brother, Johnny Neel, and Funkadelic's Bernie Worrell on keyboards. Marc Quinones, percussionist in the current Brothers lineup, also helped out.

After dropping out of The Allman Brothers Band in 1997 to pursue his side project (Gov't Mule) on a full-time basis, Haynes, along with bassist Allen Woody and drummer Matt Abts, released their third album in 1998, Dose, as a follow-up to their highly successful 1996 debut album and the 1996 recording Live at Roseland Ballroom. (Michael B. Smith, AMG)

Dieses Album enthält kein Booklet