R. Schumann: Works for Piano 4 Hands Martha Fischer & Bill Lutes

• Robert Schumann (1810 - 1856): Bilder aus Osten, Op. 66:
• 1 Bilder aus Osten, Op. 66: No. 1, Lebhaft 03:29
• 2 Bilder aus Osten, Op. 66: No. 2, Nicht schnell und sehr gesangvoll zu spielen 03:03
• 3 Bilder aus Osten, Op. 66: No. 3, Im Volkston 02:23
• 4 Bilder aus Osten, Op. 66: No. 4, Nicht schnell 02:45
• 5 Bilder aus Osten, Op. 66: No. 5, Lebhaft 03:19
• 6 Bilder aus Osten, Op. 66: No. 6, Reuig, andächtig 05:05
• 12 Klavierstücke, Op. 85:
• 7 12 Klavierstücke, Op. 85: No. 1, Geburtstagmarsch 02:40
• 8 12 Klavierstücke, Op. 85: No. 2, Bärentanz 01:36
• 9 12 Klavierstücke, Op. 85: No. 3, Gartenmelodie 02:46
• 10 12 Klavierstücke, Op. 85: No. 4, Beim Kräzenwinden 01:51
• 11 12 Klavierstücke, Op. 85: No. 5, Kroatenmarsch 02:31
• 12 12 Klavierstücke, Op. 85: No. 6, Trauer 02:55
• 13 12 Klavierstücke, Op. 85: No. 7, Tourniermarsch 05:06
• 14 12 Klavierstücke, Op. 85: No. 8, Reigen 01:49
• 15 12 Klavierstücke, Op. 85: No. 9, Am Springbrunnen 03:09
• 16 12 Klavierstücke, Op. 85: No. 10, Versteckens 01:25
• 17 12 Klavierstücke, Op. 85: No. 11, Gespenstermärchen 02:58
• 18 12 Klavierstücke, Op. 85: No. 12, Abendlied 03:08
• Ballszenen, Op. 109:
• 19 Ballszenen, Op. 109: No. 1, Préambule 01:39
• 20 Ballszenen, Op. 109: No. 2, Polonaise 03:36
• 21 Ballszenen, Op. 109: No. 3, Walzer 02:02
• 22 Ballszenen, Op. 109: No. 4, Ungarisch 02:28
• 23 Ballszenen, Op. 109: No. 5, Française 02:18
• 24 Ballszenen, Op. 109: No. 6, Mazurka 05:07
• 25 Ballszenen, Op. 109: No. 7, Ecossaise 03:04
• 26 Ballszenen, Op. 109: No. 8, Walzer 04:03
• 27 Ballszenen, Op. 109: No. 9, Promenade 05:58
• Kinderball, Op. 130:
• 28 Kinderball, Op. 130: No. 1, Polonaise 05:00
• 29 Kinderball, Op. 130: No. 2, Walzer 01:38
• 30 Kinderball, Op. 130: No. 3, Menuett 02:44
• 31 Kinderball, Op. 130: No. 4, Ecossaise 01:15
• 32 Kinderball, Op. 130: No. 5, Française 01:21
• 33 Kinderball, Op. 130: No. 6, Ringelreihe 03:12
• Total Runtime 01:37:23

Info for R. Schumann: Works for Piano 4 Hands

Robert Schumann wrote some of the greatest works ever written for piano, four hands. Martha Fischer and Bill Lutes turn in beautiful performances of this great music. Martha Fischer is professor of piano at the University of Wisconsin-Madison School of Music, where she heads the collaborative piano program. A sought-after accompanist and chamber musician, she has performed throughout the United States and Europe with many internationally recognized singers and instrumentalists. In a review of Fischer’s recording with trombonist Mark Hetzler, American Voices II, American Record Guide wrote: “At least half of the credit for these superb readings must go to her, for she is a marvelous pianist, profound interpreter, and expert collaborator.” Bill Lutes an independent piano teacher living in Madison. From 2000 to 2011 he was Artist-in-Residence at the University of Wisconsin/Madison where he served as vocal coach for the University Opera. As pianist he has performed nationally as soloist and collaborative musician. Mr. Lutes received degrees piano performance from the Universities of Kentucky and Wisconsin-Madison, and the Artist’s Diploma from the New England Conservatory of Music.. He has taught piano and masterclasses at the Interlochen Arts Camp and at the Selma Levine School in Washington D.C.

