Flowers In The Dirt (Remastered Special Edition) Paul McCartney
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- 1My Brave Face (Remastered 2017)03:21
- 2Rough Ride (Remastered 2017)04:45
- 3You Want Her Too (Remastered 2017)03:15
- 4Distractions (Remastered 2017)04:43
- 5We Got Married (Remastered 2017)04:59
- 6Put It There (Remastered 2017)02:12
- 7Figure Of Eight (Remastered 2017)03:27
- 8This One (Remastered 2017)04:12
- 9Don't Be Careless Love (Remastered 2017)03:21
- 10That Day Is Done (Remastered 2017)04:22
- 11How Many People (Remastered 2017)04:17
- 12Motor Of Love (Remastered 2017)06:28
- 13Où Est Le Soleil? (Remastered 2017)04:47
- 14The Lovers That Never Were (Original Demo)03:58
- 15Tommy’s Coming Home (Original Demo)04:10
- 16Twenty Fine Fingers (Original Demo)02:28
- 17So Like Candy (Original Demo)03:29
- 18You Want Her Too (Original Demo)02:40
- 19That Day Is Done (Original Demo)04:16
- 20Don’t Be Careless Love (Original Demo)03:44
- 21My Brave Face (Original Demo)02:40
- 22Playboy To A Man (Original Demo)02:58
Info for Flowers In The Dirt (Remastered Special Edition)
The long awaited 10th release in the multiple-Grammy Award-winning Paul McCartney Archive Collection has been confirmed: On March 24, 2017, Paul’s 1989 international #1 album, Flowers In The Dirt, will be the latest classic solo work from one of the world’s most revered catalogues to get the special treatment across a multi-format reissue released by MPL/Capitol/UMe.
The Paul McCartney Archive Collection release of Flowers In The Dirt was, as always, personally supervised by Paul himself.
One of the most critically acclaimed albums of the eighties, nominated for both BRIT and Grammy Awards, Flowers In The Dirt saw Paul team up with Elvis Costello to co-write a third of the album ('My Brave Face', 'You Want Her Too', 'Don’t Be Careless Love' and 'That Day is Done') as well as boasting production credits from producers such as Mitchell Froom, Trevor Horn, David Foster, Steve Lipson, Elvis Costello and Paul himself. Pink Floyd guitar legend David Gilmour makes an appearance on 'We Got Married' and George Martin’s string arrangement on 'Put It There' is amongst the many album highlights.
The Flowers In The Dirt Deluxe Edition will undoubtedly be yet another crown jewel in the collection of any Paul McCartney fan. In addition to its wealth of audio and video content, exclusive features of the Deluxe Edition include a booklet telling the complete story of the album through exclusive in-depth interviews with Paul, Elvis Costello and other key contributors. Along with expanded track-by-track information, the book contains album and single artwork as well as previously unpublished photographs by Linda McCartney.
Sessions for Flowers In The Dirt began in 1987 and the majority of the album was recorded at Paul’s Hog Hill Mill studio in East Sussex. During the sessions Costello convinced Paul to dig out his iconic Höfner bass for the first time in years — a suggestion McCartney recalls as, "unusual because I had sort of parked it. I had thought I had outgrown it. I started playing it again and never really looked back. It’s great that Elvis encouraged me to take it out.” In preparation for his first major world tour in years Paul was looking to capture songs he could take on the road with him. Paul told his band that he wouldn’t go out on tour unless he really liked the album. Looking back Paul recalls, “You’re always thinking, ‘Let’s get some new songs and take them on tour’ and you hope your new songs are going to work. Something like ‘My Brave Face’ would be a song that nobody knew at the start at the beginning of the tour and then everybody knew it at the end and it was the high spot of the whole tour.”
