Sergei Lyapunov: 12 études d'exécution transcendante, Op. 11 Etsuko Hirose

Cover Sergei Lyapunov: 12 études d'exécution transcendante, Op. 11

Album info



Label: Mirare

Genre: Classical

Subgenre: Instrumental

Album including Album cover Booklet (PDF)

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  • Sergey Lyapunov (1859-1924): 12 Etudes d'Execution Transcendante, Op. 11:
  • 1I. Berceuse04:07
  • 2II. Ronde des fantômes03:23
  • 3III. Carillon06:26
  • 4IV. Térek04:06
  • 5V. Nuit d'été08:24
  • 6VI. Tempête04:21
  • 7VII. Idylle05:10
  • 8VIII. Chant épique08:24
  • 9IX. Harpes éoliennes06:59
  • 10X. Lesghinka07:00
  • 11XI. Ronde des sylphes04:00
  • 12XII. Élégie en mémoire de François Liszt11:57
  • Total Runtime01:14:17

Info for Sergei Lyapunov: 12 études d'exécution transcendante, Op. 11

“In the history of music, many are the noteworthy composers who long remained neglected and unrecognized, or whose œuvre has been reduced to misleading clichés. Lyapunov counts among them. Her pianistic virtuosity and inspired playing make us the living witnesses of the transcendental experience so dear to Liszt: they encourage elevation. Let us listen unbiased to a work that remains one of the prodigious cycles of piano literature.”

Etsuko Hirose, piano

Etsuko Hirose
Born in Nagoya in Japan, Etsuko Hirose began studying the piano at the age of three. When she was only six she performed Mozart’s Piano Concerto no.26 with orchestra. After pursuing her studies at the Ecole Normale de Musique in Paris, in the class of Germaine Mounier, she entered the Conservatoire National Superieur de Musique et de Danse de Paris in the class of Bruno Rigutto and Nicholas Angelich, and in 1999 was awarded a Premier Prix in piano by unanimous decision and the Prix Daniel Magne. She is currently rounding off her training with Marie-Francoise Bucquet and Jorge Chamine, and more recently also Alfred Brendel, for whom she has had the privilege of playing and whose guidance she has received.

A prizewinner at prestigious international contests such as the Frederic Chopin Competition for young pianists (Moscow), the G. B. Viotti Competition (Italy) and the ARD Competition in Munich, she won First Prize at the Martha Argerich Competition in 1999, which launched her solo career.

She is a guest at such renowned venues as the Herkulessaal in Munich, Kennedy Center in Washington, Teatro Colon in Buenos Aires, and Suntory Hall and Orchard Hall in Tokyo, and has been accompanied by leading orchestras including the Symphonieorchester des Bayerischen Rundfunks, Orquesta Sinfonica Nacional Argentina, Orpheus Chamber Orchestra, Orchestra Nazionale della RAI Torino, Moscow Philharmonic Orchestra, Polish Chamber Orchestra, NHK Symphony Orchestra, Tokyo Philharmonic Orchestra and Ural Philharmonic Orchestra, under the direction of such conductors as Charles Dutoit, Marcello Viotti, Pedro I. Calderon, Dmitri Liss, Faycal Karoui. She has also been invited to appear at many festivals, including La Roque d’Antheron, La Folle Journee in Nantes, Tokyo, Warsaw and Bilbao; the Chopin Festival at Bagatelle, Nohant and in Poland; the Martha Argerich Festival in Japan, Taiwan and Italy; the Festival Radio Classique at L’Olympia in Paris, Lisztomanias, the Festival de Saint-Riquier, Les Musicales de Mortagne, Les Nuits du Sucquet in Cannes, CIMA (Italy), the ‘Iberiades’ at Radio France, and the Festival das Artes in Coimbra (Portugal).

Her performances are regularly broadcast, notably on Arte, France 3, France Musique, Radio Classique, and the NHK.

Booklet for Sergei Lyapunov: 12 études d'exécution transcendante, Op. 11

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