Los Angeles Lol Tolhurst, Budgie, Jacknife Lee

• 1This Is What It Is (To Be Free) (feat. Bobbie Gillespie)04:43
• 2Los Angeles (feat. James Murphy)06:24
• 3Uh Oh (feat. Arrow de Wilde and Mark Bowen)03:44
• 4Ghosted At Home (feat. Bobby Gillespie)04:33
• 5Train With No Station (feat. The Edge)03:32
• 6Bodies (feat. Lonnie Holley and Mary Lattimore)05:23
• 7Everything And Nothing03:40
• 8Travel Channel (feat. Pan Amsterdam)03:05
• 9Country Of The Blind (feat. Bobby Gillespie)04:33
• 10The Past (Being Eaten)01:28
• 11We Got To Move (feat. Isaac Brock)03:41
• 12Noche Oscura (feat. The Edge)04:44
• 13Skins (feat. James Murphy)05:09
• Total Runtime54:39

Info for Los Angeles

The three-way Los Angeles collaborative long-player was born out of a curiosity which just wouldn’t die. Made up of two of the most illustrious and inventive drummers of the post-punk era, The Cure’s Lol Tolhurst, and Budgie from Siouxsie & The Banshees and The Creatures, along with stellar producer and multi-instrumentalist Garret ‘Jacknife’ Lee, this unlikely alt-supergroup have spent the last four years spiriting up one of the most extraordinary albums to appear in 2023. Perusing the tracklist, with its guest credits for, amongst others, James Murphy, Bobby Gillespie, The Edge, Civil Rights avant-gardist Lonnie Holley, Mary Lattimore, Starcrawler wildchild Arrow de Wilde and Mark Bowen from IDLES, you may rightly wonder just what the 13-track long-player holds in store.

The answer: a hard-hitting and compulsively exploratory 55-minute electronic headfuck, founded on unrivalled rhythmic expertise, fleshed out with an armoury of synths, guitars (Jacknife’s forté) and supplementary percussion, often overlaid with elite-class strings and brass, then universally twisted, manipulated and quite masterfully sculpted by Lee, with his super-producer’s hat on.

The album features an astonishing castlist of guest vocalists and musicians including James Murphy of LCD Soundsystem, Bobby Gillespie, The Edge and many more. To accompany the announcement, the band have shared a video for the album’s title track and first single featuring James Murphy, also titled ‘Los Angeles’.

As per the title, Los Angeles is a journey into the dark heart of contemporary LaLaLand, the city of its birth, a place of limitless possibility, yet also a diseased and consumptive hell-on-earth which, to quote Murphy’s lyric on the title track, “eats its children”, where pipe dreams shatter, racial inequality prevails and homelessness spirals. Throw in the terrifying uncertainty occasioned by the global pandemic, which both interrupted and ultimately aided its genesis, and the ‘new Cold War’ terror that has ensued, and you get a record fuelled by fear and tension, but whose propulsive beats, mind-warpingly mangled instrumentation and exceptional vocal contributions provide release through the palpable joy of their creation. Far-sighted and visionary, it lands just in time for those Album of the Year polls…

Square one for ‘Los Angeles’ was December 2018, when Budgie was passing through LA in esteemed singer-songwriter John Grant’s touring ensemble, and he and Lol Tolhurst met for lunch in a downtown diner. Recalls Budgie, “As we were finishing Lol turns to me and says, “I think we should do something together.” With these things, I usually go away and forget, but for once in my life I said to myself, ‘Yeah good idea!’”

After leaving The Cure in 1989, Tolhurst “found love”, married and in ’94 settled in LA. Budgie almost moved to the City of Angels in the mid-’00s, but eventually, he says, “fell in love, moved to Berlin, and family happened.” When the pair reconvened in early ’19 to make music, says Tolhurst, they had a couple of sessions, first at a friend’s house up the coast in Morro Bay, then chez Mötley Crüe tub-thumper Tommy Lee, no less, “but it just wasn’t sounding right – we were falling into that trap of trying to paint ourselves as we once were”. 