Martha Fischer, piano
Bill Lutes, piano

Martha Fischer
is professor of piano at the University of Wisconsin-Madison School of Music, where she heads the collaborative piano program. A sought-after accompanist and chamber musician, she has performed throughout the United States and Europe with many internationally recognized singers and instrumentalists. In a review of Fischer’s recording with trombonist Mark Hetzler, American Voices II, American Record Guide wrote: “At least half of the credit for these superb readings must go to her, for she is a marvelous pianist, profound interpreter, and expert collaborator.”

Fischer and her husband, UW-Madison emeritus piano professor Bill Lutes, frequently collaborate in concerts of two-piano and piano duet literature. Their interpretation of Schubert’s “Fantasie in F minor” was described by the Washington Post as “an energetic performance bursting with heartfelt intensity.” Together they have presented all-Schubert concerts of lieder, vocal ensembles and piano music in the style of the original “Schubertiads,” with series in Boston and Washington DC. Recently they premiered a two-piano work, Stray Dogs, written for them by distinguished American composer Lee Hoiby. Singers as well as pianists, Fischer and Lutes have toured North America with their revue Innocent Merriment: An Evening of Gilbert and Sullivan. Fischer has also presented unique recitals of art song in which she accompanies herself in the tradition of the French singer Jane Bathori.

In addition to the CD recital with trombonist Mark Hetzler, Fischer has recorded Schubert’s song cycles Winterreise and Die Schoene Mullerin with baritone Paul Rowe; Reverie with tubist John Stevens; Four Elements: Works for Horn and Piano by Female Composers with hornist Lin Foulk, a CD of short works for euphonium and piano with Demondrae Thurman, and a program of trumpet and piano works with John Aley. Fischer has also recorded a CD of songs to texts of Emily Dickinson, Between the Bliss and Me, with soprano Julia Faulkner and is in the process of recording the complete works for two pianists by Robert Schumann, with Bill Lutes.

A dedicated teacher, Ms. Fischer has presented papers and served on national panels devoted to the pedagogy of collaborative piano. Her work as collaborative pianist has taken her to international festivals, symposia, and competitions in Sweden, France, and Costa Rica. Fischer has served as Artistic and Music Director of Opera for the Young, an organization dedicated to bringing fully staged professional operatic performances to school children throughout the nation. She has also served on the faculty of the Interlochen Arts Camp.

A native of Plymouth, Michigan, Fischer holds degrees in piano from Oberlin College and the New England Conservatory of Music. Her teachers included Herbert Stessin, Jack Radunsky, Robert Shannon, Edith Oppens, and Victor Rosenbaum.

Bill Lutes
an independent piano teacher living in Madison. From 2000 to 2011 he was Artist-in-Residence at the University of Wisconsin/Madison where he served as vocal coach for the University Opera. As pianist he has performed nationally as soloist and collaborative musician. Mr. Lutes received degrees piano performance from the Universities of Kentucky and Wisconsin-Madison, and the Artist’s Diploma from the New England Conservatory of Music.. He has taught piano and masterclasses at the Interlochen Arts Camp and at the Selma Levine School in Washington D.C.

He frequently collaborates with his pianist/singer wife, Martha Fischer, in concerts of the piano duet and two-piano literature. They are completing their recording all of the works for two pianists by Robert Schumann. Mr. Lutes’ and Ms. Fischer’s Gilbert and Sullivan revue ‘Innocent Merriment” has been presented throughout the US and in Canada. Mr. Lutes has performed in and directed most of the G&S operettas, including numerous productions with Madison Savoyards.

Mr. Lutes also served as classical music host and producer and later as Music Director for the NPR News and Classical Music Network of Wisconsin Public Radio where he established award-winning educational programs. He is a popular lecturer on music, and has presented music appreciation courses for the Smithsonian Institution’s Resident Associates Program and has been heard on the airwaves as a panelist on the Metropolitan Opera Quiz.

This album contains no booklet.