The Complete Harpsichord Works of Rameau Jory Vinikour

• 1 I. Prelude 03:19
• 2 II. Allemande I 05:00
• 3 III. Allemande II 01:48
• 4 IV. Courante 02:03
• 5 VI. Sarabandes I and II 03:12
• 6 VIII. Gavotte 01:33
• 7 IX. Menuet 01:04
• 8 VII. Venitienne 01:56
• 9 V. Gigue 02:39
• 10 I. Allemande 04:08
• 11 II. Courante 01:46
• 12 III. Gigue en rondeau I 01:20
• 13 IV. Gigue en rondeau II 02:18
• 14 V. Le rappel des oiseaux 03:20
• 15 VI. Rigaudons I and II 02:09
• 16 VII. Musette en rondeau 03:22
• 17 VIII. Tambourin 01:14
• 18 IX. La villageoise 02:56
• 19 Pieces de clavecin Menuet in C major 00:36
• 20 I. Les tendres plaintes 03:01
• 21 II. Les niais de Sologne with 2 doubles 05:25
• 22 III. Les soupirs 04:13
• 23 IV. La joyeuse 01:02
• 24 V. La follette 01:26
• 25 VI. L'entretien des Muses 06:07
• 26 VII. Les tourbillons 02:10
• 27 IX. Le lardon 00:40
• 28 X. La boiteuse 01:36
• 29 VIII. Les cyclopes 03:11
• 30 La Dauphine 04:05
• 31 I. Allemande 08:07
• 32 II. Courante 04:24
• 33 III. Sarabande 03:22
• 34 IV. Les trois mains 03:43
• 35 V. Fanfarinette 03:11
• 36 VI. La triomphante 01:41
• 37 VII. Gavotte with 6 double 08:06
• 38 I. Les tricotets 02:30
• 39 II. L'indifferente 01:40
• 40 III. Minuet I-II 02:57
• 41 IV. La poule 04:27
• 42 V. Les triolets 05:03
• 43 VI. Les sauvages 02:06
• 44 VII. L'enharmonique 06:27
• 45 VIII. L'egiptienne 03:29
• 46 Les petits marteaux 01:47
• 47 I. La Livri 02:54
• 48 II. L'Agacante 01:47
• 49 III. La Timide (Rondeaux 1 and 2) 05:20
• 50 IV. L'Indiscrete 01:24
• 51 Pigmalion Ouverture 04:24
• Total Runtime 02:37:28

Info for The Complete Harpsichord Works of Rameau

In an incredible illustration of virtuosic performance, Sono Luminus brings you The Complete Harpsichord Works of Rameau, with world reknowned harpsichordist Jory Vinikour. Rameau’s compositional penchant for combining technical prowess with musical artistry is brilliantly showcased on this two disc set of solo harpsichord music.

Rameau’s output as a composer for solo harpsichord must be considered among the most important in French 18th century keyboard repertoire, along with that of François Couperin. The musical and harmonic ingenuity demonstrated throughout these works, as well as Rameau’s uniquely idiomatic approach to the harpsichord, ensure these works a permanent place in the repertoire of all harpsichordists.

“... Vinikour is such a perceptive artist, and is so superlative in technical accomplishment, that Rameau’s harpsichord brainstorms sound disarming and at times even revolutionary. Vinikour’s performances are so buoyant, glistening or noble that you’ll likely find yourself glued to your speakers (or headphones). And if you’re accustomed to hearing the harpsichord at some distance in a concert hall, be prepared to listen as if you’re standing next to the keyboard or hovering over the strings.” (Gramophone)

Jory Vinikour, harpsichord

Recorded at Sono Luminus, November 29-December 2, 2011
Producer: Dan Merceruio
Recording Engineer: Daniel Shores
Editing Engineer: Dan Merceruio
Mixing Engineer: Daniel Shores
Mastering Engineer: Daniel Shores

Nominated for the 55th GRAMMY Awards 2012 for Best Classical Instrumental Solo

Jory Vinikour
is recognized as one of the outstanding harpsichordists of his generation. A highly diversified career brings him to the world’s most important festivals and concert halls as recital and concerto soloist, partner to several of today’s finest artists.

