Dvorák: Stabat Mater, Op.58, B.71 Czech Philharmonic & Jiri Belohlavek

Cover Dvorák: Stabat Mater, Op.58, B.71

Album info



Label: Decca

Genre: Classical

Subgenre: Vocal

Artist: Czech Philharmonic & Jiri Belohlavek

Composer: Antonín Dvorák (1841-1904)

Album including Album cover Booklet (PDF)

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  • Antonín Dvorák (1841 - 1904): Stabat Mater, Op.58, B.71:
  • 11. "Stabat mater dolorosa"19:48
  • 22. "Quis est homo, qui non fleret"10:08
  • 33. "Eia mater, fons amoris"07:05
  • 44. "Fac ut ardeat cor meum"09:16
  • 55. "Tui nati vulnerati"04:52
  • 66. "Fac me vere tecum flere"05:50
  • 77. "Virgo virginum praeclara"06:46
  • 88. "Fac ut portem Christi mortem"05:08
  • 99. "Inflammatus et accensus"06:02
  • 1010. "Quando corpus morietur"08:06
  • Total Runtime01:23:01

Info for Dvorák: Stabat Mater, Op.58, B.71

Jiri Belohlavek and the Czech Philharmonic present their latest release, Antonin Dvorak's Stabat Mater.

The year 1875 was something of an annus mirabilis for Dvořák: in just twelve months he composed his Fifth Symphony, the E major String Serenade, three important chamber works, four Moravian Duets and the five-act grand opera Vanda. It also marked both a peak in his fortunes – for the first time he received a state prize to help struggling young artists – and a year of deep personal sadness for the composer and his wife Anna, with the death on 19 September of their infant daughter Josefa.

The effect of this event on Dvořák may be sensed in the expressive G minor Piano Trio he wrote in January 1876, and shortly afterwards he may have decided to commemorate his loss with this setting of the Stabat Mater, his longest and most profound non-operatic work to date. He sketched it between 19 February and 7 May 1876, but left the orchestration until autumn of the following year, the interruption perhaps caused by continuing, devastating family tragedies: the death of another daughter, Růžena, followed a few weeks later by the loss of the Dvořák’s sole surviving child, their son Otakar. The orchestration was eventually completed on 13 November 1877, and the premiere took place at an anniversary concert of the Prague association of musical artists (Umělecká beseda) on 23 December 1880, a curiously unseasonable date for such a quintessentially Passiontide composition. …

Czech Philharmonic
Jiri Belohlavek, conductor

Jirí Belohlávek
was born in Prague in 1946. His love of music became apparent at an early age, and following studies in cello and conducting, he was invited to become assistant conductor to Sergiu Celibidache in 1968. Belohlávek won the Czech Young Conductors’ Competition in 1970 and reached the final of the Herbert von Karajan Conducting Competition in 1971.

In 1977, Jirí Belohlávek began to serve as Chief Conductor of the Prague Symphony Orchestra, a position he held until 1990, when he was appointed Chief Conductor of the Czech Philharmonic. In 1994, he founded the Prague Philharmonia, an orchestra he then led as Chief Conductor and Music Director until 2005, when he was appointed its Conductor Laureate.

After serving as its Principal Guest Conductor between 1995 and 2000, Jirí Belohlávek was appointed Chief Conductor of the BBC Symphony Orchestra in 2006. He conducted the orchestra at the Last Night of the Proms in 2007, becoming the first artist whose principal language is not English to undertake this important role. He performed at the Last Night of the Proms again in 2010 and 2012.

Jirí Belohlávek has also regularly conducted the Berlin Philharmonic, Boston Symphony, Cleveland Orchestra, Gewandhausorchester Leipzig, New York Philharmonic, Sächsische Staatskapelle Dresden and the San Francisco Symphony Orchestra, among others. He was recently appointed Principal Guest Conductor of the Rotterdam Philharmonic Orchestra.

Jirí Belohlávek has worked in the world of opera throughout his career, with regular appearances at the world’s main opera houses including Berlin, Covent Garden, Glyndebourne, the Metropolitan Opera in New York, Opéra Bastille and Teatro Real. Recent and forthcoming highlights include new productions of Dvorák’s Rusalka at the Vienna Staatsoper (2014), Tchaikovsky’s The Queen of Spades at the Zürich Opera House (2014), and Janácek’s Jenufa at the San Francisco Opera (2016).

Jirí Belohlávek has an extensive discography, including a complete Dvorák Symphonies cycle recently released by Decca, and is the first conductor since Herbert von Karajan to receive the Gramophone Award for Orchestral Recording two years running. In 2012, Queen Elizabeth II appointed Jirí Belohlávek an honorary CBE for services to music.

Booklet for Dvorák: Stabat Mater, Op.58, B.71

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