Kantaten "Christ lag in Todesbanden", BWV 4, 106, 131 Ensemble Correspondances & Sébastien Daucé

• Johann Sebastian Bach (1685 - 1750): Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus:
• 1 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: I. Sonatina 02:40
• 2 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIa. Chorus. Gottes Zeit ist die allerbeste Zeit 01:33
• 3 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIb. Aria. Ach, Herr, lehre uns bedenken 02:18
• 4 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIc. Aria. Bestelle dein Haus 00:59
• 5 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IId. Chorus. Es ist der alte Bund 03:15
• 6 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIIa. Aria. In deine Hände befehl ich meinen Geist 02:09
• 7 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IIIb. Aria and Choral. Heute wirst du mit mir 03:26
• 8 Bach: Gottes Zeit ist die allerbeste Zeit, BWV 106, Actus tragicus: IV. Chorus. Glorie, Lob, Ehr und Herrlichkeit 02:39
• Aus der Tiefe rufe ich, Herr, zu dir, BWV 131:
• 9 Bach: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: I. Sinfonia and Chorus. Aus der Tiefe rufe ich, Herr, zu dir 04:31
• 10 Bach: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: II. Aria and Choral. So du willst, Herr, Sünde zurechnen 04:15
• 11 Bach: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: III. Chorus. Ich harre des Herrn, meine Seele harret 03:01
• 12 Bach: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: IV.Aria and Choral. Meine Seele wartet auf den Herrn 05:18
• 13 Bach: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: V. Choral. Israel hoffe auf den Herrn 03:47
• Christ lag in Todesbanden, BWV 4:
• 14 Bach: Christ lag in Todesbanden, BWV 4: I. Sinfonia 01:15
• 15 Bach: Christ lag in Todesbanden, BWV 4: II. Versus 1. Christ lag in Todesbanden 03:28
• 16 Bach: Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt 05:07
• 17 Bach: Christ lag in Todesbanden, BWV 4: IV. Versus 3. Jesus Christus, Gottes Sohn 01:45
• 18 Bach: Christ lag in Todesbanden, BWV 4: V. Versus 4. Es war ein wunderlicher Krieg 01:53
• 19 Bach: Christ lag in Todesbanden, BWV 4: VI. Versus 5. Hier ist das rechte Osterlamm 03:07
• 20 Bach: Christ lag in Todesbanden, BWV 4: VII. Versus 6. So feiern wir das hohe Fest 01:28
• 21 Bach: Christ lag in Todesbanden, BWV 4: VIII. Versus 7. Wir essen und leben wohl 01:17
• Total Runtime 59:11

Info for Kantaten "Christ lag in Todesbanden", BWV 4, 106, 131

For their first album exploring the world of Bach, Sébastien Daucé and his Ensemble Correspondances give new life to the young composer’s first sacred cantatas – BWV 4, 106 and 131 – written in Mühlhausen. Combining the Lutheran tradition with a faint breeze from Italy, these works already reveal the dramatic invention and formal rigour of a fully functioning creative mind.

Caroline Weynants, soprano
Lucile Richardot, alto
Raphael Höhn, tenor
Sebastian Myrus, bass
Ensemble Correspondances
Sebastien Dauce,conductor

Ensemble Correspondances
Since its formation in 2008, the Ensemble Correspondances has devoted itself chiefly to French sacred music of the seventeenth century. Brought together by Sébastien Daucé during their studies at the Conservatoire National Supérieur de Musique (CNSM) de Lyon, the musicians of Correspondances pursue this work (focusing notably on Marc-Antoine Charpentier) with infectious enthusiasm today.

To date the Ensemble Correspondances has appeared at such French festivals as Saintes, Fontevraud, Musique & Mémoire, Sablé, Royaumont, and Sinfonia en Périgord. It has also performed at the Festival Oude Muziek Utrecht and in Rome, Nuremberg, Foligno, and Fribourg, and has toured Japan and Colombia. The ensemble has given several concerts for such radio stations as the Bayerischer Rundfunk, Radio France, and the Radio Suisse Romande. Its most recent engagements have taken it to Royaumont, the Ambronay, Lanvellec, and Pontoise festivals, and Rome, Hamburg, and Hong Kong.

Sébastien Daucé
After a specialized program at the National Conservatory of Music of Lyon, Sébastien Daucé played under the direction of Kenneth Weiss (Didon and Aeneas, Madrigal of Monteverdi), of Gabriel Garrido (Ercole Amante of Cavailli, in the Academy of Baroque Opera at Ambronay, and recently for the recording of another Cavalli opera, Gli Amori d’Apollo e Datne,) of Raphaël Pichon (Pygmalion), of Toni Ramon (Radio France), of Françoise Lasserre (Akademia) and Geoffroy Jourdain (The Crys of Paris).

He was the assistant of Kenneth Weiss’s for the 2006 and 2007 academies at the Festival d’Art Lyrique in Aix en Provence (France).

In 2006, he founded the Ensemble Correspondances. The first concerts of this ensemble, made up of young musicians from the National Conservatory of music of Lyon and of Paris, took place in France and in Switzerland. During this time, they were recorded and aired on the radio. The Ensemble Correspondances toured Japon in December 2009 ; and have played in some prestigious festivals (Pontoise, Saintes, Utrecht). Their two firsts Cds have been recorded on the ZigZag Territories label : they both received notable press such as Choc de Classica and a Diapason découverte. Sébastien Daucé has worked, as well in the past few years, on Marc-Antoine Charpentier; in which he has published in the Abbesses Editions, three operas, in collaboration with William Christie. From 2012, he is a teacher at the Pole Supérieur Paris-Boulogne.

Booklet for Kantaten "Christ lag in Todesbanden", BWV 4, 106, 131