Mendelssohn: Works for Cello & Piano Christian Poltéra & Ronald Brautigam

• Felix Mendelssohn (1809-1847): Variations concertantes in D Major, Op. 17, MWV Q 19:
• 1 Tema. Andante con moto 01:04
• 2 Var. 1, — 00:29
• 3 Var. 2, — 00:29
• 4 Var. 3, Più vivace 00:29
• 5 Var. 4, Allegro con fuoco 00:37
• 6 Var. 5, L'istesso tempo 00:41
• 7 Var. 6, L'istesso tempo 00:28
• 8 Var. 7, Presto ed agitato 01:22
• 9 Var. 8, Tempo I - Coda. Più animato 02:53
• Cello Sonata No. 1 in B-Flat Major, Op. 45, MWV Q 27:
• 10 I. Allegro vivace 11:28
• 11 II. Andante 05:02
• 12 III. Allegro assai 05:54
• Lied ohne Worte, Op. 109, MWV Q 34:
• 13 Lied ohne Worte, Op. 109, MWV Q 34 04:45
• Assai tranquillo in B Minor, MWV Q 25:
• 14 Assai tranquillo in B Minor, MWV Q 25 01:54
• Cello Sonata No. 2 in D Major, Op. 58, MWV Q 32:
• 15 I. Allegro assai vivace 07:11
• 16 II. Allegretto scherzando 04:55
• 17 III. Adagio 04:15
• 18 IV. Molto allegro e vivace 06:22
• Total Runtime 01:00:18

Info for Mendelssohn: Works for Cello & Piano

It is well known that Felix Mendelssohn’s sister Fanny was a highly talented musician, but fewer are familiar with the fact that there were two other musical siblings in the Mendelssohn family: Rebecka, a gifted singer, and Paul, a very competent amateur cellist. It is to Paul, a banker by profession, that we owe the existence of much of Felix’s music for the instrument, which in spite of Beethoven’s endeavours hadn’t yet become firmly established as a duo partner of the piano.

Fitting comfortably on a single disc, Mendelssohn’s works for cello and piano are here presented by Christian Poltéra and Ronald Brautigam, who open with the Variations concertantes in D major, composed in 1829. Brautigam has recently released the composer’s Lieder ohne Worte, performing them on a copy of a piano by Pleyel from 1830, and plays the same instrument on the present disc. Meanwhile, Poltéra has chosen to equip his 1711 Stradivarius cello with gut strings, and together the two musicians and their instruments create a sound which is both flexible, transparent and vigorous – ideal for Mendelssohn’s scores. The two substantial sonatas, composed in 1838 and 1843, are separated on the disc by a brief ‘Albumblatt’ and a Romance sans paroles in D major, the only ‘song without words’ that Mendelssohn wrote for two instruments rather than piano solo.

Christian Poltéra, cello
Ronald Brautigam, piano

Christian Poltéra
Born in Zurich, cellist Christian Poltéra was a pupil of Nancy Chumachenco and Boris Pergamenschikov before studying with Heinrich Schiff in Salzburg and Vienna. Since replacing Yo-Yo Ma performing the Elgar concerto with the Tonhalle Orchestra Zurich under David Zinman at the age of 17, Mr. Poltéra has steadily established himself as one of the most prominent cellists of his generation.

As soloist he has worked with eminent orchestras including the Munich Philharmonic Orchestra, Leipzig Gewandhaus Orchestra, NDR Hamburg Orchestra, Oslo Philharmonic Orchestra, Vienna and Bamberg Symphonies, Royal Liverpool Philharmonic, Orchestra Santa Cecilia in Rome, Orchestre de Paris, Orchestre National de Lyon, BBC Philharmonic, Camerata Salzburg, Deutsche Kammerphilharmonie Bremen, Chamber Orchestra of Europe and Los Angeles Philharmonic under such conductors as Bernard Haitink, Riccardo Chailly, Christoph von Dohnanyi, Sir John Eliot Gardiner, Leonard Slatkin, Sir Andrew Davis, Paavo Järvi, Donald Runnicles, as well as the leading conductors of the younger generation, such as James Gaffigan, Robin Ticciati, Vasily Petrenko and Andris Nelsons. Mr. Poltéra made his solo debut in the US in 2006 with the American Symphony Orchestra at Avery Fisher Hall in New York. Upcoming highlights include appearances with the Deutsches Symphonie-Orchester at the Berlin Philharmonie, the Munich Chamber Orchestra, the Oregon Symphony, and a three week residency with the São Paolo Symphony.

Mr. Poltéra also devotes himself intensively to chamber music, working with such musicians as Gidon Kremer, Christian Tetzlaff, Karen Gomyo, Leonidas Kavakos, Martin Fröst, Kathryn Stott, Lars Vogt, and Leif Ove Andsnes, as well as the Auryn, Belcea, and Zehetmair Quartets. In 2008 he joined Mitsuko Uchida in performances of Messiaen's "Quartet for the End of Time", at Carnegie's Zankel Hall and the Kimmell Center in Philadelphia. Together with violinist Frank Peter Zimmermann and violist Antoine Tamestit, Christian Poltéra has formed a regular string trio that performs at the most prestigious concert venues as well as at the Salzburg and Edinburgh Festivals. In 15-16 the Trio Zimmermann tours in Amsterdam, Vienna, Munich, Madrid, Bilbao, Barcelona, and Hamburg. With Juho Pohjonen and Karen Gomyo he performs in Toronto and Philadelphia in March, 2016.

In 2004 he received the Borletti-Buitoni Award and was selected as a BBC New Generation Artist. In 2006-07 he was a 'Rising Star' of the European Concert Hall Organization. He is a regular guest at renowned festivals (such as Salzburg, Lucerne, Berlin, and Vienna) and made his BBC Proms debut with the BBC Symphony Orchestra in 2007.

Christian Poltéra's discography reflects his wide range of repertoire that includes the cello concertos by Barber, Lutoslawski, Dutilleux, Schoeck, Honegger, Martin, and Toch, as well as chamber music by Prokofiev, Fauré, Mozart, Saint-Saens and Schubert, on the labels BIS Records, Deutsche Grammophon, EMI, and Chandos.

These recordings have won acclaim from the international press, and have been honored with the Diapason d'or, Gramophone Magazine's "Editor's Choice", Strad Magazine's "Strad Selection", and BBC Music Magazine's "Choice".

Now recording regularly for BIS, Mr. Poltéra's recent releases include the cello concertos by Hindemith and Walton (São Paulo Symphony Orchestra / Frank Shipway). CD releases in 15-16 include the Dvorak and Martinu Concerti with the Deutsches Symphonie-Orchester and Thomas Dausgaard.

Christian Poltéra plays the famous cello "Mara", built in 1711 by Antonio Stradivari.

Booklet for Mendelssohn: Works for Cello & Piano