Born in Chicago, Jory Vinikour came to Paris on a Fulbright scholarship to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public’s attention, and he has since appeared in festivals and concert series throughout much of the world.

A concerto soloist with a repertoire ranging from Bach to Poulenc to Nyman, he has performed as soloist with leading orchestras including Rotterdam Philharmonic, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, Netherlands Chamber Orchestra, MDR Symphony Orchestra,Cape Town Symphony Orchestra, Moscow Chamber Orchestra, and the Royal Scottish National Orchestra, with conductors such as Stéphane Denève, Martin Haselböck, Marek Janowski, Armin Jordan, Benjamin Levy, Fabio Luisi, Marc Minkowski, John Nelson, Gordan Nikolic, Constantine Orbelian, Victor Yampolsky, et al. He participated in a recording of Frank Martin’s Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005).

Well-known as an accompanist, he has worked extensively with artists such as David Daniels, Hélène Delavault, Vivica Genaux, Magdalena Kozena, Annick Massis, Marijana Mijanovic, Dorothea Röschmann, Rolando Villazon ... He has accompanied legendary Swedish mezzo-soprano Anne Sofie von Otter in recitals in Sweden, Norway, Spain and Paris and at La Scala in Milan. With lutenist Jakob Lindberg, their programme of English and Italian music of the 17th century, entitled Music for a While was released by Deutsche Grammophon in early 2005.

As an active exponent of contemporary repertoire for the harpsichord, he has given the premieres of works by composers such as Harold Meltzer and Frédéric Durieux, Stephen Blumberg, Patricia Morehead, Graham Lynch, etc. written for him. He has also given important performances of works by Ligeti and Michael Nyman, as well as several 20th century concerti, including Cyril Scott’s 1937 Harpsichord Concerto, which Mr. Vinikour prepared and edited for Novello editions. Sono Luminus will release his recording of 20th century (and beyond) American harpsichord works in late 2013.

Mr. Vinikour appears regularly as harpsichordist at the finest opera houses and festivals in Europe : Paris Opera, Netherlands Opera, Salzburg Festival, Teatro Real de Madrid, Baden-Baden, Glyndebourne, etc. in Baroque and Classical repertoire, as well as in more contemporary works (notably Stravinsky's The Rake's Progress and Zimmermann's Die Soldaten) and is heard on many recordings from Deutsche Grammophon, EMI, Erato, Sony Classics et al.

His recording of Bach’s Goldberg Variations, released on Delos International in 2001 received excellent reviews throughout the world. John von Rhein of the Chicago Tribune named it as one of 2001’s top ten classical CD’s, an honor that was also accorded to Mr. Vinikour’s recording of Bach’s Toccatas in 1999. Mr. Vinikour’s 2009 Delos release of Handel’s 1720 Suites for Harpsichord has received wide critical acclaim (American Record Guide naming it the finest recording of these works). Partnering with flautist Joshua Smith, their recording of Bach’s sonatas for flute and harpsichord is garnering attention from around the world. His debut recording for Sono Luminus, the complete harpsichord works of Jean-Philippe Rameau, was nominated for a Grammy® award, in the category of Best Classical Solo Instrumental Recording in 2012.

Recent appearances include his debut as conductor/soloist with the Hong Kong Philharmonic, as well as an appearance with the Chicago Lyric Opera in Handel's Rinaldo - earning exceptional praise from the press. He performed Poulenc's Concert Champêtre with the Nertherlands Radio Chamber Orchestra, under Benjamin Levy's direction. Mr. Vinikour directed the Korea Chamber Orchestra (Seoul) in an all-Bach programme in May, 2012, and was guest director of musicAeterna (based in Perm, Russia) in a mixed programme, and has co-directed (with violinist Monica Huggett) Juilliard415 Baroque Orchestra at Carnegie Hall, accompanying soprano Dorothea Röschmann and counter-tenor David Daniels. Mr Vinikour has given master-classes for Rocky Ridge (Colorado) Music Center, the Austrian Baroque Academy in Gmunden, Austria; the European Academy at the Palazzo Ricci Montepulciano; the University of Chicago, the Gnessin Academy, and the Tchaikowsky Conservatory.

Booklet for The Complete Harpsichord Works of Rameau