Schubert: Works for Solo Piano, Vol. 4 Barry Douglas
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- Franz Schubert (1797 - 1828): Piano Sonata No. 9 in B Major, Op. Posth. 147, D. 575:
- 1Piano Sonata No. 9 in B Major, Op. Posth. 147, D. 575: I. Allegro ma non troppo07:58
- 2Piano Sonata No. 9 in B Major, Op. Posth. 147, D. 575: II. Andante06:15
- 3Piano Sonata No. 9 in B Major, Op. Posth. 147, D. 575: III. Scherzo. Allegretto05:15
- 4Piano Sonata No. 9 in B Major, Op. Posth. 147, D. 575: IV. Allegro giusto04:35
- Piano Sonata No. 4 in A Minor, Op. Posth. 164, D. 537:
- 5Piano Sonata No. 4 in A Minor, Op. Posth. 164, D. 537: I. Allegro ma non troppo11:01
- 6Piano Sonata No. 4 in A Minor, Op. Posth. 164, D. 537: II. Allegretto quasi andantino08:10
- 7Piano Sonata No. 4 in A Minor, Op. Posth. 164, D. 537: III. Allegro vivace04:50
- Piano Sonata No. 13 in A Major, Op. Posth. 120, D. 664:
- 8Piano Sonata No. 13 in A Major, Op. Posth. 120, D. 664: I. Allegro moderato08:04
- 9Piano Sonata No. 13 in A Major, Op. Posth. 120, D. 664: II. Andante04:30
- 10Piano Sonata No. 13 in A Major, Op. Posth. 120, D. 664: III. Allegro07:11
Info for Schubert: Works for Solo Piano, Vol. 4
Barry Douglas’s critically acclaimed series of Schubert’s piano works reaches its fourth installment.
For this recording, Douglas has chosen to present three piano sonatas from the middle of Schubert’s short life: No. 5 (D 537) and No. 11 (D 575), both composed in 1817, complemented with the Sonata No. 15 (D 664), composed just two years later.
The three sonatas all spring from a period when Schubert was experimenting with tonality, both in the sense of less usual keys (D 575 is in B major) and in terms of the relative keys of the movements, and of sections within movements.
Irrespective of this experimentation, Schubert’s incredible talent for melody and lyricism shines through each of the works, and is masterfully heightened in Douglas’s interpretations.
Like the previous three volumes in the series, the recording was made on a Steinway Model D in the Curtis Auditorium at the CIT Cork School of Music.
"The Chandos series of albums devoted to the solo piano music of Brahms, performed by Irish pianist Barry Douglas, here reaches its fourth volume. Douglas' readings have been substantial and generally well received, and this group of pieces has the virtues of their predecessors in the series. Most notable is the structure of the program: Douglas plays Brahms' smaller pieces not in their original opus-number groupings but as intermezzi between larger works. This makes sense on several different levels, one of them being that some of the short works here are indeed titled Intermezzi. It's not at all clear that Brahms intended groups of short pieces to be plowed through from beginning to end. And, most important of all, the recital concept of Brahms' time was oriented toward mixtures of weightier and smaller pieces. As in the earlier Douglas releases in the series, the pianist handles the mixture well. The overall dimensions are intimate, and the fervent, technically dense quality of the early Piano Sonata No. 1 in C major, Op. 1, comes through very nicely. Of course every note is in place in the two big variation sets that round out the program, but here some may miss a bit of hall-filling excitement. On balance this is a strong addition to Douglas' series, although maybe not the one to start with for those just buying one. Among its virtues is the sound engineering from the West Road Concert Hall in Cambridge; it's ideally suited to both performer and concept." (James Manheim, AMG)
Barry Douglas, piano
has established a major international career since winning the Gold Medal at the 1986 Tchaikovsky International Piano Competition, Moscow. As Artistic Director of Camerata Ireland and the Clandeboye Festival, he continues to celebrate his Irish heritage whilst also maintaining a busy international touring schedule.
Barry Douglas Picture 2015Barry opened the 17/18 season performing Tchaikovsky with the Halle Orchestra, after which he began new collaborations with both the Endellion String Quartet and the Borodin Quartet. He toured in recital in the UK and USA and performed with orchestras across the globe from Canada to Europe to China to Russia. During the 16/17 season Barry performed two full Tchaikovsky Piano Concerto cycles in Ireland with the RTE Orchestra in Dublin and the Ulster Orchestra in Belfast. He also gave performances of Tchaikovsky’s first Piano Concerto with the London Symphony Orchestra, and opened the St. Petersburg Philharmonic’s concert season, all marking the 30th anniversary of his Tchaikovsky International Competition win.
Other recent and future highlights include performances at BBC Proms in the Park with the Ulster Orchestra, a UK tour with the Russian State Symphony Orchestra, and appearances with Orchestre de Auvergne, Barcelona Symphony, Bogota Philharmonic and Vancouver Symphony orchestras. He also recently gave the premiere of Kevin Volans’ fourth piano concerto with the Birmingham Contemporary Music Group, and performed in recital at the Verbier Festival.
He has previously given concerts with the BBC Scottish Symphony, London Symphony, Russian National, Cincinnati Symphony, Singapore Symphony, Berlin Radio Symphony, Staatskapelle, Halle, Orchestre National de France, Seattle Symphony, Melbourne Symphony, the Royal Liverpool Philharmonic and Hong Kong Philharmonic orchestras, among others. Barry regularly plays in recitals throughout the world, with recent performances in the UK, the Netherlands, Armenia, Mexico, China and the US.
Barry is an exclusive Chandos recording artist. He recently completed recording the full works for solo piano of Brahms, the six albums of which have received much critical praise. International Record Review wrote that “this is indeed Brahms playing of the utmost integrity and authority… this cycle looks set to become a benchmark version.” The interesting programming of each disc presents each album as a stand-alone recital, providing a varied and engaging listening experience. His current recording project focusses on the solo piano works of Schubert; the fourth and final disc will be released next season. Last season he also began a new series, recording Tchaikovsky solo piano music. Also with Chandos Barry is exploring Irish folk music through his own arrangements, working with ancient melodies through to pieces by contemporary song writers. The first in this series, Celtic Reflections, was released in September 2014 and was followed in 2016 by a second disc: Celtic Airs.
In 1999 Barry Douglas founded the chamber orchestra Camerata Ireland to celebrate and nurture the very best of young musicians from both Northern and the Republic of Ireland. In addition to striving for musical excellence, one of the orchestra’s aims is to further the peace process in Ireland by promoting dialogue and collaboration through its musical education programmes. Barry regularly tours with Camerata Ireland throughout the world and visited the US in the spring of 2018. Highlights of past seasons were Camerata Ireland’s debut at the BBC Proms in London and a world premiere of a new cantata commissioned by The Honourable The Irish Society, “At Sixes and Sevens”, alongside the London Symphony Orchestra to celebrate Derry-Londonderry becoming City of Culture 2013. Barry Douglas received the Order of the British Empire (OBE) in the 2002 New Year’s Honours List for services to music.