My Nirvana Redi Hasa

• 1 Love Buzz 05:26
• 2 Smells Like Teen Spirit 05:00
• 3 My Girl (Where Did You Sleep Last Night) 05:57
• 4 In Bloom 04:11
• 5 Lithium 05:08
• 6 Come As You Are 03:59
• 7 Heart Shaped Box 04:28
• 8 All Apologies 04:45
• 9 Polly 04:44
• Total Runtime 43:38

Info for My Nirvana

Cellist, Redi Hasa, reworks the music of the great band who inspired him. When Tirana heard Nirvana, the Country of the Eagles was suffering the consequences of the civil war. The mighty magnet of Nevermind pulled out all the good iron from the ruins of a regime that had been banning Western music for half a century. Despite their efforts, banned music was circulating underground, as secret and precious as an audio samizdat.

This secret music inspired young Albanians like Redi Hasa.In the daytime, he studied at the Tirana Conservatory of Music on a cello provided by the State. At night, he played the only electric bass in town, which had been sent to him from Italy by his older brother. There, in those night sessions between smoking bunkers and pulled out wire fences, the Nirvana tunes challenged their truth.

Many years have passed since then. Now Redi comes up playing “his” Nirvana, turning their barbed wire melodies, into a majestically human sound.

Born into a family of artists, Albanian cellist and composer Redi Hasa began to study the cello at the age of seven. He graduated at Tirana Academy of Fine Arts and got a further degree in Italy. His outstanding talent contributed to the Renaissance of the so-called Taranta. He also collaborated with Kocani Orkestar, Boban Markovic, Bobby McFerrin, Paolo Fresu, among others. In 2008, he joined the Notte della Taranta Orchestra. In 2010, he started a very successful duo with singer Maria Mazzotta, recording two albums and appearing in many international festivals. Since 2012, Redi is member of the Ludovico Einaudi band, featured in his albums and in his worldwide tours. More recently, he has been recording with Robert Plant.

Redi Hasa, cello

Redi Hasa
Music has always been a part of Redi Hasa's life. He was born into a family of artists in Tirana in 1977 – his mother, a cello teacher, his father, a dancer trained in classical ballet, and his brother, a concert pianist – he was brought up around musical instruments and sheet music. After a brief attempt at studying violin, he discovered his true love for the cello at age six, which his mother had first taught him to play, only to then carry on with it during his journey at the Virtuos School of Music and the Academy of Arts in Tirana where he graduated from in 1998. In that same year, a boat trip ushered in a period which took him from his Albanian origins onto a new life in Italy, in Salento, where he completed his course studies through a scholarship at the Tito Schipa Conservatory of Lecce. Right from the outset, he chose to mix different musical genres, in particular the blending of the preciseness of classical training with the immediacy of folk music traditions, all the while honing his signature sound which is both fluid and raw; a sound he has become known for through the years.

In the first years of 2000, he contributed to bringing the rhythms of Balkan music to Salento by co-founding the BandAdriatica. He collaborated in this context with, among others, Officina Zoè, Xanti Yaca, Salento Orchestra, Manigold, Adria, Admir Shkurtaj Trio, Enza Pagliara, Valerio Daniele, and Rocco Nigro.

In 2012 he “seduced” maestro Ludovico Einaudi with his sound. Einaudi, who had been concertmaster at the time for the Notte della Taranta Music Festival, then included him permanently in his ensemble. Redi Hasa has recorded two albums with Einaudi, “In a Time Lapse” and “Elements”, and has toured extensively with him, performing on stages in hundreds of cities all over the world.

Hasa simultaneously continues to carry forth his duo project with singer Maria Mazzotta, a “Mediterranean bridge” that combines repertoires ranging from folk music traditions of Italy and Albania, and later also of France and North Africa. After “Ura” (Finis Terrae, 2014) came the second Hasa-Mazzotta album “Novilunio” in 2017, produced by Ponderosa Music & Art and recorded, like the first one, at Peter Gabriel's Real World Studios with sound engineer Tim Oliver, who has collaborated with artists such as Peter Gabriel and Robert Plant.

It was none other than Robert Plant, founder of Led Zeppelin, who caught wind of Redi Hasa's work through the Einaudi tour and who, in 2017, invited him to record three tracks on his latest album, “Carry fire”. That same year, he recorded a track on the latest Blonde Redhead album, which is set to be released in the coming months.

Over the course of a twenty-year career, he has played with the Orchestra Popolare Italiana, King Naat Veliov, Kocani Orkestra, Ambrogio Sparagna, Mauro Pagani, Rita Marcotulli, and Pacifico: music of varied origins and genres from which Hasa draws inspiration, and from which he loves to let himself be 'contaminated' by and to intermingle with. He nurtures a very bodily and visceral relationship with the cello.

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