The original 13-track album was remastered for all the new configurations at Abbey Road Studios. The Deluxe Edition contains 22 tracks featuring previously unreleased demos, written and performed by Paul with Elvis Costello. Speaking about these tracks Paul said: “The demos are red hot off the skillet and that’s why we wanted to include them on this boxed set. What’s great about these songs is that they’ve just been written. So there’s nothing more hot off the skillet as I say. So that was the kind of great instant thing about them. I hadn’t listened to them in ages but when I did I knew we had to put them out. We made a little tape of them and sent them to Elvis, who loved them too. We said we should put out an EP or something and now the moment’s finally arrived.”
was born in Liverpool on June 18, 1942. He was raised in the city and educated at the Liverpool Institute.Having changed the world of music forever with The Beatles, McCartney has continued to push boundaries for over 40 years as a solo artist, member of Wings, Brit award-winning classical composer, half of the experimental project The Fireman, and composer for the New York City Ballet with last year’s Ocean’s Kingdom. His newest adventure is Kisses On The Bottom (out February 7 on Hear Music/Concord), a collection of standards beloved to Paul since childhood as well as two new McCartney compositions ‘My Valentine’ and ‘Only Our Hearts.’ Created with the help of Grammy Award-winning producer Tommy LiPuma and Diana Krall and her band—as well as guest appearances from Eric Clapton and Stevie Wonder—Kisses On The Bottom is the first record in McCartney’s historic oeuvre to feature him almost exclusively on vocals. With the exception of a bit of acoustic guitar on two tracks, Paul’s sole instrument on Kisses On The Bottom is that unmistakable voice at its most intimate and unadorned.
Kisses On The Bottom is obviously a work born of intense inspiration and affection—and possibly most important of all fun. This is certainly reflected in the album’s title, which confused more than a few Macca obsessives (with many fixating on an anatomical interpretation!), but actually quotes from the album’s opener ‘I’m Gonna Sit Right Down And Write Myself A Letter’. Originally made a big hit by Fats Waller in 1935, the song opens with the lines ‘I’m gonna sit right down and write myself a letter and make believe it came from you. I’m gonna write words oh so sweet. They’re gonna knock me off of my feet. A lot of kisses on the bottom, I’ll be glad I got ‘em’.
Kisses’ heartfelt interpretations of these classics—many of which were introduced to a young Paul by his father on piano--were recorded along with its two McCartney originals at the legendary Capitol Studios in Los Angeles, and in New York and London over the course of 2011. The album also features stellar guest turns from Eric Clapton (on ‘My Valentine’ and ‘Get Yourself Another Fool’) and Stevie Wonder (‘Only Our Hearts’) and suitably classy cover art featuring a portrait of Paul shot by his daughter Mary McCartney worked into a concept by Jonathan Schofield (Visual Director at Stella McCartney) and design by Matthew Cooper (Arctic Monkeys, Franz Ferdinand, etc.).
That Kisses’ song choices are equally reverent and adventurous should come as no surprise: Since writing his first song at the age of 14, McCartney has always followed his own unique muse while changing the course of musical history. It’s borderline ludicrous to attempt to describe the past, present and future impact of The Beatles and their legendary albums Please Please Me, With The Beatles, A Hard Day’s Night, Beatles For Sale, Help!, Rubber Soul, Revolver, Sgt. Pepper’s Lonely Hearts Club Band, The Beatles (a/k/a The White Album), Yellow Submarine, Abbey Road and Let It Be—so suffice to say that The Beatles’ 1 compilation was the biggest selling album of the first new millennial decade of 2000-2010.
Paul’s output through the ‘70s to the present has been one of unflagging energy and influence, debuting as a solo artist with 1970’s timeless McCartney followed by 1971’s rustic classic RAM by Paul and Linda McCartney, then with Wings efforts including the currently Grammy-nominated Band On The Run, Venus and Mars, Wings at The Speed Of Sound and London Town, and following that as a solo artist again, with highlights including the ahead-of-its-time 1980 reinvention McCartney II, 1982’s Tug Of War, 1989’s Flowers In The Dirt, 1997’s Flaming Pie, 2005’s Chaos And Creation In The Backyard and 2007’s Memory Almost Full. In 2008, The Fireman, his collaborative project with revered producer Youth, released Electric Arguments, which generated rave reviews, yielded a live favorite of the current McCartney set list in ‘Sing The Changes,’ and topped the Billboard Independent Album Charts.
