Costanzi: Sinfonie per violoncello Giovanni Sollima, Arianna Art Ensemble & Monika Leskovar

• Giovanni Battista Costanzi (1704-1778): Sinfonia in D Major for Cello & Basso continuo:
• 1Sinfonia in D Major for Cello & Basso continuo: I. Adagio staccato02:01
• 2Sinfonia in D Major for Cello & Basso continuo: II. Allegro03:12
• 3Sinfonia in D Major for Cello & Basso continuo: III. Amoroso03:13
• 4Sinfonia in D Major for Cello & Basso continuo: IV. Minuetto amoroso01:25
• Sinfonia in B-Flat Major for Cello & Basso continuo:
• 5Sinfonia in B-Flat Major for Cello & Basso continuo: I. Adagio03:49
• 6Sinfonia in B-Flat Major for Cello & Basso continuo: II. Spiritoso04:35
• 7Sinfonia in B-Flat Major for Cello & Basso continuo: III. Sarabanda04:16
• 8Sinfonia in B-Flat Major for Cello & Basso continuo: IV. Minuet01:37
• Sonata da camera for 2 Cellos in F Major:
• 9Sonata da camera for 2 Cellos in F Major: I. Amoroso - Allegro assai - Amoroso01:47
• 10Sonata da camera for 2 Cellos in F Major: II. Adagio01:40
• 11Sonata da camera for 2 Cellos in F Major: III. Presto01:03
• Sinfonia in G Major for Cello & Basso continuo:
• 12Sinfonia in G Major for Cello & Basso continuo: I. Grave03:42
• 13Sinfonia in G Major for Cello & Basso continuo: II. Allegro01:27
• 14Sinfonia in G Major for Cello & Basso continuo: III. Minuè01:58
• Sinfonia in E-Flat Major for Cello & Basso continuo:
• 15Sinfonia in E-Flat Major for Cello & Basso continuo: I. Adagio03:18
• 16Sinfonia in E-Flat Major for Cello & Basso continuo: II. Allegro02:11
• 17Sinfonia in E-Flat Major for Cello & Basso continuo: III. Minuet01:51
• Giovanni Sollima (1962- ): The Hunting Sonata:
• 18The Hunting Sonata: I. Adagio - Allegro05:32
• 19The Hunting Sonata: II. Siciliana03:35
• 20The Hunting Sonata: III. Giga01:44
• Giovanni Battista Costanzi: Sinfonia in C Major for Cello & Basso continuo:
• 21Sinfonia in C Major for Cello & Basso continuo: I. Grave02:17
• 22Sinfonia in C Major for Cello & Basso continuo: II. Allegro02:03
• 23Sinfonia in C Major for Cello & Basso continuo: III. Variazioni: Allegro06:39
• Total Runtime01:04:55

Info for Costanzi: Sinfonie per violoncello

With one album of cello sonatas by Giovanni Battista Costanzi behind him, Giovanni Sollima has decided to provide further proof of how Costanzi has hitherto been a woefully neglected but exciting compositional voice from that nebulous period between Baroque and Classical. With this new disc of Sinfonie per violoncello from Glossa, Sollima demonstrates once more the melodic inventiveness and harmonic liberty to which Costanzi was given together with a virtuoso’s capacity to relish the technical demands imposed by a Roman musician who was clearly also a star player on the instrument himself.

Together with the Arianna Art Ensemble Sollima has recorded five sinfonias for cello and continuo, and a sonata for two cellos by Costanzi where he is joined once again by Monika Leskovar. If the four- movement sonata da chiesa structure favoured by Corelli is still apparent in some of these sinfonias, there is a greater openness to the galante style and influences coming from elsewhere in Europe and from across Italy, for all that Costanzi may have not ventured far outside the Eternal City (it is likely also that he taught the young Boccherini, who had made the considerable journey from Lucca for lessons with “Giovannino del Violoncelo”).

A new composition (The Hunting Sonata) by Sollima himself – another cellist-composer – takes off from Costanzi’s almost programmatic Sonata for two cellos, “ad uso di corni da caccia”.

Giovanni Sollima, violoncello
Monika Leskovar, violoncello
Gianluca Ubaldi, timpani & tamburello
Arianna Art Ensemble:
Cinzia Guarino, harpsichord
Andrea Rigano, violoncello
Paolo Rigano, archlute & baroque guitar

Giovanni Sollima
is a true virtuoso of the cello, playing for him is not an end in itself, but a means of communicating with the world.

He is a composer out of the ordinary, he communicates with a music full of mediterranean rhythms, with a melodic vein typically Italian, his world covers all eras "from the Jurassic of the Cello" as he calls the baroque period to the "Metal". He writes mainly for the cello and contributes significantly to the creation of new repertoire for his instrument. His audience is diverse; from classical music lovers to young "metalheads" Giovanni Sollima conquers all.

Sollima was born in Palermo into a family of musicians. He studied cello with Giovanni Perriera and Antonio Janigro and composition with his father and Eliodoro Sollima and Milko Kelemen. From an early age he worked with musicians such as Claudio Abbado, Giuseppe Sinopoli, Jörg Demus, Martha Argerich, Riccardo Muti, Yuri Bashmet, Katia and Marielle Labèque, Ruggero Raimondi, Bruno Canino, DJ Scanner, Victoria Mullova, Patti Smith, Philip Glass and Yo-Yo Ma.

