Mozart, Holzbauer & Pleyel: Sinfonia Concertante (Remastered) Kammerorchester Basel & Julia Schröder

• Ignaz Holzbauer (1711-1783):
• 1 Sinfonia Concertante in E-Flat Major: I. Allegro spiritoso 04:28
• 2 Sinfonia Concertante in E-Flat Major: II. Andante grazioso 04:10
• 3 Sinfonia Concertante in E-Flat Major: III. Allegro spiritoso 04:33
• Ignaz Josef Pleyel (1757-1831):
• 4 Sinfonia Concertante in F Major, B. 113: I. Allegro 12:37
• 5 Sinfonia Concertante in F Major, B. 113: II. Adagio espressivo 03:52
• 6 Sinfonia Concertante in F Major, B. 113: III. Tema con variazioni 10:43
• Wolfgang Amadeus Mozart (1756-1791):
• 7 Sinfonia Concertante in E-Flat Major, K. 297b: I. Allegro 09:41
• 8 Sinfonia Concertante in E-Flat Major, K. 297b: II. Adagio 06:24
• 9 Sinfonia Concertante in E-Flat Major, K. 297b: III. Andante con variazioni 11:02
• Total Runtime 01:07:30

Info for Mozart, Holzbauer & Pleyel: Sinfonia Concertante (Remastered)

There was hardly a music genre more popular at the height of the Classical period than the Sinfonia Concertante. An entirely new concert experience resulted from a combination of a straightforward orchestral setting and brilliant playing by soloists as well as blending elements of the symphony, solo concerto and divertimento. Composers did not score works for individual soloists only, but also created a symphonic genre with as many as nine solo instruments. Under the baton of Umberto Benedetti Michelangeli, the Kammerorchester Basel – one of the best chamber orchestras in Europe and three-time winners of the ECHO Klassik Award – has recorded three of the most interesting and varied works of this genre. The Sinfonia Concertante in F major by the Haydn pupil and Strasbourg cathedral Kapellmeister Ignaz Josef Pleyel (1757–1831) is impressive not only due to the number of solo instruments but also because of its wonderfully refined orchestral accompaniment. The Sinfonia Concertante in E-flat major by Mannheim court composer Ignaz Holzbauer (1711–1783) is recorded by a first-rate orchestra here for the first time. A further highlight is the Sinfonia Concertante in E-flat major, K 297b, by Wolfgang Amadeus Mozart (1756–1791) as reconstructed by Robert Levin.

Kammerorchester Basel
Julia Schröder, conductor

Kammerorchester Basel
In the 30 years of its existence, the Basel Chamber Orchestra has developed into one of the leading chamber orchestras on the international music scene. Nowadays invitations to the most important concert arenas and festivals of the European classical music scene are just as much part of the schedule as the orchestra's own subscription concerts in Basel. Diverse CD recordings with famous labels like Sony, Deutsche Harmonia Mundi, Warner Classics and OehmsClassics are evidence of the excellent quality of the orchestra.

The Basel Chamber Orchestra has a predilection for playing under the musical direction of its own concertmaster. The orchestra’s collaboration with its principal guest conductor Giovanni Antonini is especially fruitful. The highpoint of its collaboration with Antonini is the Beethoven Cycle which the orchestra and the Italian baroque specialist developed over the course of 10 years. Symphonies 1 – 8 have already been recorded by Sony; the recording of Symphonies 3 and 4 received the ‘Ensemble of the Year 2008’ award at the ECHO Klassik awards. Between now and 2032, the Basel Chamber Orchestra under Giovanni Antonini’s direction, together with the Italian ensemble ‘Il Giardino Armonico’, will take turns at performing all of Joseph Haydn’s 107 symphonies and recording them on CD.

In addition, the orchestra has a close relationship with conductors such as Trevor Pinnock, Heinz Holliger, Paul Goodwin or Mario Venzago. The list of soloists who have performed together with the orchestra is renowned: Emmanuel Pahud, Sol Gabetta, Andreas Scholl, Kristian Bezuidenhout, Matthias Goerne, Sabine Meyer, Angela Hewitt, Renaud Capuçon, Thomas Zehetmair, Sandrine Piau and many more.

The members of the orchestra are passionately committed to various projects aimed at promoting musical education in younger generations. Chamber music concerts complete its multifarious artistic activities in the city and the Basel region.

The 2015|2016 season will kick off with performances of ‘A Midsummer Night’s Dream’ under the baton of Trevor Pinnock in the Augusta Raurica Theatre. The musicians will make guest appearances, with Klaus Maria Brandauer as guest narrator, amongst other places at the Dresden Frauenkirche, the Lucerne Culture and Congress Centre and the Mecklenburg-Vorpommern Festival. The orchestra will go on concert tours with Sir András Schiff and Heinz Holliger to the renowned ‘George Enescu’ Festical in Bucharest, with Sol Gabetta to Australia and with Daniel Hope to South America. The Basel Chamber Orchestra is also looking forward to working with Franco Fagioli, Renaud Capuçon, Andreas Scholl, Hélène Grimaud, Kristian Bezuidenhout and many others. The programme will include both the orchestra’s core classical repertoire with symphonies by Schubert, Haydn, Beethoven and Mozart’s piano concertos as well as a baroque programme with cantatas by Bach, arias and concertos by Handel and Lully and violin concertos from the 17th century Bolognese School. Contemporary works by Heinz Holliger and the first performance of a commissioned work for solo violin and strings by the Swiss composer Stefan Wirth will round off next season’s programme.

Since 2013 Clariant International Ltd. is presenting sponsor of the Basel Chamber Orchestra.

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