Tchaikovsky, Shostakovich and Weinberg Piano Trios Trio Owon

Album info

Album-Release:
2019

HRA-Release:
03.10.2019

Album including Album cover

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  • Peter Ilyich Tchaikovsky (1840 - 1893): Piano Trio In A Minor, Op.50, TH.117:
  • 1Piano Trio In A Minor, Op.50, TH.117: 1. Pezzo elegiaco (Moderato assai - Allegro giusto)18:04
  • 2Piano Trio In A Minor, Op.50, TH.117: 2. (A) Tema con variazioni: Andante con moto01:07
  • 3Piano Trio In A Minor, Op.50, TH.117: Var. I: L'istesso tempo00:55
  • 4Piano Trio In A Minor, Op.50, TH.117: Var. II: Più mosso00:38
  • 5Piano Trio In A Minor, Op.50, TH.117: Var. III: Allegro moderato00:52
  • 6Piano Trio In A Minor, Op.50, TH.117: Var. IV: L'istesso tempo01:07
  • 7Piano Trio In A Minor, Op.50, TH.117: Var. V: L'istesso tempo00:43
  • 8Piano Trio In A Minor, Op.50, TH.117: Var. VI: Tempo di valse02:33
  • 9Piano Trio In A Minor, Op.50, TH.117: Var. VII: Allegro moderato01:19
  • 10Piano Trio In A Minor, Op.50, TH.117: Var. VIII: Fuga (Allegro moderato)02:28
  • 11Piano Trio In A Minor, Op.50, TH.117: Var. IX: Andante flebile, ma non tanto03:16
  • 12Piano Trio In A Minor, Op.50, TH.117: Var. X: Tempo di mazurka01:43
  • 13Piano Trio In A Minor, Op.50, TH.117: Var. XI: Moderato02:10
  • 14Piano Trio In A Minor, Op.50, TH.117: 2. (B) Variazione finale e Coda (Allegretto risoluto e con fuoco -)07:05
  • Dmitri Shostakovich (1906 - 1975): Piano Trio No.2, Op.67:
  • 15Piano Trio No.2, Op.67: 1. Andante - Moderato - Poco più mosso08:08
  • 16Piano Trio No.2, Op.67: 2. Allegro con brio03:01
  • 17Piano Trio No.2, Op.67: 3. Largo06:09
  • 18Piano Trio No.2, Op.67: 4. Allegretto - Adagio11:29
  • Mieczysław Weinberg (1919 - 1996): Piano Trio in A Minor, Op. 24:
  • 19Piano Trio in A Minor, Op. 24: 1. Praeludium and Aria05:58
  • 20Piano Trio in A Minor, Op. 24: 2. Toccata03:56
  • 21Piano Trio in A Minor, Op. 24: 3. Poem10:53
  • 22Piano Trio in A Minor, Op. 24: 4. Finale11:18
  • Total Runtime01:44:52

Info for Tchaikovsky, Shostakovich and Weinberg Piano Trios



The Trio Owon was created in 2009 from the merger of three musicians from the Paris Conservatory, united by the same passion for chamber music. Their goal is to share with its audience a fully integrated vision of music, committed by a group without boundaries, resulting from a rich and varied artistic inspiration.Through concerts and recordings in England, France, Russia, Poland, Japan, China Singapore and Korea, Trio Owon already stated its identity made of passion and maturity, like the painter whose name they bear.

Trio Owon:
Emmanuel Strosser, piano
Sung-Won Yang, cello
Olivier Charlier, violin



Sung-Won Yang
Born in Korea, Sung-Won Yang graduated from the Conservatoire National Supérieur de Musique de Paris and was assistant to Janos Starker at Indiana University in the United States. He was invited to be in the jury of the International Competition of Chamber Music in Banff, Canada, the International Cello Competition André Navarra in France, the International Cello Competition Cassado Japan and the Tongyeong International Competition in Korea. Recipient of numerous awards, he is currently a professor of cello at the School of Music Yonsei University in Seoul, visiting professor at the Royal Academy of Music and Artistic Director of the Festival Owon at Chateau de Chaumont sur Loire in France.

In 2009 Sung-Won Yang creates the Trio Owon with violinist Olivier Charlier et pianist Emmanuel Strosser, from the merger of three musicians from the Paris Conservatory, united by the same passion for chamber music. Their goal is to share with its audience a fully integrated vision of music, committed by a group without boundaries, resulting from a rich and varied artistic inspiration. Through concerts and recordings in England, France, and Korea, Trio Owon already stated its identity made of passion and maturity, like the painter whose name they bear. Painter of Nature, emotion and poetry, OHWON Jang Seung Up, embodies for the trio Owon the universal dimension of Art. Contemporary of Brahms, but from a completely different aesthetic world, it symbolizes the quest of an ideal result of tradition and renewal in the nineteenth century Korea. His story brought to the cinema (Strokes of Fire, prized at Festival de Cannes in 2002), reveals the doubts and commitments of an undaunted artist. Beyond the anecdote (his name’s sound summarizes some of our three first names…) here it symbolizes the osmosis between knowledge and modernity.

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