The Magic of Moonlight Brian Bromberg

• 1 The Magic of Moonlight 06:39
• 2 Nico’s Groove 06:57
• 3 A New Dawn 03:40
• 4 So, You Think You’re All That? 05:44
• 5 Just Another Beautiful Day 06:53
• 6 Last Day of Summer 06:02
• 7 The Third Child 05:39
• 8 The Orient Express 06:48
• 9 Bedtime Story 05:20
• 10 The Pink Moment 05:49
• 11 In the Hands of God 07:38
• Total Runtime 01:07:09

Info for The Magic of Moonlight

Guided by the music, Brian Bromberg crafts a spirited new set of contemporary jazz tunes that foreground vibe and soulfulness rather than aggressive virtuosity. The Magic of Moonlight is an apt title for this evocative piece of work which is deeply imbued with the shadow-cloaked mystery and twilight romance of an evening under the full moon.

The Magic of Moonlight is both an evocative and an apt title for this latest outing; as opposed to its predecessor, the freewheeling, open-road feel of A Little Driving Music, Bromberg’s latest album is deeply imbued with the shadow-cloaked mystery and twilight romance of an evening under the full moon. The feeling is also captured on the Magic Hour wonder of “The Pink Moment,” the nickname for the multi-hued sunset on the Topatopa Mountains near Bromberg’s home outside Ojai, California.

“There's a little bit of mystique in the moonlight,” Bromberg muses. “This album has some mysterious vibes and spirituality along with the feel-good, positive energy, so the name just seemed to fit.”

Originally from Tucson, Arizona, Bromberg started out on the drums before switching to the bass at the behest of his junior high school band director – though that driving, rhythmic foundation has remained a core component of Bromberg’s sound. With the help of bass great Marc Johnson, then touring as a member of the Bill Evans Trio, Bromberg landed a gig with the legendary saxophonist Stan Getz in late 1979, when he was just 19 years old.

Bromberg has hardly stopped for a moment’s breath since then. In the ensuing decades he’s performed, recorded or toured with a stunning roster of artists across a spectrum of genres. While it might be easier to list the names that he hasn’t played with, a partial list of collaborators will have to suffice: Joshua Redman, Roy Hargrove, Sarah Vaughan, Bob James, George Benson, Lionel Hampton, Chris Botti, Najee, Whitney Houston, Christina Aguilera, Diana Krall, Dizzy Gillespie, Josh Groban, Mike Stern, Dave Koz, Sting, Michael Brecker, Stanley Clarke, Stanley Jordan – even Jerry Lewis. And that’s just scratching the surface.

1986’s A New Day launched Bromberg’s solo career, while his follow-up, Basses Loaded, cemented his place in the front ranks of bass innovators. In the years to follow he released a series of acoustic jazz projects alternating with more electric contemporary outings. He recorded tributes to Jaco Pastorius, Jimi Hendrix and Antonio Carlos Jobim and fronted a full orchestra. Throughout he’s captivated audiences and fellow musicians with his staggering agility on an array of basses: four- and five-string axes, hollowbody electric, acoustic, and the piccolo bass, on which his shredding solos rival the speed and versatility of any electric guitar wizard.

Brian Bromberg

Brian Bromberg
Grammy®-nominated bassist and composer Brian Bromberg is one of the most innovative and versatile voices in jazz. With a career spanning over four decades, Bromberg has released more than 30 solo albums, blending mainstream acoustic jazz, smooth and contemporary jazz, fusion, rock, funk, Latin, and orchestral styles with his signature virtuosity and melodic storytelling.

He has collaborated with a who’s who of the music world, including artists as diverse as: Stan Getz, Horace Silver, Sting, Michael Buble’, Herb Alpert, Sarah Vaughan, George Duke, Arturo Sandoval, Boney James, Jeff Lorber, Lee Ritenour, Billy Cobham, Kirk Whalum, Andrea Bocelli, Randy Brecker, and Freddie Hubbard.

Known for his pioneering use of piccolo bass—sounding more like a lead guitar than a bass—Bromberg has redefined the instrument’s role in modern music.

His discography includes chart-topping albums like You Know That Feeling, Downright Upright, The Magic of Moonlight, Thicker Than Water, and A Little Driving Music. He’s also known for conceptually bold tributes such as Jaco, Bromberg Plays Hendrix, In the Spirit of Jobim, and LaFaro, honoring the late great bassist, Scott LaFaro.

Beyond his solo work, Bromberg has played on numerous film soundtracks (The Fabulous Baker Boys, The Preacher’s Wife, The Recruit), produced hits for other artists through his B² Productions company, and earned acclaim for his audiophile recordings like Wood and Hands.

Brian's passion for electric bass design has been a defining part of his professional career, with signature models accompanying him every step of the way. His latest creation—developed in collaboration with Kiesel Guitars and proudly manufactured in the USA—represents the culmination of years of refinement and innovation. The B2 Series Basses are the result of Brian’s relentless pursuit of tone, comfort, and playability. Ergonomically designed and sonically outstanding, the B2 line reflects both Brian’s artistic vision and Kiesel’s craftsmanship.

A relentless innovator and musical storyteller, Brian Bromberg continues to push the boundaries of what the bass can do—delivering soulful, world-class performances with every project.

This album contains no booklet.