  In what he describes as “a pit of despondency”, he went up to Topanga Canyon to visit Garret Lee, ten years their junior, but whose enviable production CV includes Taylor Swift’s ‘Red’, U2’s ‘How To Dismantle An Atomic Bomb’ and the final two REM albums. His advice, in true post-punk fashion: rip it up and start again. “Once you’re starting from nothing,” he advises, “you can do anything.” When Budgie returned to California between commitments with John Grant, the three kindred spirits first repaired to Yosemite for a bonding weekend, and thereafter recorded in Topanga for two weeks, with Lee cannily straddling the roles of musician and mentor-cum-producer. They’d drink coffee, play records, banter a lot, go for walks, share experiences, and out of all that came, this time, some inspirational music.

A very special group chemistry emerged during those intensely creative sessions. Reveals Budgie, “Lol is very levelling. He calls himself a pragmatist, whereas I’m very impetuous, and it was like Garret was bridging the two, in his consultation room”. The other instrumentation came naturally. Back in his Cure days, Tolhurst switched from drums to keyboards circa ’83, and Budgie, too, was grappling with early synths through that era, so it was only natural that ‘Los Angeles’ would be brimming with synths. For Lee, with two elite drummers aboard, it was an opportunity to break from the grid-locked inflexibility of contemporary electronica.

  As the record evolved, there would be instrumental contributions from noted guitarists, including The Edge and Idles’ Mark Bowen, but the rest were handled by Lee, and often digitally distorted beyond all recognition. Further visitors to Lee’s Topanga hideout were master orchestrator Davide Rossi (Goldfrapp, Coldplay) and brass specialist Jordan Katz (Father John Misty, Ghostface Killah), whose taut arrangements were similarly manipulated, and even run at half speed, for maximum disorientation and weirdness.

  Come March 2020, they were fairly certain they were just about done recording an instrumental album, “which was the original intention,” says Budgie, but as he flew home to Berlin just as COVID-19 was forcing the whole world into lockdown, Lol had taken the step of contacting post-punk fan James Murphy with a vague idea of him voicing on one or more of the tracks, and in those first fallow weeks of isolation Lol put feelers out to a few other friends and admirers, to see if they might also be interested.

“Adding some vocalists that we like,” reasons Lol, “was obviously going to make it more attractive to people, so over the space of about 18 months to two years, we got a whole bunch of them in, and as far as lyrics went, we just said, ‘You make something up!’”

After plunging into the unknown with their own music-making, then navigating the unplannable chicane of Coronavirus, it’s frankly a miracle that Tolhurst, Budgie and Lee came through four years later with an album so coherent and hard-hitting – about freedom and slavery, beauty and decay, hope and despair. Plans are afoot now to take Los Angeles into the live arena, and spread the word far and wide about this miraculous record: future-facing, empowering, and on its own terms thoroughly triumphant.

Lol Tolhurst, Budgie, Jacknife Lee

Lol Tolhurst
is a musician, Author, and performer.

He is best known as a founding member of the band that virtually invented alternative music, The Cure. Formed in 1976, The Cure is one of its generation’s most influential, successful, and critically acclaimed bands.

As The Cure’s drummer, Lol toured the globe many times over, supporting the ground-breaking albums Three Imaginary Boys, Seventeen Seconds, Faith, and Pornography. He took on keyboard duties in the mid-eighties until he departed from the band in 1989, at the time of their masterwork Disintegration.

In the early nineties, Lol relocated to Southern California, where he continued to write, record, and tour with his band, Levinhurst.

2011 saw a momentous reunion tour with his former bandmates and Lol performing with The Cure again for the first time in over twenty years.

Lol’s first book was published in 2016. Cured – The Tale Of Two Imaginary Boys is a memoir that draws together the threads of his life and art so far!

Before the pandemic shut the world down, Lol toured Cured in North and South America, the UK, and France making over 300 appearances supporting the book. This journey, similar to the one he undertook all those years ago, starting with the Cure, reacquainted Lol with his loyal fanbase. His creative journey continued with an unexpected meeting with his old friend Budgie from Siouxsie and the Banshees.

This album contains no booklet.