Per la viola bastarda Manon Papasergio, Angélique Mauillon, Yoann Moulin, Clémence Niclas
Album info
Album-Release:
2025
HRA-Release:
19.11.2025
Label: Ricercar
Genre: Classical
Subgenre: Chamber Music
Artist: Manon Papasergio, Angélique Mauillon, Yoann Moulin, Clémence Niclas
Composer: Sylvestro Ganassi (1492-1557), Diego Ortiz (1510-1558), Antonio de Cabezon (1500-1566), Riccardo Rogniono Taeggio (1545-1620), Orazio Bassani (1561-1613), Adrian Willaert (1490-1562), Luzzasco Luzzaschi (1545-1607), Manon Papasergio (2002), Francesco Rognoni (1570-1626), Orlando di Lasso (Lassus) (1532-1594)
Album including Album cover Booklet (PDF)
- Sylvestro Ganassi (1492 - 1550):
- 1 Ganassi: Recerchar secondo 01:26
- Diego Ortiz (1510 - 1570):
- 2 Ortiz: Recercada Tercera sobre O felici occhi miei 02:18
- 3 Ortiz: Recercada Ottava sobre tenore La Gamba 01:41
- Antonio de Cabezón (1510 - 1566):
- 4 Cabezón: Qui la dira 02:56
- 5 Cabezón: Ancor che col partire 03:19
- Richardo Rogniono (1550 - 1620):
- 6 Rogniono: Ancor che col patire 04:22
- Orazio Bassani (1550 - 1615):
- 7 Bassani: Toccata 01:25
- 8 Bassani: Nasce la gioia mia 05:16
- Adrian Willaert (1490 - 1562):
- 9 Willaert: Qui la dira la peine de mon coeur, IAW 60 02:11
- Orazio Bassani:
- 10 Bassani: Cara la vita mia 07:04
- Luzzasco Luzzaschi (1545 - 1607):
- 11 Luzzaschi: Fantasia a quattro sopra Ave Maris Stella 02:17
- 12 Luzzaschi: Ch'io no t'ami cor moi 03:24
- Aurelio Virgiliano (1540 - 1600):
- 13 Virgiliano: Nasce la pena mia 05:05
- Manon Papasergio:
- 14 Papasergio: Partite sopra la Bergamasca 02:00
- Francesco Rognoni (1570 - 1626):
- 15 Rognoni: Pulchra es amica mea 04:41
- Roland de Lassus (1532 - 1594):
- 16 de Lassus: Susanne un jour, LV 98 02:55
- Orazio Bassani:
- 17 Bassani: Susanna un giorno 06:03
- Manon Papasergio:
- 18 Papasergio: Partite sopra La Monica 05:48
Info for Per la viola bastarda
The viola bastarda is much more than just a specific instrument: it is also a technique for playing the viola da gamba that involves developing a vast skill in ornamentation over the entire range of the instrument and covering all the tessituras from bass to soprano. Today’s performers are faced with a repertoire compiled by a few virtuosos, while at the same time they have to reconstitute a performing practice that exists only in a few historical treatises. Manon Papasergio has devoted her first recording to this art form and its development during the exciting transitional period from the Renaissance to the Baroque.
Manon Papasergio, viola da gamba
Angélique Mauillon, harp
Yoann Moulin, harpsichord & organ
Clemence Niclas, soprano
No biography found.
Booklet for Per la viola bastarda
