R. Schumann: Symphonies Nos. 1-4 Michael Tilson Thomas
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- Robert Schumann (1810 - 1856): Symphony No. 1 in B- at major, Opus 38, Spring (1841):
- 1Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace12:38
- 2Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto06:20
- 3Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo: Molto vivace06:10
- 4Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso09:01
- Symphony No. 2 in C major, Opus 61 (1846):
- 5Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai13:05
- 6Symphony No. 2 in C Major, Op. 61: II. Scherzo07:21
- 7Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo10:22
- 8Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace09:20
- Symphony No. 3 in E- at major, Opus 97, Rhenish (1850):
- 9Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft10:27
- 10Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo: Sehr mässig07:05
- 11Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell06:17
- 12Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich06:35
- 13Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": V. Lebhaft06:42
- Symphony No. 4 in D minor, Opus 120 (1841/1851):
- 14Symphony No. 4 in D Minor, Op. 120 (1851 Revised Version): I. Ziemlich langsam - Lebhaft11:25
- 15Symphony No. 4 in D Minor, Op. 120 (1851 Revised Version): II. Romanze: Ziemlich langsam04:18
- 16Symphony No. 4 in D Minor, Op. 120 (1851 Revised Version): III. Scherzo: Lebhaft05:12
- 17Symphony No. 4 in D Minor, Op. 120 (1851 Revised Version): IV. Langsam - Lebhaft09:54
Info for R. Schumann: Symphonies Nos. 1-4
The GRAMMY Award-winning team of Michael Tilson Thomas and the San Francisco Symphony present a premium edition two-disc recording of the complete symphonies of Robert Schumann, one of the most evocative composers of the Romantic era. Michael Tilson Thomas's nuanced approach accentuates the tender, simple, and vulnerable side of Schumann's symphonies, which MTT calls a „preserve for endangered emotions.“ Recorded live, these performances of Schumann's symphonies were hailed as „nothing short of magnificent“ by the San Francisco Chronicle.
Tilson Thomas states: “Like so much classical music, Schumann’s is a preserve for endangered emotions. He’s talking about wistfulness, whimsy, ardency, longing, setting off recklessly in conflicting directions, losing your way, or just mulling things over... Schumann moves between many sound worlds in these symphonies. Some sections are truly massive and proclamatory. Other parts are soloistic or chamber-like.”
He further shared: “My approach to Schumann—and to the whole standard repertoire—is to vary the number of musicians playing at any given time. According to the musical situation, the orchestra might morph from a large ensemble to a chamber orchestra, and vice versa ... We approached these symphonies from the point of view of Schumann’s piano music, with all its color, unusual effects and voicings. And I wanted these symphonies to sound as though they were being played on the piano, with free and spontaneous turns of phrase and color, and with the music’s wonderful sense of breathing—the way people breathe, sometimes deeply, sometimes with little emotional gasps...I hope these performances suggest a different way of thinking about this repertoire, especially as it prioritizes the tender, simple, and vulnerable side of the music. Although the music is very personal, it feels universal. Schumann’s symphonies are about all of us.”
San Francisco Symphony
Michael Tilson Thomas, conductor
Michael Tilson Thomas
is Music Director of the San Francisco Symphony, Founder and Artistic Director of the New World Symphony, America’s Orchestra Academy, and Conductor Laureate of the London Symphony Orchestra. Born in Los Angeles, he is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.
Mr Tilson Thomas began his formal studies at the University of Southern California where he studied piano with John Crown and conducting and composition with Ingolf Dahl. At age nineteen he was named Music Director of the Young Musicians Foundation Debut Orchestra. He worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles' Monday Evening Concerts. During this same period he was the pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.
In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. In February 1988 he inaugurated the New World Symphony, a post-graduate orchestral academy. In addition to their regular season in Miami Beach, they have toured in Europe, South America, Japan, Israel, and the United States. New World Symphony graduates have gone on to major positions in orchestras worldwide. In 1991 Mr Tilson Thomas and the orchestra were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of From the Diary of Anne Frank, composed by Mr Tilson Thomas and commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide. In 2011 the New World Symphony moved into a new campus designed by Frank Gehry.
In August 1995 he led the Pacific Music Festival Orchestra in the premiere of his composition Showa/ Shoah, commemorating the 50th anniversary of the bombing of Hiroshima. Thomas Hampson premiered his settings of poetry by Walt Whitman, Renee Fleming premiered his settings of the poetry of Emily Dickinson and the San Francisco Symphony premiered his concerto for contrabassoon entitled Urban Legend. As a Carnegie Hall Perspectives Artist from 2003 to 2005, he had an evening devoted to his own compositions which included Island Music for four marimbas and percussion, Notturno for solo flute and strings and a new setting of poems by Rainer Maria Rilke. Other compositions include Street Song for brass instruments and Agnegram, an overture for orchestra.
As Principal Conductor of the London Symphony Orchestra from 1988 to 1995, Mr Tilson Thomas led the orchestra on regular tours in Europe, the United States and Japan as well as at the Salzburg Festival. In London he and the orchestra have mounted major festivals focusing on the music of Steve Reich, George Gershwin, Johannes Brahms, Toru Takemitsu, Nicolai Rimsky-Korsakov and the School of St. Petersburg, Claude Debussy and Gustav Mahler.
Mr Tilson Thomas became the Music Director of the San Francisco Symphony Orchestra in 1995 and his tenure has been broadly covered by the international press. With the San Francisco Symphony he has presented eighteen festivals including ones devoted to the music of Mahler, Stravinsky, Beethoven, Wagner and American Mavericks.
His recorded repertoire of more than 120 discs includes works by composers such as Bach, Beethoven, Mahler, Prokofiev and Stravinsky as well as his exploration of the music of Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. With the San Francisco Symphony label, SFS Media, his on-going series of recordings include the symphonies of Gustav Mahler, West Side Story, and works of Beethoven, Ives, and John Adams.
Mr. Tilson Thomas's television work includes a series with the London Symphony Orchestra for BBC Television, the television broadcasts of the New York Philharmonic Young People's Concerts from 1971 to 1977 and numerous productions on PBS Great Performances. Mr Tilson Thomas and the San Francisco Symphony produced a multi-tiered media project, Keeping Score, which includes a television series, web sites, radio programs and programs in schools.
Mr Tilson Thomas is a Chevalier dans l'ordre des Arts et des Lettres of France, was Musical America's Musician of the Year and Conductor of the Year, Gramophone Magazine's Artist of the Year and has been profiled on CBS's 60 Minutes and ABC's Nightline. He has won eleven Grammy Awards for his recordings. In 2008 he received the Peabody Award for his radio series for SFS Media, The MTT Files. In 2010, President Obama awarded him with the National Medal of Arts, the highest award given to artists by the United States. 2016/2017