Off The Beaten Path (Deluxe Edition) Justin Moore

• 1Old Back In The New School02:57
• 2Beer03:13
• 3Lettin' The Night Roll03:23
• 4Old Habits03:49
• 5Point At You03:00
• 6Wheels03:30
• 7I'd Want It To Be Yours03:16
• 8This Kind Of Town03:51
• 9Dirt Road Kid03:26
• 10Country Radio02:45
• 11That's How I Know You Love Me04:36
• 12One Dirt Road03:41
• 13Off The Beaten Path03:15
• 14Field Fulla Hillbillies03:18
• 15Big Ass Headache03:35
• 16For Some Ol' Redneck Reason04:32
• Total Runtime56:07

Info for Off The Beaten Path (Deluxe Edition)

ustin Moore s always had a thing about doing it his way. Call it stubborn redneck mettle, a well-developed case of who I am or just the fierce commitment to blaze a trail inherent to people from his home of Poyen, Arkansas. It doesn t mat ter why, just that the blazing sense of off the beaten path drives his album of the same name.

There s a strong vein of tenderness and decency holding Moore s kind of country together. Look no further than Rhett Atkins/Ben Hayslip/Ross Copperman-written Point At You, the lead single, that acknowledges every wild hair Moore has, but hits the bottom line of his goodness via the woman who became his bride.

Get loud, get rowdy, but get home and emerge solid family men dedicated to some basic ideals that have defined this country. One need look no further than The Warren Brothers/Lance Miller/Austin Cunningham-penned opener Old Back In The New School to understand Moore is all about the things that last, the wild times and the enduring values making for a way of life worth living.

It s that kind of edge that draws a singer like Miranda Lambert to duet on the somber heartbreaker Old Habits. A little bit rowdy, a little bit sentimental, a whole lotta roughneck, Moore has dented the country radio charts with three #1s in the anything but big city Small Town USA, the sentimental family embracing If Heaven Weren t So Far Away and the fidelity pledge Til My Last Day, in addition to the Top 10 mission declaration Backwoods.

But the hits don t really tell the whole story. This is the man whose first single a digital only release was I Could Kick Your Ass, who flexed his sense of humor with the new guy mocking Bait A Hook and unapologetically throw down How I Got To Be This Way. And long before booty country became a touchstone, Moore dropped the swaggering Back That Thing Up.

Indeed, Booty Country is full force on OFF THE BEATEN PATH. He has the Kim Kardashian and J-Lo invoking I d Want It To Be Yours co-written with Stover and Brandon Kinney and the slip into the night guitar grinder Off The Beaten Path that slithers through the Patron and the moonlight.Good ole boys doing what they re good at. Moore has built a career eschewing the path most taken, building a fanbase of people just like him.

Take a certain amount of swagger, add some hard-rocking guitars and add Country Radio, a howler that celebrates the ultimate lube for escaping the boredom and expectations. There s the same kind of bulked up, bearing down picture of pride of Lettin the Night Roll, pure freedom and the will to be alive.

Two strong hands, a back that can shoulder anything, this is working man s post-modern American and that respect is what binds him to his woman in That s How I Know You Love Me. Ultimately, she refuses to make him change, and takes what s there for what it is, loving him for all its busted glory.

To believe in values that last, to embrace what is enough and know it s more than plenty, that is the greatest truth for a man like Moore, who sees no reason to leave the place he grew up. Beyond the hits, the gold-certified albums and the momentum of a career hitting its stride, OFF THE BEATEN PATH is a collection of classic postcards that make up the ascending This Kind of Town and the driving chugger One Dirt Road.

You don t have to take it from Moore, though. No less than the great Charlie Daniels, a man who s hung tough for hardcore old school values is featured on For Some Ol Redneck Reason, a pledge of allegiance to living true to principles and never giving into convention. This is one of the truest event moments as Moore dials it back, unfurling the map of his heart and soul.

Justin Moore, vocals

Justin Moore
has built a loyal fanbase over the past decade with his traditional Country sound and captivating live shows. Those fans helped boost his fifth studio album, LATE NIGHTS AND LONGNECKS, to the top of the charts upon its release in July. The lead track from the Arkansas native’s LP, “The Ones That Didn’t Make It Back Home,” peaked at No. 1 and marked Moore’s eighth chart-topping single on both Mediabase and Billboard charts. Penned alongside Paul DiGiovanni, Chase McGill and producer Jeremy Stover, “The Ones That Didn’t Make It Back Home” further proves Moore’s skills as a thought-provoking songwriter and passionate artist. His previous project, KINDA DON’T CARE, earned the singer his third consecutive No. 1 album debut and features his chart-topping singles “You Look Like I Need A Drink” and “Somebody Else Will.” It served as a follow up to his second No. 1 album release, the GOLD-certified OFF THE BEATEN PATH. Over his 10+ year career, Moore has produced eight No. 1’s including “Point at You,” “Lettin’ The Night Roll” “If Heaven Wasn’t So Far Away,” “Small Town USA” and “Till My Last Day” as well as seven Top 10 hits and PLATINUM-certified albums JUSTIN MOORE and OUTLAWS LIKE ME. The Valory Music Co. recording artist has earned multiple ACM, ACA and ACC Awards nominations as well as an ACM Award win. He has shared the stage with Hank Williams Jr., Brad Paisley, Miranda Lambert and Brantley Gilbert and is currently traversing the country on headlining cities coast-to-coast. In 2020 he will kick-off his LATE NIGHTS AND LONGNECKS TOUR with Tracy Lawrence.

This album contains no booklet.