Songs From The Road Mike Zito & The Wheel

Album info

Album-Release:
2014

HRA-Release:
12.08.2014

Label: Ruf Records

Genre: Blues

Subgenre: Bluesy Rock

Artist: Mike Zito & The Wheel

Album including Album cover

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Formats & Prices

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FLAC 48 $ 13.50
  • 1 Introduction 00:12
  • 2 Dont Break A Leg 05:14
  • 3 Greyhound 05:44
  • 4 Little Red Corvette 05:22
  • 5 Rainbow Bridge 04:15
  • 6 Pearl River 04:54
  • 7 Hell On Me 05:30
  • 8 Cmon Baby 07:04
  • 9 Judgment Day 07:17
  • 10 Dirty Blonde 06:29
  • 11 Subtraction Blues 05:23
  • 12 Gone To Texas 07:05
  • Total Runtime 01:04:29

Info for Songs From The Road

The natural habitat of the true musician is not the gleaming studio, glitzy showbiz party or five-star hotel. It’s the road. And if Mike Zito had a dollar for every mile of tarmac he’s burnt since his breakout in the early-’90s, they’d be piled up to his chin. “There’s just something in me,” considers the solo bandleader and Royal Southern Brotherhood co-founder. “It’s there in all musicians. You gotta love the road to be a part of this world. You’re right there, meeting people, swapping stories, shaking hands…”

There’s an undeniable romance about a life in motion – and an enduring magic about the moment when the house lights go down, the roar goes up and the shadows walk onstage. For Mike, who began touring the Midwest circuit at the age of eighteen, and has since crossed twenty-plus countries as guitarist with the Brotherhood, this is when things get serious. “In my band, The Wheel, if you’re not there already, you’d better get there,” he grins. “Because otherwise we’re gonna knock you down!”

Songs From The Road is a two-disc set that captures Mike at full flight on his adopted home-turf. “This live album were recorded on January 10th, 2014, at Dosey Doe in The Woodlands, TX, to a sold-out crowd of crazy Texans,” he remembers. “The audience was on fire from the first note. The band played with such energy and passion. I was overwhelmed many times throughout this performance by the sheer energy of love that poured out of every soul in that building. It was a truly magical night, one I’ll never forget.”

Songs From The Road ensures nobody else will, either, with this release bottling the push ‘n’ pull between Mike and his all-star lineup of Jimmy Carpenter (sax/vocals), Scot Sutherland (bass/vocals), Lewis Stephens (piano/organ) and Rob Lee (drums/percussion). “With the guys in The Wheel,” explains the bandleader, “we’re all on the same page. We’re not interested in trying to show off individually. We want to play together.” White-hot chemistry meets world-class material on Songs From The Road, whose setlist dips into pivotal moments from Mike’s storied past. There’s Greyhound: the gritty travelogue recalling the desperate events of September 2002, when a drug-addicted Mike stole his father’s credit card and bought a one-way bus ticket to Florida. “I decided I’d be doing everybody a favour if I just left, got as far away as I could go,” he remembers. On the emotional flipside, there’s Rainbow Bridge, written about the rush that a reformed Mike felt on the final approach to home. “The Rainbow Bridge is one of the tallest bridges in the South,” he explains. “I would have to drive to Louisiana to play gigs, and then I’d drive home over that Rainbow Bridge. And I knew that when I was hitting the bridge, I was almost home.”

Longtime Zito fans in the Dosey Doe crowd would have been waiting for Pearl River: the song co-written by Mike and Cyril Neville in reference to civil rights campaigner Dick Gregory, which planted the seed for the Royal Southern Brotherhood. Likewise, the cheers are deafening for the title track of last year’s Gone To Texas album. “Part of the story of that song,” he notes, “is that historically, people go to Texas to get their lives together. And I did too.”

True enough. Ask Mike for his backstory and he’ll give you the cold, hard truth. In his own words, the bandleader “grew up poor in St. Louis”, in a blue-collar family whose father grafted 40-hour weeks at the local brewery. Ten years working at a downtown guitar shop, and the tutelage of an older employee, exposed him to titans like B.B. King, the Allmans and Eric Clapton (and from there, Joe Pass, Robert Johnson and Blind Willie Johnson), and though he was fired from early cover bands for refusing to mimic the solos, by 1997, he had released debut album Blue Room. “The first time you hear yourself,” recalls Mike, “you think, ‘Wow, that almost sounds like music!’”

There were bumps in the road, of course. By the post-millennium, creeping alcoholism and drug abuse had threatened to rob Mike of his talent and livelihood. For a time, all seemed lost. But since the epiphany of meeting his beloved wife (“I give her all the credit in the world”), Mike has blossomed as both a man and musician, and in 2014, he can reflect on a run of thrilling solo albums, plus two world-beating studio releases with the Brotherhood. “It’s all working out,” he beams, “and I couldn’t be more thankful.” Happy, successful, surrounded by his loving family and juggling a fistful of celebrated projects, perhaps you’d understand if Mike were content to rest on his laurels and watch the royalties roll in. Not a chance. In 2014, as Songs From The Road proves, that endless freeway is still a siren-call that this lifelong road-dog can’t ignore. “The road is part of the story,” he concludes, “and that’s why there are so many songs about it. When a tour ends, I can’t wait to get home. But by the week after, I’m itching to get back out there. It’s like the song says, the road never ends.”

Mike Zito, guitar, vocals
Jimmy Carpenter, saxophone, vocals
Scott Sutherland, bass, vocals
Lewis Stephens, piano, Organ
Rob Lee, drums, percussion


Mike Zito
Singer, guitarist and songwriter Mike Zito grew up in St. Louis, immersed in the gritty and soulful sounds of the city’s south side that would provide the groundwork for his future in music. He began singing and performing at the age of five, received his first guitar not long afterward, and music has been his guiding force ever since. Working at a local guitar shop after high school, he encountered many of the legends of the local music scene. “Everyone from Chuck Berry to [bluesman] Bennie Smith came in that store,” Zito says of his experience. “I soaked up the sounds of that store, and began building my own style.”

Zito’s journey took off in earnest at the age of 19, when he began making a name for himself as a unique new voice on the highly competitive St. Louis music scene. His incessant touring schedule found him crisscrossing the country playing everywhere from funky roadhouses to major festival stages to an international tour for the USO, and performing in front of enthusiastic crowds six nights a week around St. Louis when not on the road. During this period of intense music making Zito began to hone and polish his art, developing a breathtaking level of virtuosity and a unique expressive voice with both his singing and guitar playing, while at the same time stripping away the non-essential elements and cutting to the core of what moved a live audience.

But throwing himself headfirst into the pursuit of his art had a toll, and Zito paid it. The non-stop lifestyle led to a dark and dangerous period during which Zito came close to drinking and drugging away all that he’d worked so hard to establish. It took time, but thankfully, with the help and intervention of friends and supporters in the music business, loved ones, and the woman who would become his wife, Zito regained his faith in himself and his music, cleaned up his act, and settled down in Southeast Texas to begin anew.

With a clean slate, a fresh outlook, and a new dedication to his music, Zito now also had a message of positivity and redemption that has informed his new music with a deeper meaning and taken it to an entirely new level. Zito is that rare new artist who completely in synch with the contemporary music scene, while at the same time having a lifetime’s worth of experience to draw from that informs his music with soul, depth, and lasting appeal that grows with repeated listening.

This album contains no booklet.

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