The Goat Rodeo Sessions (Bonus & Live Tracks) Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile

• Stuart Duncan, Edgar Meyer, Chris Thile:
• 1 Attaboy 05:42
• 2 Quarter Chicken Dark 04:47
• James Taylor:
• 3 Helping Hand 04:32
• Stuart Duncan, Edgar Meyer, Chris Thile:
• 4 Where's My Bow? 05:29
• 5 Here and Heaven 03:53
• 6 Franz and the Eagle 06:53
• 7 Less Is Moi 07:27
• 8 Hill Justice 04:29
• 9 No One but You 03:54
• 10 13:8 05:54
• 11 Goat Rodeo 04:18
• 12 Parallax (Bonus Track) 05:19
• 13 Mostly Six Eight (Bonus Track) 04:40
• Johann Sebastian Bach:
• 14 Gamba Sonata No. 1, Movement 4 (Live) 48kHz 03:09
• Traditional:
• 15 Fiddle Medley (Live) 48kHz 03:21
• Traditional:
• 16 All Through The Night (Live) 48kHz 04:41
• Total Runtime 01:18:28

Info for The Goat Rodeo Sessions (Bonus & Live Tracks)

Ein "goat rodeo" (wörtlich "Ziegenrodeo) ist laut urbandictionary. com "eine Situation, die man nie in den Griff bekommt" oder "der einzige salonfähige Ausdruck, den Flieger für ein Szenario benutzen, in dem man circa 100 Dinge zugleich tun müsste, um das nackte Leben zu retten". Als Yo-Yo Ma, Edgar Meyer, Chris Thile und Stuart Duncan auf diesen Begriff stießen, stand sofort fest, dass dies der passende Name für ihr ehrgeiziges Aufnahme- Projekt sein würde.

Die vier Musiker, die alle zu den herausragenden Könnern auf ihren Instrumenten zählen, entwickelten in gemeinschaftlichen Aufnahmesessions Werke, die tief in der amerikanischen Bluegrass-Tradtition verwurzelt sind, aber auch weit über eben diese Tradition hinausgehen. Die Arrangements bauen Spannungskurven auf und wieder ab, Soli schrauben sich empor, weite Bögen erzeugen versonnene, träumerische Stimmung. Yo-Yo Ma fasste das Gefühl der Aufnahme wie folgt zusammen: "Letztlich wollen wir alle Musik machen, und zwar so, dass die Musik ihre Wurzeln oder ihre Kategorien schließlich überwindet." Dies ist den hier beteiligten Ausnahmemusikern auf großartige Art und Weise gelungen.

Yo-Yo Ma, Cello
Chris Thile, Mandoline, Viol; Gesang (Tracks: 5, 9, 16)
Stuart Duncan, Geige, Mandoline, Banjo
Edgar Meyer, Bass, Klavier
Aoife O'Donovan, Gesang (Tracks: 5, 9, 16)

Produced by Steve Epstein

Yo-Yo Ma
Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.

Yo-Yo Ma maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, creating programs with such artists as Emanuel Ax, Daniel Barenboim, Christoph Eschenbach, Kayhan Kalhor, Ton Koopman, Yu Long, Bobby McFerrin, Edgar Meyer, Mark Morris, Riccardo Muti, Mark O’Connor, Cristina Pato, Kathryn Stott, Chris Thile, Michael Tilson Thomas, Wu Man, Wu Tong, Damian Woetzel, and David Zinman. Each of these collaborations is fueled by the artists’ interactions, often extending the boundaries of a particular genre. One of Mr. Ma’s goals is the exploration of music as a means of communication and as a vehicle for the migration of ideas across a range of cultures throughout the world. To that end, he has taken time to immerse himself in subjects as diverse as native Chinese music with its distinctive instruments and the music of the Kalahari bush people in Africa.