Paul McCartney is also an accomplished classical composer, with works ranging from last year’s aforementioned Ocean’s Kingdom score to 1991’s Liverpool Oratorio, 1997’s Standing Stone, 1999’s Working Classical, and 2006’s Ecce Cor Meum (Behold My Heart), which took Best Album honors at the 2007 Classical Brit Awards.
A 14-time Grammy winner and recipient of The Recording Academy’s Lifetime Achievement and Trustees Awards, McCartney’s list of accolades reads like no other: 2012 will see Paul adding MusiCares Person of the Year to this unrivalled list, the award recognizing both his incomparable creative achievements and his lifelong commitment to charitable work, which includes decades’ worth of philanthropic activities for PETA, LIPA, One Voice, The Vegetarian Society, Nordoff Robins and Adopt-A-Mine-Field—not to mention his participation in historic benefit concerts including Live Aid in 1985, The Concert for New York City in 2001, and Live 8 in 2005.
In 2010, Paul made two visits to the White House, receiving singular honors on each trip. In June he performed in front of President Barack Obama and his family while becoming the first-ever British recipient of the prestigious Gershwin Prize For Popular Song. Paul returned to the White House in December (where even the President joked about Paul becoming a regular) to receive a Kennedy Center Honor.
McCartney’s many other citations have included the 2008 Brit award for Outstanding Contribution to Music, an honorary doctorate of music from Yale University, his 1999 induction into the Rock & Roll Hall of Fame, and of course being knighted in in 1996 by Queen Elizabeth II for his services to music.
With a reputation for live performance that rivals his songwriting prowess, Paul McCartney has spent much of the last several years performing sold out concerts to literally millions of people the world over to universal rave reviews. Standouts have included 2003’s performance to over half a million people outside the Coliseum in Rome and Paul’s first show in Red Square, Moscow, his 2005 wake-up set for the crew of the International Space Station, and a 2008 punctuated by his Liverpool Sound concert, the Ukraine’s largest ever outdoor music event in Kiev with over 400,000 in attendance, a performance celebrating Quebec’s 400th anniversary that drew 300,000 people to the city’s national park, The Plains Of Abraham, and the Friendship First concert in Tel Aviv--Paul’s first ever visit to Israel.
Paul jumped right into 2009 by teaming up with Dave Grohl to perform ‘I Saw Her Standing There’ at the Grammys. Kicking things up a notch that April, Paul performed in New York at the David Lynch Foundation’s benefit concert, Change Begins Within (where he was joined on stage by Ringo Starr for a special finale), turned in a stunning first ever US festival appearance at the Coachella Festival and opened The New Joint at the Hard Rock Hotel & Casino in Las Vegas, a gig which sold out at a record rate of 600 tickets per second! That July, Paul would perform his first ever concert in Halifax, Nova Scotia--the mayor of the city describing the performance on the Halifax Common as the largest and most exciting concert in its 260-year history.
Paul then embarked on the Summer Live ’09 tour, which commenced with the inaugural run of shows at New York’s Citi Field Stadium--the site of the former Shea Stadium where The Beatles made history with the 1965 concert that set the precedent for the modern day stadium rock show. The New York shows were preceded by Paul’s surprise Late Show with David Letterman performance on the marquee of the Ed Sullivan Theater (inside which The Beatles made TV history decades ago) that drew throngs packing Broadway from Columbus Circle to Times Square. The Citi Field performances were seen by over 100,000 people and hailed by critics and fans alike as the concert experience of a lifetime. The tour hit DC’s FedEx Field, set the record for highest ever two-day concert attendance in the history of Boston’s Fenway Park, and stopped at Atlanta’s Piedmont Park and Tulsa OK’s BOK Arena, before concluding in grand Texas-size fashion at Cowboys Stadium in Dallas. ... (Source: Concord Music Group)