Days In The Desert High Pulp

• 1 Slaw 03:52
• 2 Dirtmouth 04:42
• 3 Solanin 03:54
• 4 Never In My Short Sweet Life 03:50
• 5 Robert Pollard 01:54
• 6 Unified Dakotas 05:04
• 7 Fast Asleep 04:34
• 8 (If You Don't Leave) The City Will Kill You 05:11
• 9 Fatigue 03:20
• 10 Bad Infinity 04:44
• Total Runtime 41:05

Info for Days In The Desert

"High Pulp THE BAND takes a break from the slapdash road life to explore a more delicate world of flavor and profile. After months of experimentation, High Pulp presents a hot sauce of unprecedented flavor. Whispers in the industry abound, as the band has kept the sauce top secret, working under the cover of night at an undisclosed location. The result is a sauce that runs the gamut from smokey nabisco reed to sweet honey jam overtones. Yes, it is true that High Pulp infuses the sauce with the same mind-bending psychedelic properties as the sweet sweet music they present on stage... but don't worry - the hallucinations will not impede you from your daily functions."

"The album is full of moving, expressive and fluid sax to a thrilling background of syncopated rhythms with just the right amount of melody and experimental tones to make for a enthralling jazz record that you will return to again and again and is the logical progression from last year’s opus. The history of jazz is full of true legends and there will never be another Kind Of Blue or Blue Train but the younger generation definitely has something to say and you could do much worse than have a listen to High Pulp just to see what the new kids on the block are offering up." (www.velvetthunder.co.uk)

High Pulp
Featuring:
James Brandon Lewis, tenor saxophone (2)
Brandee Younger, harp (3)
MonoNeon, bass (4)
Jeff Parker, guitar (6)
Daedelus, electronics, synthesizers (8)
Kurt Rosenwinkel, guitar (9)
Telemakus, keyboards, synthesizers (9)
Additional musicians:
Isaac Poole, trombone (1, 2, 8, 10)
Gehrig Uhles, guitar (1, 2, 6)

High Pulp
is an instrumental, Seattle-based collective.

It all began in 2017 when High Pulp emerged from a weekly “Funk Church” jam session at Seattle’s historic jazz club The Royal Room. It was here that High Pulp’s founding members discovered one another. An inexplicable force pulled the collective together to produce the high-octane jazz, funk, hip-hop, punk, psychedelic cocktail that soon became their signature sound.

In 2019, High Pulp’s orbit collided with three well-known Seattle-based R&B/soul artists - JusMoni, Falon Sierra, and Shaina Shepherd (BEARAXE) - bringing vocalists into High Pulp’s extended musical family for the first time. Each of these artists joined in writing and recording a track with High Pulp, and together the three tracks formulate the Light Fix EP (released Fall 2019).

Now, the story continues with UK-based label KingUnderground, who released High Pulp's debut full-length Bad Juice on deluxe 2xLP vinyl (Fall 2020) and who is also releasing Mutual Attraction.

Mutual Attraction is a trilogy of trilogies where each track is a cover performance intended to honor the original composition while also electrifying it true High Pulp style. In the way that music is a grand tapestry of past, present, and future threads woven together, the Mutual Attraction series explores what happens when an artist meditates deeply on the threads of their musical upbringing and reweaves them into the musical present, repeatedly asking the question: “What if?”

"High Pulp answers the new millennium’s post-trip-hop, -indie, -ambient, -drum & bass, etc. contemporary with vinyl sharp grooves, macramé arrangements, and session-level instrumentation" - Earshot Jazz

“There just aren’t many bands making music like this right now” - What’s Up! Magazine

This album contains no booklet.