Beethoven - Complete works for piano and cello Margarita Höhenrieder & Julius Berger

• Ludwig van Beethoven (1770 - 1827): Sonata No.1 in F Major Op. 5 No. 1:
• 1 Sonata No.1 in F Major Op. 5 No. 1: Adagio Sostenuto 02:57
• 2 Sonata No.1 in F Major Op. 5 No. 1: Allegro 13:57
• 3 Sonata No.1 in F Major Op. 5 No. 1: Rondo - Allegro vivace 06:43
• Sonata No. 2 in G minor Op. 5 No. 2:
• 4 Sonata No. 2 in G minor Op. 5 No. 2: Adagio sostenuto ed espressivo 04:15
• 5 Sonata No. 2 in G minor Op. 5 No. 2: Allegro molto più tosto presto 12:30
• 6 Sonata No. 2 in G minor Op. 5 No. 2: Rondo - Allegro 08:39
• Sonata No. 3 in A Major Op. 69:
• 7 Sonata No. 3 in A Major Op. 69: Allegro ma non tanto 11:37
• 8 Sonata No. 3 in A Major Op. 69: Scherzo - Allegro molto 04:56
• 9 Sonata No. 3 in A Major Op. 69: Adagio cantabile 01:35
• 10 Sonata No. 3 in A Major Op. 69: Allegro vivace 06:54
• Sonata No. 4 in C Major Op. 102 No. 1:
• 11 Sonata No. 4 in C Major Op. 102 No. 1: Andante 02:45
• 12 Sonata No. 4 in C Major Op. 102 No. 1: Allegro vivace 04:45
• 13 Sonata No. 4 in C Major Op. 102 No. 1: Adagio - Tempo d' Andante 02:53
• 14 Sonata No. 4 in C Major Op. 102 No. 1: Allegro - Allegro vivace 04:13
• Sonata No. 5 in D Major Op. 102 No. 2:
• 15 Sonata No. 5 in D Major Op. 102 No. 2: Allegro con brio 05:56
• 16 Sonata No. 5 in D Major Op. 102 No. 2: Adagio con molto sentimento d'affetto 07:22
• 17 Sonata No. 5 in D Major Op. 102 No. 2: Allegro - Allegro fugato 04:15
• Ludwig van Beethoven:
• 18 Zwölf Variationen G-Dur WoO 45 über ein Thema aus "Judas Maccabäus" 12:59
• 19 Zwölf Variationen F-Dur Op. 66 über "Ein Mädchen oder Weibchen" aus "Die Zauberflöte" 09:18
• 20 Sieben Variationen Es-Dur Wo0 46 über "Bei Männern, welche Liebe fühlen" aus "Die Zauberflöte" 09:22
• Total Runtime 02:17:51

Info for Beethoven - Complete works for piano and cello

Who would I need to be to be able to talk about a man who is still growing (Adam Zagajewski: The late Beethoven) Margarita Höhenrieder and I have known it all our lives: the elucidations of Carl Czerny or Rudolf Kolisch, the latest Urtext editions that will lead us to faithfulness to the text, the disquisitions from Romain Rolland to Eleonore Büning we read, we discuss, it all seems helpful and necessary. At the end of the day it is the mature individual, the serious exponent, who makes the decision led by the promptings of conscience, and who simultaneously senses this growing of which Zagajewski speaks. We climb a steep path, in order to approach Beethoven more closely. The summit of this path is visible, but not attainable. That is why we keep returning to this path, endless as it is. Beethoven lives in us, as he changes, as we change. Life aspires to art, art is a way forward, life is our way forward. Beethoven changes us through his growth. We grow with him!

Julius Berger, cello
Margarita Höhenrieder, piano

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