Hacienda Jeff Lorber Fusion

• 1 Corinaldo 04:28
• 2 Solar Wind 04:58
• 3 King Kong 05:41
• 4 The Steppe 05:20
• 5 Hacienda 05:31
• 6 Fab Gear 04:54
• 7 Raptor 05:46
• 8 Everlast 05:09
• 9 Playa del Falco 04:45
• 10 Escapade 04:58
• 11 Dragonfly 04:39
• Total Runtime 56:09

Info for Hacienda

Keyboardist/composer/producer Jeff Lorber, heralded as "one of the founding fathers of fusion" (Keyboard), returns with his Grammy nominated power trio the Jeff Lorber Fusion, featuring bassist/co-producer Jimmy Haslip and saxophonist Eric Marienthal. 'Hacienda' also features violinist Jean-Luc Ponty and drummers Vinnie Colaiuta and Dave Weckl.

Since the late 1970s, this jazz fusion collective has blended elements of jazz, funk, rock, R&B and world music into a distinctive sound that has connected with audiences from a variety of continents, cultures and generations.

'Hacienda' includes ten original compositions and a brilliant take on the Frank Zappa composition "King Kong", with Jean-Luc Ponty on violin. Other guests include Larry Koonse, Paul Jackson, Jr., Vinnie Colaiuta, Dave Weckl, Lenny Castro, David Mann, and more.

Jeff Lorber, keyboards, guitar, synth bass
Paul Jackson Jr., guitar
Larry Koonse, guitar
Michael Thompson, guitar
Eric Marienthal, saxophone
Vinnie Colaiuta, drums
Gary Novak, drums
Dave Weckl, drums
James Haslip, bass
Lenny Castro, percussion
Jean Luc-Ponty, violin
David Mann, horn arrangement, section saxophones, brass and flutes

Produced by Jeff Lorber and Jimmy Haslip

Jeff Lorber
By the late 1970s, trailblazing keyboardist/composer/producer Jeff Lorber had become a prominent figure in the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and international audience via a combination of complex harmonies, unconventional time signatures and compelling rhythms.

In subsequent years, Lorber dropped the term “fusion” from his billing as the movement evolved into what is currently known as contemporary jazz. Still, he continued to explore the innovative, improvisational potential of grafting other musical forms to the jazz idiom.

More than three decades after his earliest recordings, Lorber has come full circle. His new recording, "Galaxy", set for release January 31, 2012, on Heads Up International, a division of Concord Music Group, revisits a sound he helped pioneer. The album takes the experiment that he started with his last GRAMMY®-nominated CD, "Now is the Time", up a notch with 11 exciting and energetic new compositions performed by some of the biggest names in jazz today.

Lorber’s music reaches a new level by crystallizing jazz, funk, and Latin rhythms with some killer melodies that will certainly translate to live performance. The first track, “Live Wire,” blends a blistering house beat with extended solos by Lorber and Koonse and some amazing drum fills from Colaiuta. “Big Brother” moves into hip hop territory, similar to Jeff's grooving “Rain Dance,” which became a huge hit for Notorious Big and Lil' Kim as “Crush on You.” “Montserrat” sounds like a mixture of Sly Stone and Tower of Power, with super funky horn arrangements by Dave Mann. Obviously, a year spent touring together has made Lorber, Haslip and Marienthal into a tight unit, which is evident from this recording.

Stretching the envelope has been Lorber’s strategy from the very beginning. Born in Philadelphia in 1952, Lorber began playing piano when he was just four years old. By his teen years, he had hooked up with several local R&B bands, but his tastes trended more toward jazz when he studied at Berklee College of Music.

After college, he relocated to Portland, Oregon, where he formed the Jeff Lorber Fusion. The group released their self-titled debut album in 1977, and quickly became one of the most popular acts in the jazz fusion scene, due in large part to relentless touring and a string of artistically daring and commercially successful recordings.

The entity formerly known as the Jeff Lorber Fusion became Lorber’s solo career with the release of "It’s a Fact" in 1982. After a brief but prolific stretch culminating with the highly successful "Private Passion" in 1986, Lorber took a break from recording his own material, opting instead to do session work and produce other artists. He resumed his solo career in 1991 with "Worth Waiting For", although he continued to produce for the remainder of the decade.

Lorber has been just as prolific and innovative in the new century as he was in the last, with recordings on Narada ("Philly Style", "Flip Side"), Blue Note ("He Had a Hat"), and most recently Peak ("Heard That").

Booklet for Hacienda