Schubert: Oktett F-Dur, D 803 / Wiegand: Oktett Dunkle Lichter East Side Oktett

Album info

Album-Release:
2015

HRA-Release:
03.11.2015

Label: Es-Dur

Genre: Classical

Subgenre: Chamber Music

Artist: East Side Oktett

Composer: Franz Schubert (1797-1828), Mario Wiegand (1970-)

Album including Album cover

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  • Franz Schubert (1797-1828): Oktett F-Dur, D 803
  • 1 I. Adagio - Allegro 11:12
  • 2 II. Adagio 11:37
  • 3 III. Allegro vivace - Trio 06:11
  • 4 IV. Andante con variazioni 11:55
  • 5 V. Menuetto. Allegretto - Trio 07:15
  • 6 Vi. Andante molto - Allegro 10:11
  • Mario Wiegand (1970)
  • 7 Dunkle Lichter 07:43
  • Total Runtime 01:06:04

Info for Schubert: Oktett F-Dur, D 803 / Wiegand: Oktett Dunkle Lichter

Schubert's much-loved Octet is complemented on this recording by the premiere of a new work for the same forces - clarinet, horn, bassoon and strings - by German composer Mario Wiegand. It was commissioned especially for the musicians of Berlin's East Side Oktett, who first came together to play the Schubert work on Deutschlandradio Kultur in 2010. Wiegand completed his octet, Dunkle Lichter (Dark Lights), in 2013.

With his charming Octet in F major of 1824, Franz Schubert created whole new worlds of expression, developing new harmonic, orchestral visions. Count Ferdinand von Troyer, steward to Archduke Rudolf and an excellent amateur clarinettist, had asked Schubert to write a work similar to Beethoven's popular Septet, Op. 20. Schubert added a second violin to the septet, so that a string quartet plus double-bass faced a wind trio of a clarinet, bassoon and horn. Whereas Beethoven's Septet was firmly fixed in the tradition of a classical serenade, Schubert's Octet introduced a new, more romantic style and at nearly 60 minutes it had a symphonic dimension.

Mario Wiegand, born in Chemnitz in 1970, considers his "Dark Lights" octet to be pure chamber music. The combination of very different instruments and musical techniques such as tremoli or flageolets create light and dark tones - the dark lights. Compared to Schubert's large work, Wiegand's Octet is like a condensed yet delicate episode whose final sounds fade away into the ether. Wiegand's music has won much international acclaim. He has a particular affinity for music theatre, writing The Tramway Conductor of Venice (London, 2004), Matrix Opera (Frankfurt, 2005) and Operette (Osnabrück, 2009), nominated by Opernwelt magazine as the best première of 2009.

The East Side Oktett, made up of musicians from the Berlin Radio Symphony Orchestra, was founded by the violinist Philipp Beckert as a string quartet. In 2010, at the suggestion and encouragement of their principal conductor Marek Janowski, they performed Schubert's Octet. This performance brought the orchestra's first-class wind soloists together with the string quartet for the first time and since then they have played regularly in this formation.

East Side Oktett:
Philipp Beckert, violin
Franziska Drechsel, violin
Andreas Willwohl, viola
So Yung Lee, cello (1-6)
Konstanze von Gutzeit, cello (7)
Iris Ahrens, double bass
Oliver Link, clarinet
Uwe Holjewilken, French horn
Sung Kwon You, bassoon


The East Side Oktett
made up of musicians from the Berlin Radio Symphony Orchestra, was founded by the violinist Philipp Beckert as a string quartet. In 2010, at the suggestion and encouragement of their principal conductor Marek Janowski, they performed Schubert's Octet. This performance brought the orchestra's first-class wind soloists together with the string quartet for the first time and since then they have played regularly in this formation.

This album contains no booklet.

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