Splendour - Organ Music & Vocal Works by Buxtehude, Hassler, Praetorius & Scheidemann Kei Koito
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- Franz Tunder (1614-1667):
- 1Praeludium in G Minor03:17
- Dietrich Buxtehude (1637-1707):
- 2Nun komm, der Heiden Heiland, BuxWV 21102:26
- Michael Praetorius (1637-1707):
- 3Nun komm, der Heiden Heiland (Chorale)01:12
- Jacob Praetorius (1586-1651):
- 4Christum wir sollen loben schon03:29
- Joachim Decker (1575-1611):
- 5Christum wir sollen loben schon (Chorale)01:28
- Heinrich Scheidemann (ca. 1596-1663):
- 6Fantasia in G Major02:59
- Dietrich Buxtehude:
- 7Nun lob, mein Seel, den Herren, BuxWV 21203:41
- Johann Stadlmayr (ca. 1575-1648):
- 8O lux beata Trinitas, temane laudum carmine (Hymn)01:19
- Hieronymus Praetorius (1560-1629):
- 9O lux beata Trinitas04:05
- Johann Stadlmayr:
- 10O lux beata Trinitas, Christum rogamuset Patrem, Amen (Hymn)00:49
- Heinrich Scheidemann:
- 11Alleluja, laudem dicite Deo nostro04:58
- Hans Leo Hassler (1564-1612):
- 12Alleluja, laudem dicite Deo nostro (Motet)03:16
- Heinrich Scheidemann:
- 13Fantasia in D Minor03:46
- 14Praeambulum No. 5 in D Minor, WV 3302:35
- 15Magnificat: Antiphon I00:11
- Matthias Weckmann (1616-1674):
- 16Et misericordia - Magnificat 2. Toni02:37
- 17Magnificat: Antiphon II01:02
- 18Allein Gott in der Höh sei Ehr02:10
- Nicolaus Decius (ca. 1485-after 1546):
- 19Allein Gott in der Höh sei Ehr (Chorale)00:42
- Dietrich Buxtehude:
- 20Wär Gott nicht mit uns diese Zeit, BuxWV 28201:44
- Jacob Praetorius:
- 21Vater unser im Himmelreich03:14
- Joachim Decker:
- 22Vater unser im Himmelreich (Chorale)00:52
- Georg Böhm (1661-1733):
- 23Dein Will gescheh, Herr Gott03:48
- 24Führ uns, Herr03:23
- 25Amen (Motet)01:21
- Dietrich Buxtehude:
- 26Praeambulum in A Minor, BuxWV 15304:51
- Claude Goudimel (ca. 1514-1572):
- 27J'ayme mon Dieu (Cantique)00:29
- Johann Praetorius:
- 28Ich lieb den Herren (Psalm 116)03:04
- Michael Praetorius:
- 29Christe der du bist Tag und Licht (Chorale)00:51
- Hieronymus Praetorius:
- 30Christe qui lux es et dies03:18
Info for Splendour - Organ Music & Vocal Works by Buxtehude, Hassler, Praetorius & Scheidemann
The album by Kei Koito features famous and well known baroque and pre-baroque music by composers such as Buxtehude, Praetorius, Scheidt, Scheidemann, and others
The tracklisting is based on alteration: after an organ piece, the corresponding choral work is sung by the renowned Italian ensemble Il Canto Di Orfeo.
The program of this album has been recorded in the famous “Stephanskirche” in Tangermünde, Germany. The Baroque organ of 1624 by Hans Scherer the Younger and his brother Fritz Scherer is especially noteworthy. Its design, consisting of a main organ, a Rückpositiv and bass pipes, is a clear example of the Scherers' construction technique known as the "Hamburg Prospekt". In 1994 it was restored. The organ, which had been altered several times in its history, was restored to its original acoustic pattern, which was possible as 50% of the original pipes were still in place. The instrument is tuned in a mid-tone. The instrument is famous among organ player all over the world.
