Born in Brazil, raised in Cologne and based in Berlin, Dominique Dillon de Byington, aka Dillon, has always had a clear vision of her art. She already has two albums under her belt, and she actually regards these as part of the same work, since they tell a coherent story. This has always been apparent in her live shows, which are carried by a magical interchange between the dark-melodic songs of both albums. When the Berlin Foreign Affairs Festival asked her, in 2015, to develop a unique concert idea, she decided on a performance with a six-piece women’s choir, which accompanied her and Tamer Fahri Özgönenc, her collaborator and co-producer of her first two albums, in the live performance at the Haus der Berliner Festspiele in July 2015. “I felt the need to work with vocals and to create an additional layer that breathes in this space between the electronic music and myself. I was very attracted to this idea, so Tamer and I wrote and arranged the choir parts together,” Dillon explains.