Apocalypse Crown Lands
Album info
Album-Release:
2026
HRA-Release:
15.05.2026
Album including Album cover
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- 1 Proclamation I 01:21
- 2 Foot Soldier of the Syndicate 04:19
- 3 Through the Looking Glass 03:45
- 4 Blackstar 04:02
- 5 The Fall 04:31
- 6 The Revenants I 05:26
- 7 Apocalypse 19:01
Info for Apocalypse
Canadian progressive rock duo Crown Lands have steadily emerged as one of the genre’s most ambitious modern voices. Following their JUNO Award-winning self-titled debut in 2020 and Fearless in 2023, the band expanded their conceptual universe in 2025 with the instrumental releases Ritual I and Ritual II (also recently Juno-nominated), their first releases on InsideOutMusic. Now, the band deliver their new studio album Apocalypse, their most demanding and fully realized work to date, set for release on May 15th, 2026.
Musically and creatively, Apocalypse marks a clear turning point. After completing Rituals entirely in their home studio, the band gained the confidence to take near-total control of the production process. Guitarist/bassist/keyboardist Kevin Comeau explains, “That record gave us the confidence to realize we could make a Crown Lands album in our own space, without a major-label budget or a big, fancy studio.” That confidence carried directly into Apocalypse, with much of the album written and recorded in the same room the band has worked in since 2020. To enhance the album’s most crucial moments, Crown Lands selectively collaborated with producers Nick Raskulinecz and David Bottrill.
Conceptually, Apocalypse is designed as a complete, album-sides narrative experience, crafted with the classic album format in mind. At the heart of the album lies the 19-minute title track, a sprawling epic that anchors the record both musically and narratively.
Cody Bowles, vocals, drums, percussion, Ney flute, pentatonic flute
Kevin Comeau, six & twelve string electric & acoustic guitar, bass, Minimoog, Oberheim OB6 synthesizer, Taurus Pedals, mellotron
Crown Lands
“More is more.” That’s how Kevin Comeau of the powerhouse Canadian duo Crown Lands describes his band’s approach. Cody Bowles continues: “We joke around, what if the White Stripes covered Rush? We want to be as big as we can be with just the two of us.”
The release of Crown Lands’ upcoming, self-titled debut album—produced by six-time Grammy winner Dave Cobb—marks the arrival of a major new force. Raised in Southwestern Ontario, Comeau (guitar, bass and keys) and Cody Bowles (vocals and drums) bring together a range of influences from folk and blues to psychedelic to prog rock and, drawing on their own intense personal chemistry, create something unique and startlingly fresh.
In 2016, Crown Lands released their first EP, Mantra, and accelerated their relentless touring schedule, which has seen them open for Jack White, Coheed and Cambria, Primus, and Rival Sons.
The group’s name is indicative of their substantial ambitions; “Crown Land” is territorial area belonging to the monarch—or, as Bowles (whose own heritage is half Mi’kmaq, an indigenous tribe from Nova Scotia) puts it, “Crown Land is stolen land and we are reclaiming it.”
“We have a really special bond—pretty much like brothers, but even more,” says Comeau. “There’s something special about the two of us getting together and turning up to ten. So we just have to keep pushing ourselves even further.”
This album contains no booklet.