Trip the Night Fantastic Terri Lyne Carrington & Social Science

• 1 Riddim Song 04:39
• 2 Identity Song 04:42
• 3 Autonomy Song 05:26
• 4 Climate Song 04:45
• 5 Children's Song 04:59
• 6 Step Song 04:57
• 7 Forest Song 04:48
• 8 Solidarity Song 03:57
• 9 Prayer Song 05:38
• 10 Abolition Song 05:26
• 11 Pet Song 06:54
• 12 Blues Song (These Poems) 05:01
• 13 Reckoning Song 03:35
• Total Runtime 01:04:47

Info for Trip the Night Fantastic

Building on the foundation of their critically acclaimed work, Terri Lyne Carrington + Social Science return with Trip the Night Fantastic, a powerful 13-track collection that serves as both a musical sanctuary and a call to action. Originally commissioned for the Visualizing Abolition Initiative, the album explores a vast landscape of social justice themes, including women's empowerment, gender identity, climate justice, and the abolition of punitive systems. Through a series of evocative collaborations, the album celebrates the resilience of the human spirit.

The album features guest appearances from Brandee Younger, Michael Mayo, Ledisi, Miki Howard, Nappy Nina, Kassa Overall, Debo Ray, Lizz Wright, Tarriona “Tank” Ball, aja monet and activist Angela Davis.

Terri Lyne Carrington has long understood that jazz can carry more than improvisation and virtuosity. Across decades of work as a drummer, producer, educator, and activist, she’s consistently used music as a way to confront uncomfortable truths while still leaving room for joy, movement, and human connection. On Trip The Night Fantastic, Carrington and her collective Social Science return with an album that pushes those ideas even further, balancing groove, poetry, and political urgency without sacrificing musical depth.

The album reunites Carrington with guitarist Matthew Stevens, pianist Aaron Parks, and multi-instrumentalist Morgan Guerin, the core lineup behind 2019’s Grammy-nominated Waiting Game. But where that record often felt meditative and atmospheric, Trip The Night Fantastic moves with sharper rhythmic intent. Carrington describes it as a dance album, though not in any conventional sense. The title flips the phrase “Trip The Light Fantastic” into something darker and more reflective, acknowledging the instability and division of the current moment while still insisting on movement, celebration, and collective energy.

That tension between heaviness and release drives the record. Climate change, immigration, gender identity, reproductive rights, racial injustice, and community solidarity all surface throughout the album, but Carrington approaches those subjects less like lectures and more like conversations unfolding inside layered, genre-blurring arrangements. Jazz, R&B, spoken word, hip-hop, soul, and global rhythms all intersect naturally, giving the project a sense of motion that mirrors its themes of interconnectedness and resistance.

The guest list is massive, but it rarely feels overcrowded. Instead, the collaborators function like an extension of the album’s central philosophy. Vocalists including Ledisi, Lizz Wright, Michael Mayo, Miki Howard, and Fatoumata Diawara appear alongside spoken word artists J. Ivy, aja monet, and Moor Mother, while instrumental contributions from harpist Brandee Younger, guitarist Marc Ribot, and organist Larry Goldings help give the album its constantly shifting texture.

“Autonomy Song” stands among the record’s emotional centerpieces, pairing Ledisi’s soaring vocal performance with spoken passages addressing bodily autonomy, reproductive freedom, and gender violence. Rather than turning the track into a blunt protest anthem, Carrington leans into warmth and groove, allowing the message to emerge through soul-infused arrangements and deeply personal performances. “Identity Song,” celebrating Pride Month, approaches gender and queer identity with similar care, featuring Michael Mayo and rapper Nappy Nina in a track rooted in empathy rather than abstraction.

Elsewhere, Carrington widens the lens. “Abolition Song,” featuring Kassa Overall and activist Angela Davis, confronts incarceration and systemic inequality through the framework of transformative justice, while “Solidarity Song” uses satire and sharp dialogue to examine class division and political polarization. Even at its most pointed, though, the album keeps returning to the idea that collective action matters more than division.

What ultimately gives Trip The Night Fantastic its power is that Carrington never treats activism as branding or aesthetic decoration. The album’s collaborative structure reflects the themes embedded in the songs themselves. Carrington has spoken openly about valuing collectivism over individualism, and that philosophy shapes everything here, from the shared songwriting process to the wide-ranging voices woven throughout the record.