Kei Koito, originally from Japan, has a career as an esteemed concert organist. She has performed throughout Europe, Russia, Japan, and the Americas. She is acclaimed for her expertise on Baroque and Renaissance music, especially that of J.S. Bach. Musicians from Japan have gained a reputation in the interpretation of Baroque music, especially for music by J. S. Bach.
Kei Koito, organ (1624) St. Stephanskirche, Tangermünde (Germany). Restored by Alexander Schuke, Potsdam (1994)
Il Canto Di Orfeo
has risen to the highest ranks of the world’s concert organists and is widely acclaimed as one of the most exciting performers on the Baroque organ music today.
Born into a family of artists, Kei Koito studied music from the age of six, taking lessons on the piano, cello, harpsichord and in singing. At the age of sixteen she decided to study the organ with Mitchio Akimoto in Tokyo, and subsequently continued her studies with Pierre Segond in Geneva and Xavier Darasse in Toulouse. Following this, she studied Early music in Fribourg with the organist, harpsichordist and musicologist Luigi Ferdinando Tagliavini, and Baroque music with the Baroque violinist and conductor Reinhard Goebel in Cologne. She concurrently studied philosophy and music aesthetics at the University of Fine Arts & Music in Tokyo, and studied with the composer Éric Gaudibert in Geneva composition, orchestration and music analysis from the 16th century to the present day.
After having performed organ music of every repertoire (including many world premieres), since 1985 Kei Koito has focused on baroque music, primarily on the music of J. S. Bach and his important predecessors. Her interpretative approach is both the result of her indefatigable research into historical performance practice, and based on her personal intuition and inspiration.
Kei Koito’s career as a solo concert organist has taken her across all of Europe, the USA, and to Russia and Japan. She has also collaborated with the Baroque orchestra Musica Antiqua Köln (dir. Reinhard Goebel) in Bach’s organ sinfonias (cantatas) or Handel’s organ concertos, and with the Ensemble Gilles Binchois (dir. Dominique Vellard) in music of the Italian Renaissance and Baroque or the French pre-Classical and Classical repertoire. She has performed also the organ concerto of Haydn with the Lausanne Chamber Orchestra and Poulenc’s Organ Concerto with the Orchestre de la Suisse Romande.
As a recording artist, Kei Koito has made several CDs for the Early organ repertoire, playing on extraordinary historic organs. She has won numerous prestigious prizes and awards, among others : the Diapason d’Or, Choc du Monde de la Musique/Classica, “Exceptional Event” of Télérama, “10/10” from Répertoire, “5 stars” from Le Temps and “Editor’s Choice” (Gramophone, Early Music, Musik & Theater, Toccata-Alte Musik Aktuell, Record Geijutsu, Res Musica, Choir & Organ, Orgues Nouvelles). Her recordings have also received a warm and enthusiastic welcome from the general public.
A highly sought-after pedagogue, she has been Professor of Organ at the Lausanne University of Music since 1992. From the very start, her classes included students from all over the world. Since 2012 she has been doing comparative research on the repertoire of Bach, his predecessors, precursors and contemporaries. She has received invitations to give lectures and masterclasses as a visiting professor (at the Royal Academy of Music in London, Austrian Baroque Academy in Gmunden/Salzburg, Conservatories of Rouen, Québec and Buenos Aires, University of Belgrade and some American universities) and she has also frequently served on the juries of international organ competitions (in Maastricht, Aachen, Liège, Wasquehal, St-Omer, Genève, Alkmaar, for the Grand Prix Bach de Lausanne, and at the 50th St Albans Organ Competition).
Since the Lausanne Bach Festival was founded in 1997, Kei Koito has served as its Artistic Director, and she has also been involved with the “Grand Prix Bach de Lausanne” international organ competition from the very beginning. Since 2012 she has participated in productions of Baroque operas by Monteverdi, Lully, Purcell, as well as of secular cantatas by J. S. Bach, oratorios by Handel and others at the Lausanne City Opera.
In autumn 2014, her recording “Organ Music before Bach: works by Pachelbel, Froberger, Muffat, Kerll and Fischer”, released on the Deutsche Harmonia Mundi/Sony Music label, was awarded the Diapason d’Or and received a wonderful echo from many other reviews.