Schubert: Die Winterreise Markus Schäfer & Tobias Koch
Album info
Album-Release:
2018
HRA-Release:
21.05.2021
Label: CAvi-music
Genre: Classical
Subgenre: Vocal
Artist: Markus Schäfer & Tobias Koch
Composer: Franz Schubert (1797-1828)
Album including Album cover Booklet (PDF)
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- Franz Schubert (1797 - 1828): Die Winterreise D 911:
- 1 Schubert: Die Winterreise D 911: 1. Gute Nacht 04:51
- 2 Schubert: Die Winterreise D 911: 2. Die Wetterfahne 01:47
- 3 Schubert: Die Winterreise D 911: 3. Gefro'ne Tränen 01:49
- 4 Schubert: Die Winterreise D 911: 4. Erstarrung 02:49
- 5 Schubert: Die Winterreise D 911: 5. Der Lindenbaum 04:28
- 6 Schubert: Die Winterreise D 911: 6.Wasserfluth 03:38
- 7 Schubert: Die Winterreise D 911: 7. Auf dem Flusse 02:38
- 8 Schubert: Die Winterreise D 911: 8. Rückblicke 02:00
- 9 Schubert: Die Winterreise D 911: 9. Irrlicht 02:31
- 10 Schubert: Die Winterreise D 911: 10. Rast 02:42
- 11 Schubert: Die Winterreise D 911: 11. Frühlingstraum 03:34
- 12 Schubert: Die Winterreise D 911: 12. Einsamkeit 02:05
- 13 Schubert: Die Winterreise D 911: 13. Die Post 02:18
- 14 Schubert: Die Winterreise D 911: 14. Der greise Kopf 02:44
- 15 Schubert: Die Winterreise D 911: 15. Die Krähe 01:20
- 16 Schubert: Die Winterreise D 911: 16. Letzte Hoffnung 01:43
- 17 Schubert: Die Winterreise D 911: 17. Im Dorfe 02:53
- 18 Schubert: Die Winterreise D 911: 18. Der stürmische Morgen 00:54
- 19 Schubert: Die Winterreise D 911: 19. Täuschung 01:15
- 20 Schubert: Die Winterreise D 911: 20. Der Wegweise 03:48
- 21 Schubert: Die Winterreise D 911: 21. Das Wirtshaus 05:13
- 22 Schubert: Die Winterreise D 911: 22. Muth! 01:34
- 23 Schubert: Die Winterreise D 911: 23. Die Nebensonnen 02:21
- 24 Schubert: Die Winterreise D 911: 24. Der Leiermann 03:19
Info for Schubert: Die Winterreise
Franz Schubert‘s two major song cycles based on texts by Wilhelm Müller (1794–1830) were milestones in music history. Whoever dares to “reproduce them in performance” is treading in the footsteps of giants. As Markus Schäfer puts it: “through previous interpretations by distinguished artists, these cycles have not only become extremely popular; they have acquired an almost untouchable aura”.
In conversation, Markus Schäfer and Tobias Koch remind us that these songs’ status was not as monolithic as it has become. “Due to their audacity and sheer energy, the effect was initially almost frightening in Schubert’s closest circle of friends”, Schäfer explains. “It comes as no surprise that Franz von Schober, for one, did not like any of them except Der Lindenbaum.”
Although Schubert/Müller’s “Winterreise” seems to stand out in music history a monument – the very birth of art song – Schäfer and Koch do not regard this cycle’s content as straightforward or definitive. “The questions the cycle leaves open are more numerous than the direct answers it provides. Winterreise is thus a work of our time”, Koch affirms. “At any rate, my personal approach as a performer is to ask questions, leaving the answers up to the listeners. Perhaps that is why so much in this recording seems to be unusually alert: in motion, in flux. ...
We diverge from what is familiar, as well as from the ‘Urtext’, in a multitude or striking musical details: we introduce other notes, different embellishments, interpolated recitatives, additions, rests, transitions, unexpected turning points. In Schubert’s sketches for Winterreise we found certain relations he had originally foreseen among keys, and we apply that knowledge in this recording.
Music lovers of our time would find early 19th-century performance customs quite strange; modern-day concert hall recitals are purportedly designed to reflect ‘objective’, ‘functional’ criteria. We, as historically informed performers, call the current approach into question. We plead in favour of the listening habits of Schubert’s day: more spontaneity, more individuality, an emphasis on the unique role each musical moment can play for interpreters and for the audience.
We have allowed ourselves to insert our own musical comments: plenty of improvisation, and generally a more free-handed approach to the historical material to which we have access. As performers, this puts us in a state of blissful suspension. (excerpts from the booklet)
No biography found.
Booklet for Schubert: Die Winterreise