Expanding upon this interest, in 1998, Mr. Ma established Silkroad, a nonprofit organization that seeks to create meaningful change at the intersections of the arts, education and business. Under his artistic direction, Silkroad presents performances by the acclaimed Silk Road Ensemble and develops new music, cultural partnerships, education programs, and cross-disciplinary collaborations. Silkroad’s ongoing affiliation with Harvard University has made it possible to develop programs such as the Arts and Passion-Driven Learning Institute for educators and teaching artists, held in collaboration with the Harvard Graduate School of Education, and a new Cultural Entrepreneurship initiative in partnership with Harvard Business School. More than 80 new musical and multimedia works have been commissioned for the Silk Road Ensemble from composers and arrangers around the world. Through his work with Silkroad, as throughout his career, Yo-Yo Ma seeks to expand the cello repertoire, frequently performing lesser known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Stephen Albert, Elliott Carter, Chen Yi, Richard Danielpour, Osvaldo Golijov, John Harbison, Leon Kirchner, Peter Lieberson, Zhao Lin, Christopher Rouse, Giovanni Sollima, Bright Sheng, Tan Dun, John Williams and Dmitri Yanov-Yanovsky.

As the Chicago Symphony Orchestra’s Judson and Joyce Green Creative Consultant, Mr. Ma is partnering with Maestro Riccardo Muti to provide collaborative musical leadership and guidance on innovative program development for The Negaunee Music Institute of the Chicago Symphony Orchestra, and for Chicago Symphony artistic initiatives. Ma’s work focuses on the transformative power music can have in individuals’ lives, and on increasing the number and variety of opportunities audiences have to experience music in their communities. Mr. Ma and the Institute have created the Citizen Musician Initiative (www.citizenmusician.org), a movement that calls on all musicians, music lovers, music teachers and institutions to use the art form to bridge gulfs between people and to create and inspire a sense of community.

Yo-Yo Ma is strongly committed to educational programs that not only bring young audiences into contact with music but also allow them to participate in its creation. While touring, he takes time whenever possible to conduct master classes as well as more informal programs for students – musicians and non-musicians alike. At the same time, he continues to develop new concert programs for family audiences, for instance helping to inaugurate the family series at Carnegie Hall. In each of these undertakings, he works to connect music to students’ daily surroundings and activities with the goal of making music and creativity a vital part of children’s lives from an early age. He has also reached young audiences through appearances on “Arthur,” “Mister Rogers’ Neighborhood” and “Sesame Street.”

Mr. Ma’s discography of over 90 albums (including 18 Grammy Award winners) reflects his wide-ranging interests. He has made several successful recordings that defy categorization, among them “Hush” with Bobby McFerrin, “Appalachia Waltz” and “Appalachian Journey” with Mark O’Connor and Edgar Meyer, and two Grammy-winning tributes to the music of Brazil, “Obrigado Brazil” and “Obrigado Brazil – Live in Concert.” Mr. Ma’s recent recordings include Mendelssohn Trios with Emanuel Ax and Itzhak Perlman; “The Goat Rodeo Sessions,” with Edgar Meyer, Chris Thile and Stuart Duncan, which received the 2013 Grammy for Best Folk Album; and “A Playlist Without Borders,” recorded with the Silk Road Ensemble, which was released in September 2013. Across this full range of releases, Mr. Ma remains one of the best-selling recording artists in the classical field. All of his recent albums have quickly entered the Billboard chart of classical best sellers, remaining in the Top 15 for extended periods, often with as many as four titles simultaneously on the list. In fall 2009, Sony Classical released a box set of over 90 albums to commemorate Mr. Ma’s 30 years as a Sony recording artist.

Yo-Yo Ma was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and soon came with his family to New York, where he spent most of his formative years. Later, his principal teacher was Leonard Rose at the Juilliard School. He sought out a traditional liberal arts education to expand upon his conservatory training, graduating from Harvard University in 1976. He has received numerous awards, including the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001), the Dan David Prize (2006), the Leonie Sonning Music Prize (2006), the World Economic Forum’s Crystal Award (2008), the Presidential Medal of Freedom (2010), the Polar Music Prize (2012) and the Vilcek Prize in Contemporary Music (2013). In 2011, Mr. Ma was recognized as a Kennedy Center Honoree. Appointed a CultureConnect Ambassador by the United States Department of State in 2002, Mr. Ma has met with, trained and mentored thousands of students worldwide in countries including Lithuania, Korea, Lebanon, Azerbaijan and China. Mr. Ma serves as a UN Messenger of Peace and as a member of the President’s Committee on the Arts & the Humanities. He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.

Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.

This album contains no booklet.