Dvorak & Lalo: Cello Concertos Johannes Moser
- Antonín Dvořák (1841-1904): Cello Concerto in B minor, Op. 104:
- 1I. Allegro14:50
- 2II. Adagio ma non troppo11:26
- 3III. Finale: Allegro moderato12:28
- Édouard Lalo (1823-1892): Cello Concerto in D minor:
- 4I. Prelude: Lento - Allegro maestoso13:04
- 5II. Intermezzo: Andantino con moto05:54
- 6III. Introduction: Andante - Allegro vivace07:37
Info for Dvorak & Lalo: Cello Concertos
German-Canadian international soloist Johannes Moser recently signed an exclusive recording contract with PENTATONE. He regularly performs with the world’s leading orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony, London Symphony, Royal Concertgebouw, NHK Symphony, Philadelphia and Cleveland Orchestras as well as the leading conductors of our time including Mariss Jansons, Valery Gergiev, Zubin Mehta and Gustavo Dudamel. He has received many accolades for his recordings including two ECHO Klassik awards as well as the Preis der Deutschen Schallplattenkritik.
For his debut album with PENTATONE Johannes chose to record the pinnacle of the repertoire for cello and orchestra, the concerto by Antonín Dvořák. In this monumental work Dvořák explores the entire spectrum of human emotion, very much inspired by his own experiences, ranging from exhilarating bursts of life in New York City to the devastating tragedy of his unfulfilled love. In preparation for the recording, made with the PKF - Prague Philharmonia, Johannes Moser and conductor Jakub Hrůša had Dvořák's own manuscript at hand in order to come closer to the composer's intention rather than relying on unquestioned traditions and acquired habits, while paying tribute to the concerto's nickname, 'Dvořák's 10th Symphony”. Moser completes his debut album with the Cello Concerto by Édouard Lalo. It is a work of great verve which fully embodies Spanish flair combined with romantic spirit.
Besides being staples of the Romantic cello repertoire the two works have a lot in common. Johannes Moser says about the two concerti: “The unifying motif between these two Cello Concertos is a sense of yearning: From America, Dvořák yearned for his homeland and an unfulfilled love, whereas Lalo yearned for the typically Spanish flair and the Mediterranean temperament”.
„The Lalo Concerto is presented here certainly in a very good recording, yet the major asset is the superlative performance of Dvorak’s Cello Concerto by Johannes Moser. Since Karajan and Rostropovich nobody recorded this work so well. The result is sheer delight.“ (Pizzicato)
“one of the finest among the astonishing gallery of young virtuoso cellists” (Gramophone)
Johannes Moser, cello
Jakub Hrůša, conductor
Praised for his rich, gorgeous tone and playing that can range from lovely and elegant, to vigorous with head-banging, rock star energy, German-Canadian cellist Johannes Moser has been hailed by Gramophone Magazine as “one of the finest among the astonishing gallery of young virtuoso cellists.” Johannes has performed with the world’s leading orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony, London Symphony, Cleveland Orchestra, Concertgebouw Orchestra, Los Angeles Philharmonic, Bayerische Rundfunk Orchestra, Hong Kong Philharmonic, Munich Philharmonic, Tokyo Symphony and Israel Philharmonic. He works regularly with conductors of the highest level including Riccardo Muti, Lorin Maazel, Mariss Jansons, Valery Gergiev, Zubin Mehta, Vladimir Jurowski, Franz Welser-Möst, Manfred Honeck, Christian Thielemann, Pierre Boulez, Paavo Jarvi and Semyon Bychkov.
The 2013-14 season includes debuts with the London Philharmonic, Baltimore Symphony, Oregon Symphony and Houston Symphony as well as returns to the Los Angeles Philharmonic, Bournemouth Symphony, Deutsche-Sinfonieorchester Berlin, WDR Cologne and Essen Philharmonic.
Johannes has gained a reputation for his exquisite performances and wide ranging repertoire, much of it recorded on his extensive award-winning discography.His affinity for new music has brought him much attention from leading conductors such as Pierre Boulez, who invited him to make his U.S. debut with the Chicago Symphony on the Rands Concerto. Johannes is an enthusiastic advocate for the electric cello which he uses to explore new possibilities in sound as well as for improvisation. In October 2012 he premiered “ Magnetar”, a concerto for electric cello by Enrico Chapela, which Johannes performed with Los Angeles Philharmonic conducted by Gustavo Dudamel and in the 2013-14 season Johannes will continue this relationship with the Los Angeles Philharmonic by performing Michel van der Aa's cello concerto “Up-close”.
Johannes is committed to reaching out to young audiences, from kindergarten to college and beyond. From his 2010 American tour with toy pianist Phyllis Chen “Sounding Off: A Fresh Look at Classical Music”, to outreach activities on campuses and performances in alternative venues, Johannes aims to present classical music in terms with which listeners of all ages can connect.
A dedicated chamber musician, Johannes has played with: Joshua Bell, Emanuel Ax, Leonidas Kavakos, Menahem Pressler, James Ehnes, Midori and Jonathan Biss. He has also performed at many festivals including the Verbier, Schleswig-Holstein, Gstaad and Kissinger festivals, the Mehta Chamber Music Festival and the Colorado, Seattle and Brevard music festivals.
Johannes has received two ECHO Klassik awards and the Preis der Deutschen Schallplattenkritik for his recordings on Hänssler Classics. His concerto debut disc, which features the complete works of Saint-Saëns for cello and orchestra with the Stuttgart Radio Symphony Orchestra, was honoured as one of Classics Today’s Top 10 CDs of 2008. Following an album of works by Britten, Bridge and Bax, a disc of Martinu, Hindemith and Honegger concerti received great acclaim and was listed for the prestigious “Preis der Deutschen Schallplattenkritik”. The latest concerto album of the Britten Cello Symphony and the Shostakovich Cello Concerto No. 1 with WDR Cologne and Pietari Inkinen was released in January 2012.
Born into a musical family in 1979 as a dual citizen of Germany and Canada, Johannes began studying the cello at the age of eight and became a student of Professor David Geringas in 1997. He was the top prize winner at the 2002 Tchaikovsky Competition, in addition to being awarded the Special Prize for his interpretation of the Rococo Variations.
A voracious reader of everything from Kafka to Collins, and an avid outdoorsman, Johannes Moser is a keen hiker and mountain biker in what little spare time he has.