Now (Remastered) The Tubes

• 1 Smoke (La Vie En Fumer) 04:50
• 2 Hit Parade 03:41
• 3 Strung Out On Strings (Album Version) 04:14
• 4 Golden Boy (Album Version) 04:02
• 5 My Head Is My Only House Unless It Rains 05:31
• 6 God Bird Change 03:19
• 7 I'm Just A Mess 03:08
• 8 Cathy's Clone 03:32
• 9 This Town 03:20
• 10 Pound Of Flesh (Album Version) 02:58
• 11 You’re No Fun (Album Version) 04:59
• Total Runtime 43:34

Info for Now (Remastered)

Now is the third album released by The Tubes. It was produced by John Anthony. Fed up with constant meddling from Bud Scoppa and Don Wood under the direction of Bill Spooner including surreptitiously remixing a track when Anthony was not at the studio, Anthony was advised to leave the project by Jerry Moss. The head of A&M A&R Kip Cohen said that they took advantage of Anthony and believed that they overran the budget to increase their union fees. Bill Spooner took over and completed the project with the help of the engineer Wood and Scoppa.

Now includes a cover version of Captain Beefheart's "My Head Is My Only House Unless It Rains" and Captain Beefheart also played saxophone on "Cathy's Clone". The project was intended to be a double album but delays led to cutting several songs, including a version of Gene Pitney's "Town Without Pity" complete with horn arrangement by the Bay-area comedian/musician, Dick Bright. The cover of Now was drawn by The Tubes' drummer, Prairie Prince, entitled "Tubes Descending a Staircase", and was inspired by a similar drawing in Time magazine of the Ramones. In an A&M leaflet, they described the album as "This outrageous and zany band have developed musically and visually since their inception in San Francisco and their previous albums". Anthony believes in retrospect that he should not have tried to be "one of the boys" with this band but remains proud of his idea to have the band playing again live in the studio liked they used to do in the Bay Area bars.

"San Franciscan rock satirists The Tubes actually pulled in some heavyweight support as they camped out in ’70s America. Drawing a fan club that included Captain Beefheart, Larry Graham, Stanley “Acid Lab Rat” Owsley III, and Frank Zappa, this theatrical circus version of Steely Dan didn’t equal the successes of their “White Punks On Dope” again. But the core musicianship of Roger Steen, Bill Spooner and eventual Dead pianist Vince Welnick ensured that “Hit Parade” and “I’m Just A Mess” maintained a glossy, slick momentum, despite the best excesses of Fee Waybill and sexy Re Styles. With songs pitched in by Ron Nagle, Scott Matthews and Lee Hazlewood, Now(originally released in 1977) still sounds surprisingly classy." (UNCUT)

Fee Waybill, vocals
Bill "The Swami" Spooner, guitar, vocals
Michael Cotten, synthesizer
Mingo Lewis, drums, percussion
Prairie Prince, drums
Roger Steen, guitar, vocals
Re Styles, vocals
Vince Welnick, keyboards
Rick Anderson, bass
Additional musicians:
Bud Scoppa, voices
Don Van Vliet, soprano saxophone on "Cathy's Clone"
Harry Duncan, harmonica on "Golden Boy"
Roberta Burger, violin

Digitally remastered

The Tubes
were arch satirists of popular culture whose outrageous performance art concepts -- which swung wildly from softcore pornography to suit-and-tie conservatism -- frequently eclipsed their elusive musical identity. The beginnings of the group originated in Phoenix, Arizona in the late '60s, where guitarist Bill Spooner, keyboardist Vince Welnick, and bassist Rick Anderson formed as the Beans (alternately billing themselves as the Radar Men from Uranus). After moving to San Francisco in 1972, the Beans recruited guitarist Roger Steen and drummer Prairie Prince (from Red, White & Blues), and later became the Tubes with the addition of Michael Cotten on keyboards and former roadie Fee Waybill on lead vocals.

Over the course of the next few years, the Tubes earned a devoted cult following on the strength of Spooner's parodic songs and the group's surreal live shows, which featured Waybill adopting a variety of personae including the "crippled Nazi" Dr. Strangekiss, country singer Hugh Heifer, and Quay Lewd, a drug-addled British pop star. After signing to A&M in 1975, they released their self-titled debut, followed a year later by Young and Rich; while both failed to transfer the manic energy and theatrical complexity of their live set onto record, the single "White Punks on Dope" became a minor hit and a radio staple.

NowAfter 1977's failed concept record The Tubes Now, the group toured England, where a series of banned performances made them a media sensation. However, during the recording of the concert LP What Do You Want from Live?, Waybill broke his leg on-stage while acting out his punk character Johnny Bugger; the remainder of the tour was canceled, and with it died the band's chart momentum. After returning to the U.S., they recruited producer Todd Rundgren and recorded 1979's Remote Control, a concept album exploring the influence of television; when it met a similar commercial fate as its predecessors, the Tubes were dropped by A&M.

The Completion Backward PrincipleAfter signing to Capitol, they recorded 1981's Completion Backwards Principle, an album based on an actual sales training instruction manual; both "Talk to You Later" and "Don't Want to Wait Anymore" earned significant radio play, and the LP became the Tubes' first Top 40 hit. Thanks to its provocative video, the single "She's a Beauty" reached the Top Ten, and pushed the 1983 LP Outside/Inside into the Top 20 Albums chart; after 1985's Love Bomb stiffed, however, the Tubes disbanded, and Welnick later joined the Grateful Dead (long suffering from depression, he committed suicide in June 2006).

Genius of AmericaIn 1993, the Tubes reunited; consisting of Waybill, Steen, Anderson, Prince, and new keyboardist Gary Cambra, they toured the U.S. and Europe before releasing a new LP, Genius of America, in 1996. Spooner also issued his own solo record, Mall to Mars. In 2000, the Tubes embarked on another extensive tour, issuing the live greatest-hits album Tubes World Tour to commemorate the event. The band appeared at London's Shepherd's Bush Empire in December 2004, and the show was documented on the CD Wild in London, released the following year.

This album contains no booklet.