Haydn: An Imaginary Orchestral Journey London Symphony Orchestra & Sir Simon Rattle

• Franz Joseph Haydn (1732 - 1809): Die Schopfung (The Creation), Hob.XXI:2:
• 1 Die Schopfung (The Creation), Hob.XXI:2: Overture: Die Vorstellung des Chaos 05:58
• Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Hob.XX:1A (version for orchestra): Il
• 2 Die 7 letzten Worte unseres Erlosers am Kreuze (The 7 Last Words), Hob.XX:1A (version for orchestra): Il terremoto 01:34
• L'isola disabitata: Overture, Hob.Ia:13: I
• 3 L'isola disabitata: Overture, Hob.Ia:13: I. Largo - II. Vivace assai 03:59
• 4 L'isola disabitata: Overture, Hob.Ia:13: III. Allegretto - IV. Vivace 02:22
• Symphony No. 64 in A Major, Hob.I:64, "Tempora mutantur": I
• 5 Symphony No. 64 in A Major, Hob.I:64, "Tempora mutantur": II. Largo 06:07
• Symphony No. 6 in D Major, Hob.I:6, "Le matin":
• 6 Symphony No. 6 in D Major, Hob.I:6, "Le matin": III. Menuet 04:10
• Symphony No. 46 in B Major, Hob.I:46: I
• 7 Symphony No. 46 in B Major, Hob.I:46: IV. Finale: Presto e scherzando 04:10
• Symphony No. 60 in C Major, Hob.I:60, "Il distratto", "Der Zerstreute":
• 8 Symphony No. 60 in C Major, Hob.I:60, "Il distratto", "Der Zerstreute": VI. Finale: Prestissimo 01:29
• Die Jahreszeiten (The Seasons), Hob.XXI:3:
• 9 Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Winter (Winter): Overture 04:10
• Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell":
• 10 Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": Presto - 02:58
• 11 Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": Adagio 04:08
• Flötenuhrstücke, Hob.XIX:1-32 (excerpts):
• 12 Flötenuhrstücke, Hob.XIX:1-32 (excerpts) 02:24
• Symphony No. 90 in C Major, Hob.I:90:
• 13 Symphony No. 90 in C Major, Hob.I:90: IV. Finale: Allegro assai 07:53
• Total Runtime 51:22

Info for Haydn: An Imaginary Orchestral Journey

Sir Simon Rattle pays homage to a composer he holds close to his heart with An Imaginary Orchestral Journey through the music of Joseph Haydn. Rattle trawls through the great composer's impressive catalogue, piecing together excerpts from symphonies, oratorios and operas spanning a 40-year period in what the director describes as 'a kind of greatest hits' format.

"The idea is to make a musical journey through all that is quirky and extraordinary, humorous and profound in Haydn," the LSO's Music Director explains. Sir Simon's focus is on Haydn as innovator, showcasing his most forward-looking and outlandish works in 50 minutes of uninterrupted performance.

What results from Sir Simon's pasticcio is a clear image of the composer he sees to best represent the ideals of the Enlightenment, his selection meticulously arranged to best demonstrate Haydn's intelligence, wit and thoughtfulness.

London Symphony Orchestra
Simon Rattle, conductor

Sir Simon Rattle
was born in Liverpool and studied at the Royal Academy of Music in London.

From 1980 to 1998, Sir Simon was Principal Conductor and Artistic Adviser of the City of Birmingham Symphony Orchestra and was appointed Music Director in 1990. He moved to Berlin in 2002 and held the positions of Artistic Director and Chief Conductor of the Berliner Philharmoniker until he stepped down in 2018. Sir Simon became Music Director of the London Symphony Orchestra in September 2017 and spent the 2017-18 season at the helm of both ensembles.

Sir Simon has made over 70 recordings for EMI record label (now Warner Classics) and has received numerous prestigious international awards for his recordings on various labels. Releases on EMI include Stravinsky’s Symphony of Psalms (which received the 2009 Grammy Award for Best Choral Performance) Berlioz's Symphonie fantastique, Ravel’s L'enfant et les sortileges, Tchaikovsky’s Nutcracker Suite, Mahler’s Symphony No. 2 and Stravinsky’s The Rite of Spring. From 2014 Sir Simon continued to build his recording portfolio with the Berliner Philharmoniker’s in-house label, Berliner Philharmoniker Recordings, which led to recordings of the Beethoven, Schumann and Sibelius symphony cycles. Sir Simon’s most recent recordings include Debussy’s Pelléas et Mélisande, Turnage’s Remembering, and Ravel, Dutilleux and Delage on Blue-Ray & DVD with the London Symphony Orchestra’s record label, LSO Live.

Music education is of supreme importance to Sir Simon, and his partnership with the Berliner Philiharmoniker broke new ground with the education programme Zukunft@Bphil, earning him the Comenius Prize, the Schiller Special Prize from the city of Mannheim, the Golden Camera and the Urania Medal. He and the Berliner Philharmoniker were also appointed International UNICEF Ambassadors in 2004 - the first time this honour has been conferred on an artistic ensemble. Sir Simon has also been awarded several prestigious personal honours which include a knighthood in 1994, becoming a member of the Order of Merit from Her Majesty the Queen in 2014 and most recently, was bestowed the Order of Merit in Berlin in 2018. In 2019, Sir Simon was given the Freedom of the City of London.

From 2013, Sir Simon took up residency at Baden-Baden Osterfestspiele performing Die Zauberflöte and a series of concerts with the Berliner Philharmoniker in his first season. Since then the partnership led to performances of Puccini’s Manon Lescaut, Peter Sellars’s ritualization of Bach’s St. John Passion, Strauss’s Der Rosenkavalier, Berlioz’s La damnation de Faust,Wagner’s Tristan und Isolde and most recently, Parsifal in 2018. For Salzburg Osterfestspiele, Rattle has conducted staged productions of Fidelio, Così fan tutte, Peter Grimes, Pelléas et Mélisande, Salome and Carmen, a concert performance of Idomeneo and many contrasting concert programmes. He has also conducted Wagner's Der Ring des Nibelungen with the Berliner Philharmoniker for Festival d'Aix-en-Provence and Salzburg Osterfestspiele and most recently at the Deutsche Oper Berlin and Wiener Staatsoper. Other recent opera productions for Sir Simon include Pelléas et Mélisande and Dialogues des Carmélites for the Royal Opera House; L'Étoile, Aus einem Totenhaus, Káťa Kabanová and La damnation de Faust for the Deutsche Staatsoper Berlin, and Andrew Norman’s A Trip to the Moon at the Barbican Centre, London.

Sir Simon has longstanding relationships with the leading orchestras in London, Europe and the USA; initially working closely with the Los Angeles Philharmonic and Boston Symphony Orchestra, and more recently with The Philadelphia Orchestra. He regularly conducts the Wiener Philharmoniker, with whom he has recorded the complete Beethoven symphonies and piano concertos with Alfred Brendel and is also a Principal Artist of the Orchestra of the Age of Enlightenment and Founding Patron of Birmingham Contemporary Music Group..

Sir Simon Rattle was knighted in 1994 and in the New Year’s Honours of 2014 he received the Order of Merit from Her Majesty the Queen.

Booklet for Haydn: An Imaginary Orchestral Journey