His works as a soloist with orchestra and various ensembles (including the Giovanni Sollima Band, which he founded in New York in 1997) - unfolds between official and alternative locations: Brooklyn Academy of Music, Alice Tully Hall , Knitting Factory and Carnegie Hall (New York), Wigmore Hall and Queen Elizabeth Hall (London), Salle Gaveau (Paris), Santa Cecilia, RomaEuropaFestival (Roma), Teatro San Carlo (Naples), Kunstfest (Weimar), Kronberg Cello Festival , Time Zones Festival (Bari), Teatro Massimo, Teatro alla Scala (Milan), International Music Festival in Istanbul, Cello Biennale (Amsterdam), Tokyo Summer Festival, the Venice Biennale, Ravenna Festival, "The Sounds of the Dolomites", Ravello Festival, Expo 2010 (Shanghai), Concertgebouw in Amsterdam, Liverpool Philharmonic ...

In Parallel to the cello his curiosity led him to explore new frontiers in the field of composition through contamination between different genres making use also of oriental instruments, electrical and many of his invention.?He also collaborated with other artists such as, for dance, Karole Armitage, and Carolyn Carlson, for the theater with Bob Wilson, Alessandro Baricco, and Peter Stein and cinema with Marco Tullio Giordana, Peter Greenaway, Lasse Gjertsen (DayDream, 2007), and John Turturro.

Together with cellist and composer Enrico Melozzi he promoted the project 100 VIOLONCELLI created at the Teatro Valle Occupied in Rome. Musicians from all age, formation, got together for 3 days and 3 nights of cello music, from baroque going through rock music to contemporary music written "during the concerts" there were no limits. The project was repeated in 2013 and in 2014 from May 23-25th will take place in Milan at the Teatro delle Arti. There will be the 3rd edition of the composition contest and the first edition of a "libretto" contest.

I 2013 he also was the Maetro Concertatore of the project "La Notte della Taranta" a festival of tradtional popular music from the Salento (region of Apulia) that climax with a big concert with an audience of more 130 000 persons. This summer he will repeat the experience on the 23rd of August.

Among the last albums "Neapolitan Cello Concertos" for Glossa and "Caravaggio" for Egea.

The prestigious Chicago Symphony Orchestra commissioned a new double cello concerto for himself and M°Yoyo Ma, the premiere will take place at Symphony Hall in Chicago in February 2014.

Giovanni Sollima, teaches at the Accademy of Santa Cecilia in Rome and at the Fondazione Romanini of Brescia. He plays a cello by Francesco Ruggieri cello (1679, Cremona).

Monika Leskovar
Croatian cellist Monika Leskovar (born Kreutztal, Germany, 1981), studied with Dobrila Berkovic-Magdalenic at Elly Bašic Music School in Zagreb and later with Valter Dešpalj. In 1996 she became a student of David Geringas at the Hanns Eisler Hochschule für Musik in Berlin, where - from 2006 to 2011 - she was an assistant.

From October 2012 she teaches cello at Lugano Conservatory of Music in Switzerland. In masterclasses she worked together with Mstislav Rostropovitch and Bernard Greenhouse.

Winner of several prizes at international cello competitions - International Tchaikovsky for Young Musicians (Sendai, 1995), Antonio Janigro (Zagreb, 1996), Rostropovich (Paris, 1997), Eurovision Grand Prix (Vienna, 1998), Roberto Caruana “Stradivari” (Milano, 1999), International ARD (Munchen 2001), 5th Adam (New Zealand, 2003). Sofia Gubaidulina says of her: “Monika perfectly performed my Preludes for solo violoncello… She is truly remarkable, and simply I adore her… Monika is the sort of talent that only appears by the Grace of God”.

She performed as soloist with orchestras such as Bavarian Radio Symphony Orchestra, Moscow Philharmonic, Sendai Philharmonic, Slovenian Philharmonic, St. Petersburg Symphonic Orchestra, Zagreb Philharmonic, Essen Philharmonic, Prague Chamber Orchestra, Lithuanian Chamber Orchestra, Kremerata Baltica, Zagreb Soloists, with conductors such as Valerij Gergiev, Thomas Hengelbrock, Krzysztof Penderecki, and in solo recitals, chamber music projects and noted festivals like Lockenhaus, Schleswig-Holstein, Rheingau, Dubrovnik, Casals Festival (Tokyo), Rostropovich Festival (Riga), Zagreb International Music Festival collaborating with Gidon Kremer, Yuri Bashmet, Boris Berezovsky, Julian Rachlin, Itamar Golan, Tabea Zimmermann, Sofia Gubaidulina, Mario Brunello, Nikolai Zneider, Jeanine Jansen and Kolja Blacher, among others.

Since 2005 she collaborates with the cellist and composer Giovanni Sollima, with whom she recorded the album “We Were Trees”, recently published by Sony/BMG.

In 2008 she recorded the G-major Cello Concerto of Stamitz and the Danzi Variations on a theme from “Don Giovanni” for the label OEMHS classics.

Monika Leskovar plays a cello by Mantegazza, Milano 1765 loaned to her by Kronberg Academy.

Booklet for Costanzi: Sinfonie per violoncello