Rhythm And Repose Glen Hansard
Album info
Album-Release:
2012
HRA-Release:
30.12.2013
Album including Album cover
- 1 You Will Become 03:49
- 2 Maybe Not Tonight 05:30
- 3 Talking With the Wolves 04:44
- 4 High Hope 03:55
- 5 Bird of Sorrow 05:51
- 6 The Storm, It's Coming 03:28
- 7 Love Don't Leave Me Waiting 04:17
- 8 What Are We Gonna Do 03:00
- 9 Races 04:34
- 10 Philander 03:52
- 11 Song of Good Hope 03:48
Info for Rhythm And Repose
Over 20 years in the making, singer songwriter Glen Hansard has released his first ever solo album, Rhythm and Repose. Best known for his work with The Frames, The Swell Season and in the feature film 'Once,' for which he won an Academy Award, Rhythm and Repose is Hansard’s debut solo album and first album of new material since his 2009 release Strict Joy with The Swell Season.
Glen Hansard's journeyman career has so many fantastic stories, from his shy film debut in The Commitments to the surprise success of his indie hit film Once. In between he has lifted audiences around the world with his spiritual, driven performances, as the leader of lauded Irish heroes The Frames, and half of the duo The Swell Season.
For Rhythm and Repose, Hansard is where he wants to be, with no intervening structure between him and his audience. He has stripped away the emotional layers to reach a core, a core that shines through in songs like 'Love Don t Leave Me Waiting' with its easy, Muscle Shoals vibe. There is also a power of feeling on songs like 'Philander,' with Hansard capturing a vocal intensity live in the studio we have not heard from him before. And this is Glen Hansard s time. Building on the success of Once, which became a Broadway musical receiving rave reviews, Glen became part of the hot soundtrack, The Hunger Games, which features Glen performing under his own name, and as a writer for Maroon Five s track 'Come Away From the Water.'
„Rhythm and Repose is an album of quality and substance. It has a general feeling of serenity which bleeds through the heartfelt story telling. It could be said that it offers few surprises for those familiar with his weighty arsenal of work, but perhaps this serves as the album Glen Hansard envisaged when he first busked on the streets of Dublin some twenty years ago – stripped-back, thoughtful and honest. Newcomers to his work will undoubtedly be inspired to delve into that back-catalogue to discover where this talent was formed.“ (Craig Walker, www.folkradio.co.uk)
“Glen Hansard is a gifted, emotive frontman who sings as if he must, with a heart on his sleeve that is constantly throbbing.” (The New York Times)
Glen Hansard, guitars, vocals
David Mansfield, slide guitar
Brad Albetta, bass
Ray Rizzo, drums
Cristin Milioti, vocals
Sam Amidon, vocals
Marketa Irglova, vocals
Aida Shahghasemi, vocals
Nico Muhly, strings
Rob Moose, strings
Javier Mas, horns
Recorded by Patrick Dillett (David Byrne, Arto Lindsay, Laurie Anderson)
Produced by Thomas Bartlett (Doveman, The National, Antony and the Johnsons)
Glen Hansard
With a host of real-life songs and lilting vocals that reflect a passion for his influences (particularly Van Morrison, Leonard Cohen, and Bob Dylan), Glen Hansard is best known for his work with the Frames and the Swell Season. Born to a working-class Dublin family during the spring of 1970, he left school at age 13 in search of making music his career. He began busking in the streets of Dublin, laying the groundwork for his engaging stage persona and, ironically, mimicking the plot line of Once, the movie that would later make him a star in multiple countries. By his late teens, Hansard had recorded his first demo with the help of his Mum, who'd lent him some money for the project. One of the 50 tapes he pressed landed in the hands of Island Records' Denny Cordell, a former producer who'd previously helped bring Tom Petty and Joe Cocker to the Island roster. Upon a meeting at Cordell's flat, the 17-year-old Hansard also met Ron Wood, Marianne Faithfull, and Stewart Copeland. The meeting, to say the least, left a lasting impression on Hansard, and in the end, Cordell signed him with the approval of Island founder Chris Blackwell.
From there, Hansard quickly gathered a group of fellow buskers and formed the Frames. Unfortunately, quick accolades proved daunting for Hansard and the Frames, whose grunge-influenced release Another Love Song came and went without selling much. Island Records responded by dropping the group. To distract himself from the disappointment, Hansard took on the role of Outspan Foster, a guitarist in the famed Alan Parker film The Commitments. He would later admit that he shouldn't have taken the role, as it merely placated his struggle with making music. But a trip to New York gave Hansard the space and time to dream it all up again, and with a newfound focus, he wrote the guitar-blazing anthem "Revelate" and "Say It to Me Now." Both songs eventually landed on the Frames' proper debut album, Fitzcarraldo, which was released in 1996 and helped make the Frames a popular group in Ireland.
Over the next decade, Hansard and the Frames continued releasing albums while also becoming one of Ireland's finest live acts. In 2003, Hansard played host to Other Voices: Songs from a Room, a popular television show featuring Ireland's best in new music. Three years later, while the Frames readied the release of their sixth effort, The Cost, Hansard unveiled a new side project called the Swell Season. The acoustic-based group featured his collaborations with Czech songstress Markéta Irglová. He and Irglová also appeared as working-class immigrants in the Irish movie Once, which debuted at the Sundance Film Festival in 2007 and won an Oscar later that year. Thanks to the movie's success (not to mention its popular soundtrack, Once: Music from the Motion Picture, which featured the band's music), the Swell Season became a popular act in Ireland and abroad, leading to the release of a mature sophomore album in 2009. 2012's Anti-released Rhythm and Repose, the solo debut from Hansard, was produced by Thomas Bartlett (the National, Antony & the Johnsons) and inspired by the singer/songwriter's year-and-a-half spent as a denizen of New York City. Later in 2012 Hansard's track "Take the Heartland" appeared on the Hunger Games soundtrack, and the following year he recorded a cover of Bruce Springsteen's "Drive All Night" with Pearl Jam's Eddie Vedder, which was included on an Anti-issued EP of same name in November in aid of music education charity Little Kids Rock.
This album contains no booklet.