My Focus - Live Under The Rainbow (Live) Jan Akkerman

Album info

Album-Release:
2025

HRA-Release:
12.12.2025

Label: Music Theories Recordings

Genre: Rock

Subgenre: Modern Rock

Artist: Jan Akkerman

Album including Album cover

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  • 1 Spiritual Privacy (Live) 09:11
  • 2 Answers Questions - Questions Answers (Live) 05:03
  • 3 Focus 2 (Live) 04:34
  • 4 Focus 1 (Live) 07:23
  • 5 Palace Of The King (Live) 05:08
  • 6 Anonymous (Live) 04:40
  • 7 Big Sur (Live) 09:45
  • 8 Tommy's Anniversary (Live) 09:08
  • 9 Piétons (Live) 06:45
  • 10 Hocus Pocus (Live) 02:55
  • 11 Sylvia (Live) 04:46
  • Total Runtime 01:09:18

Info for My Focus - Live Under The Rainbow (Live)

Mit My Focus – Live Under the Rainbow präsentiert Gitarrenlegende Jan Akkerman ein intensives Live-Dokument, das seine Virtuosität, Ausdruckskraft und Spielfreude in beeindruckender Klangqualität festhält. Aufgenommen während seiner UK-Tour im Februar 2025 mit Marijn van den Berg (Schlagzeug), David de Marez Oyens (Bass) und Coen Molenaar (Keyboards), zeigt das Album den Ausnahmegitarristen in voller kreativer Freiheit.

Die Setlist verbindet zeitlose Klassiker aus seiner Zeit mit Focus – darunter Hocus Pocus, Sylvia, Focus I und Focus II – mit ausgewählten Stücken aus seinem Soloschaffen wie Spiritual Privacy, Tommy’s Anniversary und Piétons. So entsteht ein musikalischer Bogen, der über fünf Jahrzehnte künstlerischer Entwicklung umfasst.

Akkerman spielt mit spürbarer Leidenschaft und Hingabe – jedes Solo, jede Nuance trägt seine unverwechselbare Handschrift. My Focus – Live Under the Rainbow ist mehr als nur ein Konzertmitschnitt: Es ist eine Hommage an das Lebenswerk eines Musikers, der bis heute mit ungebrochener Energie auf der Bühne steht.

Jan Akkerman




Jan Akkerman
At 72 years old, the supremely gifted guitarist is equalled by very few and his legendary ability makes him impossible to pigeon hole. His position as Dutch royalty has been cemented, he received the Golden Harp Award in early 2005, Holland’s most prestigious music prize and in 2012 he was appointed Knight in the Order of Orange-Nassau, a royal honour that acknowledged his contribution to Dutch music and his influence on musicians around the world.

Akkerman gained international fame with Focus from 1969 – 1976 where he recorded a number of breakout albums; ‘Focus Plays Focus / In And Out Of Focus’ (1970), ‘Focus II/Moving Waves’ (1971) which reached the album chart in the UK #2, Netherlands #4 and #8 in the US going Gold. This album spawned the mega-hit ‘Hocus Pocus’ which reached #9 on the US Billboard Chart, #12 in The Netherlands and #20 in the UK singles chart and the song has gone on to appear on numerous TV shows such as Top Gear, Saxondale, Skins, Supernatural, Vinyl, My Name is Earl and Shameless as well we the 2007 film Hot Fuzz, 2014 remake of Robocop, 2017s Baby Driver and numerous TV advertisements including Nike. The song has been covered by a number of other artists including Iron Maiden, Marillion, Helloween, Gary Hoey, The Vandals and Vanessa-Mae. Focus toured Europe and the US including shows with Gentle Giant, Frank Zappa and Yes. In 1973 Melody Maker declared him the ‘Best guitarist of the world’, above Eric Clapton and Jimmy Page.

Including live albums, Jan has released 30 solo albums and has collaborated with a number of musicians including Alan Price (The Animals), Jack Bruce and Ice T and also counts fans in Brian May who said Akkerman was “totally a hero of mine, there are some people in life that no matter how old you are, you feel nervous if you meet someone, he’s one of those, he’s a real role model”. B.B. King has also talked highly of him saying, “How can you forget a guy like Jan, usually with people that are as great as he is, you know of them, but you don’t always get to know them or their music, but you know their reputation. The nights that we played together was great, I wish I could play the things that he did.” Whilst Yes guitarist Peter Banks has also lauded him calling him “an almost perfectly formed musician, his classical playing was tremendous and his improvising was second to none.”



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