Fantasy Tessa Lark & Amy Yang

• Georg Philipp Telemann (1681 - 1767):
• 1Fantasia for Flute Without Bass No. 1 in B-Flat Major, TWV 40:1407:51
• Franz Schubert (1797 - 1828):
• 2Fantasie in C Major, Op. 159, D. 93425:22
• Tessa Lark (b. 1989):
• 3Appalachian Fantasy04:15
• Georg Philipp Telemann:
• 4Fantasia for Flute Without Bass No. 4 in D Major, TWV 40:1704:54
• Fritz Kreisler (1875 - 1962):
• 5Viennese Rhapsodic Fantasietta08:52
• Georg Philipp Telemann:
• 6Fantasia for Flute Without Bass No. 5 in A Major, TWV 40:1805:03
• Maurice Ravel (1875 - 1937):
• 7Tzigane, M. 76 (Version for Violin & Piano)10:12
• Total Runtime01:06:29

Info for Fantasy

American violinist Tessa Lark has chosen a selection of some of her most cherished Fantasies and Rhapsodies for violin for her début solo album ‘Fantasy’.

Conjuring up a world of make believe and freedom, the musical form of Fantasy (Fantasia, Fantasie, Fantaisie, Phantasie, Phantasy, Fancy – call it what you will) has been with us for centuries, way before the earliest work in Tessa Lark’s recital, although she brings us right up-to-date with the form with her own Appalachian Fantasy from 2016. From Telemann to Lark we cover four centuries of fantasies, with four geographical stop-offs: Hamburg, Vienna, 1500 miles (2400 kms) of eastern North America and Hungary (courtesy of its gypsy traditions) by way of Paris.

A budding superstar in the classical realm, multi-award winning violinist Tessa Lark has been consistently praised by critics and audiences for her astounding range of sounds, technical agility, and musical elegance.

Silver Medalist in the 2014 International Violin Competition of Indianapolis, recipient of a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant, and winner of the 2012 Naumburg International Violin Competition, Tessa is also a highly acclaimed fiddler in the tradition of her native Kentucky, delighting audiences with programming that includes Appalachian and bluegrass music and inspiring composers to write for her.

Tessa Lark, violin
Amy Yang, piano

Tessa Lark
recipient of a 2018 Borletti-Buitoni Trust Fellowship and a 2016 Avery Fisher Career Grant, Silver Medalist in the International Violin Competition of Indianapolis, and winner of the 2012 Naumburg International Violin Competition, is one of the most captivating artistic voices of our time. A budding superstar in the classical realm, she is also a highly acclaimed fiddler in the tradition of her native Kentucky. Since making her concerto debut with the Cincinnati Symphony Orchestra at sixteen, Ms. Lark has appeared with dozens of orchestras, festivals, and recital venues including Carnegie Hall, Ravinia, San Francisco Performances, Amsterdam's Concertgebouw, the Buffalo Philharmonic, and Marlboro Music. Highlights of her 2017-18 and 2018-19 seasons included multiple performances of two works for violin and orchestra written for her: Love Letter by bassist-composer Michael Thurber, and Sky, a bluegrass-inspired concerto by Michael Torke premiered and recorded with the Albany (NY) Symphony Orchestra. Additional recording projects include a fantasia-themed album including Ms. Lark’s own Appalachian Fantasy and works by Telemann, Ravel, Kreisler, and Schubert; Invention, a debut album of the violin-bass duo Tessa Lark & Michael Thurber that comprises music of J.S. Bach along with non-classical original compositions; and a genre-bending disc in collaboration with such artists as multi-instrumentalist/composer Jon Batiste and American fiddling legend Michael Cleveland. Recent and upcoming activities include Australia’s Musica Viva festival—a four-concert engagement highlighted by a duo collaboration with bassist/composer Edgar Meyer—and debuts with the Seattle and Indianapolis symphonies. Scheduled for May 2020 is a Lincoln Center recital debut on its prestigious Great Performers Series. Ms. Lark is a graduate of New England Conservatory with an Artist Diploma from The Juilliard School. She plays a ca. 1600 G.P. Maggini violin on loan from an anonymous donor through the Stradivari Society of Chicago.

Amy Yang
A “jaw-dropping pianist who steals the show…with effortless finesse” (Washington Post), Amy Yang balances an active career as soloist, chamber musician and pedagogue. Collaborating with leading musicians, Ms. Yang toured with Patricia Kopatchinskaya, Tito Muñoz and the Mahler Chamber Orchestra, and premiered music by Michael Hersch at Cal Performances, Ojai Music Festival and Aldeburgh Festival. Additional collaborations include performances with Richard Goode, Anne-Marie McDermott, Ida and Ani Kavafian, Miriam Fried, Roberto Díaz, Kim Kashkashian, Joseph Silverstein, members of Guarneri String Quartet, the Saint Paul Chamber Orchestra, Dover Quartet, Aizuri String Quartet, Jasper String Quartet, Third Coast Percussion and A Far Cry. Ms. Yang’s debut on the Philadelphia Chamber Music Series followed solo engagements with the Houston Symphony, Tuscaloosa Symphony, Connecticut Virtuosi Chamber Orchestra, Mansfield Symphony and Orquesta Juvenil Universitaria Eduardo Mata at UNAM. She has performed under the batons of Adam Flatt, John Giordano, Thomas Hong, Mariusz Smolij and others.

Ms. Yang has premiered music by Caroline Shaw, Avner Dorman, Michael Hersch, Ezra Laderman, Paul Wianko and Hua Yang. Festival appearances include Marlboro Music Festival, Ravinia Festival, Prussia Cove, Verbier Academy, Bravo! Vail, Chamber Music Northwest, Chelsea Music Festival, Caramoor, Olympic Music Festival, Music from Angel Fire, Twickenham Fest, Salt Bay Chamberfest, among others.

An active recording artist, her discography includes a solo album (MSR Classics), and albums with violinist Itamar Zorman (BIS Records), violinist Tessa Lark (First Hand Records) and clarinetist José Franch-Ballester (iTinerant Records). Upcoming releases include music for solo piano by Ezra Laderman (Albany Records) and a recording with violinist Danbi Um.

Ms. Yang is a member of the chamber music faculty at Curtis Institute of Music, program director and piano faculty member of Curtis Summerfest’s Young Artist Summer Program and teaches at the University of Pennsylvania and Haverford College. Winner of the 2018 Musical Fund Society of Philadelphia prize and the Kosciuszko National Chopin Piano Competition, she is an alumna of Curtis Institute of Music, Juilliard School and Yale School of Music, where she received the Parisot Award for Outstanding Pianist and the Alumni Association Prize. She enjoys making line drawings and tracing the mysteries of neuroscience.

Booklet for Fantasy