Rachmaninoff & Debussy Makoto Ueno

• Sergei Rachmaninoff (1873 - 1943): Piano Sonata No. 2 in B-flat minor, Op. 36 (1913 Version):
• 1 Rachmaninoff: Piano Sonata No. 2 in B-flat minor, Op. 36 (1913 Version): I. Allegro agitato 10:08
• 2 Rachmaninoff: Piano Sonata No. 2 in B-flat minor, Op. 36 (1913 Version): II. Non allegro - Lento - Più moose - Poco più mosso - Tempo I 06:33
• 3 Rachmaninoff: Piano Sonata No. 2 in B-flat minor, Op. 36 (1913 Version): III. L’istesso tempo - Allegro molto 07:58
• Claude Debussy (1862 - 1918): Preludes, Livre 2, CD 131:
• 4 Debussy: Preludes, Livre 2, CD 131: No. 1, Brouillards 03:42
• 5 Debussy: Preludes, Livre 2, CD 131: No. 2, Feuilles mortes 03:19
• 6 Debussy: Preludes, Livre 2, CD 131: No. 3, La Puerta del Vino 03:35
• 7 Debussy: Preludes, Livre 2, CD 131: No. 4, Les fees sont d’exquises danseuses 03:23
• 8 Debussy: Preludes, Livre 2, CD 131: No. 5, Bruyeres 03:00
• 9 Debussy: Preludes, Livre 2, CD 131: No. 6, General Lavine - eccentric 02:49
• 10 Debussy: Preludes, Livre 2, CD 131: No. 7, La terrasse des audiences du clair de lune 04:28
• 11 Debussy: Preludes, Livre 2, CD 131: No. 8, Ondine 03:40
• 12 Debussy: Preludes, Livre 2, CD 131: No. 9, Hommage a S. Pickwick, Esq.P.P.M.P.C 02:39
• 13 Debussy: Preludes, Livre 2, CD 131: No. 10, Canope 03:09
• 14 Debussy: Preludes, Livre 2, CD 131: No. 11, Les tierces alternees 02:49
• 15 Debussy: Preludes, Livre 2, CD 131: No. 12, Feux d’artifice 05:11
• Total Runtime 01:06:23

Info for Rachmaninoff & Debussy

Makoto Ueno, one of the last pupils of Jorge Bolet, plays Rachmaninoff and Debussy (Steinway New York, CD-135 made in 1925).

Makoto Ueno plays Rachmaninoff's Piano sonata No.2 in B-flat minor, op.36 (Original version, 1913) and Debussy's Préludes, Livre II (1913)

Makoto Ueno, piano

Please Note: We offer this album in its native sampling rate of 48kHz, 24-bit. The provided 96kHz version was up-sampled and offers no audible value!

Makoto Ueno
was born to a musical family in 1966 in Muroran, Japan. His grandmother and father were both organists in a local Protestant Church, and they exerted the first musical influences on him. A graduate of the prestigious Curtis Institute of Music in Philadelphia, he studied with Jorge Bolet and Gary Graffman, then continued in the Mozarteum Salzburg with Hans Leygraf. Also in his formative years, Ueno received musical instructions and suggestions from diverse artists such as Mieczyslaw Horszowski, Edward Aldwell, Felix Galimir, Leon Fleisher, Rosalyn Tureck, Andrzej Jasinski, Radoslav Kvapil, and Jacob Lateiner.

He was a prize-winner at various international competitions such as Maryland, Boesendorfer=Empire(Brussels), Geneva, Orléans. In Japan, he was a recipient of the Kyoto City Prize for New Artists, and of the Aoyama Barocksaal Prize, in 2005. In June 2005 he won Second Prize at the First Sviatoslav Richter International Piano Competition in Moscow.

Ueno has given recitals throughout Japan, Korea, Thailand,Turkey, Mexico, the U.S.A., Austria, Belgium, the Czech Republic, Germany, Holland, Latvia, and Russia.

An active soloist with orchestras, Makoto Ueno appeared with the Shinsei-Japan Orchestra, the Japan Philharmonic Orchestra, the Orchestra Ensemble Kanazawa, the Sapporo Symphony Orchestra, the Osaka Symphony Orchestra, the Kyoto Symphony Orchestra, the Kyoto Philharmonic, the Tokyo Kosei Wind Orchestra, the National Symphony Orchestra(Washington D.C.), L’orchestre de la suisse romande, the Zurich Chamber Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, the Samara Philharmonic(Russia), the Stavanger Symphony Orchestra(Norway), and OFUNAM(Mexico)

Although he usually plays modern concert pianos, Ueno is equally at home with historical instruments, often performing on Viennese and British fortepianos from 1810 to the 1820s, on a Pleyel, Streicher, Erard of 1840 to 1860.

His live TV and radio appearances have been broadcast on NHK FM and NHK TV, and solo CD recordings have been released by Octavia Records and Wakabayashi Koubou labels. Ueno’s recordings of Liszt Transcendental etudes, complete etudes by Debussy,Bartók on modern Steinway pianos, Beethoven played on Matthaeus Stein and Broadwood from early 19th Century, Debussy and Rachmaninoff with an American Steinway made in 1925, and Chopin Sonatas with Pleyel and Erard made circa 1850 have been on the market in the recent years.

Since 1996, he has been teaching as a piano faculty member at Kyoto University of Arts. In addition to his teaching at other Japanese universities and institutions, he has served as a jury in major piano competitions in Japan, and written articles and essays for various Japanese music magazines.

An avid photographer of architecture and landscapes, particularly interested in non-digital medium-format photography, Ueno has future plans to make his photographs of historic Japanese temples, shrines, and monuments around Kyoto and Nara accessible to the general public.

This album contains no booklet.