Hymns to the Silence (Remastered) Van Morrison

Album info

Album-Release:
1991

HRA-Release:
14.02.2020

Label: Legacy Recordings

Genre: Rock

Subgenre: Singer

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1Professional Jealousy03:47
  • 2I'm Not Feeling It Anymore06:36
  • 3Ordinary Life03:34
  • 4Some Peace of Mind06:27
  • 5So Complicated03:22
  • 6I Can't Stop Loving You03:58
  • 7Why Must I Always Explain?03:53
  • 8Village Idiot03:16
  • 9See Me Through, Pt. II / Just a Closer Walk with Thee03:12
  • 10Take Me Back09:11
  • 11By His Grace02:37
  • 12All Saints Day02:32
  • 13Hymns to the Silence09:43
  • 14On Hyndford Street05:21
  • 15Be Thou My Vision03:51
  • 16Carrying a Torch04:28
  • 17Green Mansions03:42
  • 18Pagan Streams03:40
  • 19Quality Street03:59
  • 20It Must Be You04:11
  • 21I Need Your Kind of Loving04:32
  • Total Runtime01:35:52

Info for Hymns to the Silence (Remastered)



"Hymns to the Silence" is the twenty-first studio album by Northern Irish singer-songwriter Van Morrison. It was his first studio double album. Morrison recorded the album in 1990 in Beckington at Wool Hall Studios and in London at Townhouse and Westside Studios.

When Hymns to the Silence was released in 1991, it reached number five on the UK Albums Chart and received positive reviews from critics. Morrison's use of various musical styles was well received, as were the more worldly-themed songs on an otherwise spiritual album.

"Morrison's best album of the '90s still casually hangs out in the spiritual world that served as his home for most of his '80s material, but the mystical touches are at least kept in check for a good deal of the time. Better still is that Morrison sings with a passion that had crawled into laziness during big, and crucial, chunks of his career (most prominently the early to mid-'80s). The songs, or more accurately (as the title makes very clear) hymns, combine the elements that have guided Morrison's best albums -- R&B, folk, pop, Celtic, rock, even gospel -- for a satisfying journey through the mystic and the real. Its double-disc length, however, is a bit off-putting; a spirited rewrite of his last album (1990's Enlightenment) really doesn't need this much space to make its point. But his rambling musings (like the soulfully suave "Why Must I Always Explain") retain a compelling power." (Michael Gallucci, AMG)

Van Morrison

Digitally remastered


Van Morrison
One of music’s true originals Van Morrison’s unique and inspirational musical legacy is rooted in postwar Belfast.

Born in 1945 Van heard his Shipyard worker father’s collection of blues, country and gospel early in life.

Feeding off musical greats such as Hank Williams, Jimmie Rodgers, Muddy Waters, Mahalia Jackson and Leadbelly he was a travelling musician at 13 and singing, playing guitar and sax, in several bands, before forming Them in 1964.

Making their name at Belfast’s Maritime Club Them soon established Van as a major force in the British R&B scene. Morrison’s matchless vocal and songwriting talents produced instant classics such as the much covered ‘Gloria’ and ‘Here Comes The Night’.

Those talents found full astonishing range in Van’s solo career.

After working with Them’s New York producer Bert Berns on beautiful Top 40 pop hit ‘Brown Eyed Girl’ (1967), Morrison moved to another realm.

Recorded over 3 days with legendary jazz musicians Astral Weeks (1968) is a still singular album combining street poetry, jazz improvisation, Celtic invocation and Afro Celtic Blues wailing.

Morrison would weave these and myriad other influences into the albums that followed in quick succession.

Reflecting on new life in America on the joyous Sinatra soul of Moondance (1970) and the country inflected Tupelo Honey (1971) he summoned old spiritual and ancestral life in the epic St Dominic’s Preview (1972) closer track Listen To The Lion.

Double live album Too Late To Stop Now (1973) highlighted Morrison’s superlative performing and bandleader skills. Mapping out a richly varied musical course throughout the 70s he shone among an all-star cast including Bob Dylan and Muddy Waters on The Band’s Last Waltz.

Indeed, borne of his Irish Showband instincts, the magic of the live performance has been a consistent feature of Morrison’s career.

Settling back into life in the UK in 1980 he released Common One an album centring on Summertime In England an extraordinary invocation of literary, sensual and spiritual pleasure the song would often become a thrilling improvised centrepiece to his live shows.

Steering his own course throughout the 80s on albums such as No Guru, No Method, No Teacher he claimed Celtic roots with The Chieftains on Irish Heartbeat. Teaming with Georgie Fame brought new impetus to his live show while Avalon Sunset saw him back in the album and single charts by the decades end.

Van Morrison continued to advance on his status as a game- changing artist through the 90s and into the 21st century.

Awards and accolades - a Brit, an OBE, an Ivor Novello, 6 Grammys, honourary doctorates from Queen’s University Belfast and the University of Ulster, entry into The Rock n Roll Hall of Fame and the French Ordres Des Artes Et Des Lettres - attested to the international reach of Van’s musical art.

Yet there was never any suggestion that Morrison, one of the most prolific recording artists and hardest working live performers of his era, would ever rest on his laurels.

Collaborations with, among others, John Lee Hooker, Ray Charles, Lonnie Donegan, Mose Allison and Tom Jones confirmed the breadth of his musical reach.

Morrison’s visionary songwriting and mastery of many genres continued to shine on albums celebrating and re-exploring his blues, jazz, skiffle and country roots.

The influence of the musical journey that began back in Post War Belfast stretches across the generations, and Morrison’s questing hunger insures that the journey itself continues.

Constantly reshaping his musical history in live performance, Morrison reclaimed Astral Weeks on 2009’s album Live At The Hollywood Bowl.

The subtitle of Van Morrison's latest album, Born to Sing: No Plan B, indicates the power that music still holds for this living legend. "No Plan B means this is not a rehearsal," says Morrison. "That’s the main thing—it’s not a hobby, it’s real, happening now, in real time."

With one of the most revered catalogues in music history and his unparalleled talents as composer, singer and performer Morrison’s past achievements loom large. But, as throughout his extraordinary career, how that past informs his future achievements and still stirs excitement and keen anticipation.

This album contains no booklet.

© 2010-2020 HIGHRESAUDIO