Terri Lyne Carrington
Social Science

Terri Lyne Carrington
Celebrating 40 years in music, NEA Jazz Master and four-time GRAMMY® award-winning drummer, producer and educator, Terri Lyne Carrington started her professional career in Massachusetts at 10 years old when she became the youngest person to receive a union card in Boston. She was featured as a “kid wonder” in many publications and on local and national TV shows. After studying under a full scholarship at Berklee College of Music, Carrington worked as an in-demand musician in New York City, and later moved to Los Angeles, where she gained recognition on late night TV as the house drummer for both the Arsenio Hall Show and Quincy Jones’ VIBE TV show, hosted by Sinbad.

While still in her 20’s, Ms. Carrington toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the GRAMMY® award-winning album, The Mosaic Project, featuring a cast of all-star women instrumentalists and vocalists, and in 2013 she released, Money Jungle: Provocative in Blue, which also earned a GRAMMY® Award, establishing her as the first woman ever to win in the Best Jazz Instrumental Album category. ​

To date Ms. Carrington has performed on over 100 recordings and has been a role model and advocate for young women and men internationally through her teaching and touring careers. She has toured or recorded with luminary artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Diana Krall, Cassandra Wilson, Dianne Reeves, James Moody, Yellowjackets, Esperanza Spalding, Kris Davis, Chaka Khan, Natalie Cole, and Nancy Wilson. ​

In 2019 Ms. Carrington was granted The Doris Duke Artist Award, a prestigious acknowledgment in recognition of her past and ongoing contributions to jazz music. Also in 2019, her collaborative project, Terri Lyne Carrington and Social Science (formed with Aaron Parks and Matthew Stevens), released their album, Waiting Game, inspired by the seismic changes in the ever-evolving social and political landscape. The double album expresses an unflinching, inclusive, and compassionate view of humanity’s breaks and bonds through an eclectic program melding jazz, R&B, indie rock, contemporary improvisation, and hip-hop. Waiting Game was nominated for a 2021 GRAMMY® award and has been celebrated as one of the year's best jazz releases by Rolling Stone, Downbeat, Boston Globe and Popmatters. Downbeat describes the album as, “a two-disc masterstroke on par with Kendrick Lamar's 2015 hip-hop classic, 'To Pimp a Butterfly'..." and garnered three of their critics poll awards, Album of the Year, Group of the Year and Artist of the Year. Ms. Carrington was also named Artist of the Year by Jazz Times Critics Polls, the Boston Globe, and the Jazz Journalists Association.

Ms. Carrington has received honorary doctorates from Manhattan School of Music, York University and Berklee College of Music, where she currently serves as the Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, which recruits, teaches, mentors, and advocates for musicians seeking to study jazz with racial justice and gender justice as guiding principles.

She has curated musical presentations at Harvard University, Schomburg Center for Research in Black Culture, and the John F. Kennedy Center, and has enjoyed multi-disciplinary collaborations with esteemed visual artists Mickalene Thomas and Carrie Mae Weems and is also the artistic director for Detroit’s multi-disciplinary arts organization, the Carr Center. ​

In 2022, the curator and activist authored two books; a children’s book entitled Three of a Kind, on the making of the Allen Carrington Spalding trio, and the seminal collection, New Standards:101 Lead Sheets By Women Composers, another illustration of how she has worked tirelessly to fight for inclusivity and raise the voice of women, trans and non-binary jazz musicians. Accompanying the book is her latest album, new STANDARDS vol.1, featuring 11 selections from the songbook with an all-star band. ​

The album, which ranges from ballads to experimental compositions, is timely and adventurous, exploring the multiverse of jazz, with Carrington (drums and percussion) joined by Kris Davis (piano), Linda May Han Oh (bass), Matthew Stevens (guitar), and Nicholas Payton (trumpet) and welcomes special guests trumpeter Ambrose Akinmusire, vocalists, Melanie Charles, saxophonist Ravi Coltrane, electronic artist, Val Jeanty, guitarist, Julian Lage, flutist Elena Pinderhughes, percussionist Negah Santos and vocalists, Melanie Charles, Samara Joy, Michael Mayo, Dianne Reeves and Somi. In 2023, the album won a GRAMMY® Award for the best jazz instrumental album.

Carrington also curated a multi-media installation to accompany and expand on the message of the New Standards book and new STANDARDS vol. 1 album. The installation premiered at Detroit’s Carr Center, and was later featured at the Emerson Contemporary Media Art Gallery in Boston.This ambitious series of projects were created to shine a light on women composers in historic new ways.

Ms Carrington serves as co-executive producer and musical director for the newly formed Jazz Music Awards and is a 2022 inductee into the American Academy of Arts and Sciences.

This album contains no booklet.