Live at Count Basie's (Remastered) Wild Bill Davis

Album info



Label: RCA/Legacy

Genre: Jazz

Subgenre: Cool

Album including Album cover

I`m sorry!


due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1Opening00:23
  • 2Impulsion07:41
  • 3Stolen Sweets 03:56
  • 4On a Clear Day (You Can See Forever)03:18
  • 5Quiet Nights of Quiet Stars (Corcovado)03:32
  • 6Bernie's Tune 04:26
  • 7Organic05:21
  • 8The Shadow of Your Smile 02:43
  • 9Low Bottom No.204:23
  • 10This Is All I Ask 03:05
  • 11The Trolley Song04:52
  • 12Closing Theme (April in Paris) 01:25
  • Total Runtime45:05

Info for Live at Count Basie's (Remastered)

With the dynamic, swirling, sounds of his Hammond B-3 organ, Wild" Bill Davis provided a bridge from the big band swing of the 1930s and 40s to the organ-driven R&B of the 1950s and early-60s. Together with guitarist Floyd Smith and drummer Chris Columbus, Davis set the framework for the jazz organ combo sound.

Initially a guitarist, Davis made his debut with Milt Larkin's band in 1939. The group is remembered for the double saxophone attack of Eddie Cleanhead Vinson and Arnett Cobb. Davis, who was inspired by the guitar playing of Freddie Green, remained with the band until 1942.

Moving to the piano, Davis joined Louis Jordan's Symphony Five in 1945. By then, he had already attracted attention as a skilled writer and arranger. He later furnished original material and arrangements for both Duke Ellington and Count Basie. He was scheduled to record his arrangement of "April In Paris", with the Count Basie Orchestra, in 1955 but was unable to make it to the recording sessions. Recorded without his participation, the tune wen on to be a top thirty pop hit.

Intrigued by the organ playing of Fats Waller and Count Basie, Davis began to experiment with the Hammond B-3. He soon developed his unique approach. I thought of (the organ) as a replacement in clubs for a big band," he said during a late-1980s interview.

Although he left Jordan's band, after five years, to form his own trio, Davis periodically returned to play special engagements. Although eclipsed by succeeding jazz organists, including Jimmy Smith and Bill Doggett in the late-1950s and Booker T. Jones in the 1960s, Davis remained active until his death, from a heart attack, in August 1995. His summer appearances in Atlantic City, New Jersey were an annual treat for almost three decades. A native of Moorestown, New Jersey, Davis studied music at Tuskogee University and Wiley College in Texas. (Craig Harris, AMG)

Wild Bill Davis, Hammond organ
James 'Dickie' Thompson, guitar
Freddie Waits, drums

Recorded Februray 3,1966, at Count Basie's Lounge,132 Street and 7th Avenue, New York City
Engineered by Ed Begley

Digitally remastered

No biography found.

This album contains no booklet.

© 2010-2019 HIGHRESAUDIO