Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2 Noriko Ogawa, Musikkollegium Winterthur & Thomas Zehetmair

• Richard Dubugnon (b. 1968):
• 1 Dubugnon: Chamber Symphony No. 1, Op. 63 15:46
• Dubugnon: Klavieriana, Op. 70:
• 2 Dubugnon: Klavieriana, Op. 70: I. Allegro febbroso 08:59
• 3 Dubugnon: Klavieriana, Op. 70: II. Sicilienne 08:33
• 4 Dubugnon: Klavieriana, Op. 70: Cadenza 02:44
• 5 Dubugnon: Klavieriana, Op. 70: III. Allegro volatile 05:44
• Dubugnon: Chamber Symphony No. 2, Op. 77:
• 6 Dubugnon: Chamber Symphony No. 2, Op. 77: I. Chaconne. Larghissimo 10:08
• 7 Dubugnon: Chamber Symphony No. 2, Op. 77: II. Fugue. Presto 03:45
• 8 Dubugnon: Chamber Symphony No. 2, Op. 77: III. Chaconne. Largo e liberamente 04:38
• 9 Dubugnon: Chamber Symphony No. 2, Op. 77: IV. Finale. Presto giocoso 02:53
• Total Runtime 01:03:10

Info for Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2

Born in 1968, the Swiss composer Richard Dubugnon writes music that has been described as ‘driven by a playful modern sensibility’ (New York Times). His work list includes all genres, from solo pieces to large orchestral works, such as the Helvetia Symphony, scored for the same forces as Stravinsky’s Rite of Spring. He has also written for smaller orchestra, however, and this disc is bookended by his two chamber symphonies. Chamber Symphony No.?1 was composed in 2013, and in his liner notes the composer admits to influences from Arnold Schoenberg and Franz Schreker, as well as Olivier Messiaen: ‘if passionate gestures evoke the decadent Vienna of the turn of the 20th century, the overall harmonic color remains quite “French”… Switzerland is, after all, half way between Vienna and Paris.’ In contrast, the initial inspiration for Chamber Symphony No. 2 (2017) was a visual one – a stained-glass panel from 1658 commemorating the first members of Musikkollegium Winterthur, for which the work was written. Dubugnon creates a chaconne based on the colours of the stained glass, but also includes a Bach fragment in allusion to a reference on the panel to Psalm 150. These elements are used in various ways throughout the piece, which ends in a big accelerando. Framed by the symphonies is the concerto Klaveriana for piano, orchestra and obbligato celesta. Featuring a wide range of piano techniques, the concerto is unusual in that it incorporates an important part for the celesta which functions as a mysterious reflection of the piano. The album is a first on BIS from Musikkollegium Winterthur under its conductor Thomas Zehetmair, with Noriko Ogawa as the soloist in Klaveriana.

Noriko Ogawa, piano
Rafael Rütti, celesta
Musikkollegium Winterthur
Thomas Zehetmair, conductor

Noriko Ogawa
has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records (“If you like your Debussy to sound like the musical equivalent of a chilled white wine, Noriko Ogawa is the pianist for you” Roger Vignoles, BBC Radio 3, CD Review), confirms her as a fine Debussy specialist, and her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’ by Stephen Walsh, BBC Radio 3’s CD Review, January 2014. Noriko’s next recording for BIS records is of solo piano music by Eric Satie.

Noriko appears with all the major European, Japanese and US orchestras including recent and forthcoming performances with the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra and the Nagoya Philharmonic Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 with the BBC Concert Orchestra (conducted by Barry Wordsworth) and appeared again in 2014 with the Endymion Ensemble. She has been appointed Vice President of the St Cecilia Orchestra in Ripon, Honorary Patron of the Ipswich Orchestral Society and, from January to June 2012, was the Artistic Director for the Reflections on Debussy Festival, hosted by BBC Philharmonic and Bridgewater Hall. In 2015 she continued her relationship with the Bridgewater Hall as Associate Artist for Ravel and Rachmaninov Festival alongside Peter Donohoe.

Noriko is also renowned as a recitalist and chamber musician. Notable chamber projects include a tour of Japan with the Berlin Philharmonic Wind Ensemble and the leader of the Vienna Philharmonic, Rainer Honeck. With her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos (Three Hands) at the 2013 BBC Proms, has toured in Japan and given premieres of Graham Fitkin’s double piano concerto Circuit. Noriko has also collaborated with Steven Isserlis, Isabelle van Keulen, Martin Roscoe, Michael Collins and Peter Donohoe.

As an advocate of commissioning, Noriko has been involved in numerous premieres including works by Richard Dubugnon, Takemitsu, Graham Fitkin and Dai Fujikura, as well as ‘Le Tombeau de Rachmaninov’, specially written for Noriko by eight composers and premiered at Manchester’s Bridgewater Hall. In addition to recording and performing, Noriko is a sought-after presenter, both on the radio and on television, recently appearing as a piano expert on the BBC3 coverage of the Leeds Piano Competition, and on BBC Worldwide in ‘Visionaries’ as an advocate for Takemitsu and in programmes for NHK and Nippon Television. As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.

In Japan, Noriko acts as artistic advisor to the MUZA Kawasaki Symphony Hall in her hometown. In 1999, the Japanese Ministry of Education awarded her their Art Prize in recognition of her outstanding contribution to the cultural profile of Japan throughout the world and she has also been awarded the Okura Prize for her outstanding contribution to music in Japan. As a writer, Noriko has completed her first book (published in Japan) and her Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand, with the Japanese music magazine Ongaku no tomo saying “Ogawa translates Tomes’ elegant composition into very beautiful Japanese with deep empathy and affection” (August 2012).

Noriko is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £40,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising. Noriko also founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.

Noriko lives with her partner Philip and their cat Sox. When not practising she enjoys writing and cooking for friends.

Booklet for Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2