Sfumato Live in Marciac Emile Parisien
Album info
Album-Release:
2012
HRA-Release:
29.06.2018
Album including Album cover Booklet (PDF)
- 1Le Clown Tueur De La Fête Foraine I (Live)05:14
- 2Le Clown Tueur De La Fête Foraine II (Live)06:56
- 3Le Clown Tueur De La Fête Foraine III (Live)04:13
- 4Temptation Rag (Live)05:42
- 5Transmitting (Live)12:43
- 6Balladibiza I (Live)08:22
- 7Balladibiza II (Live)04:56
- 8Missing a Page (Live)08:09
Info for Sfumato Live in Marciac
Parisien’s “Sfumato” concert at Jazz in Marciac on 8 August 2017 was unforgettable and has been captured for ever on HighResAudio. His quintet was augmented at this concert by illustrious guests: US trumpet star Wynton Marsalis, French jazz legend Michel Portal and Parisien’s alter ego and long-established duo partner Vincent Peirani. Multi-layered, innovative and experimental, “Sfumato live in Marciac” is packed full of tension, excitement and turbulence. And yet is firmly grounded in jazz, brimming over with playfulness and adventures of improvisation; it is a testament to the intensity and to the magic of live jazz.
French soprano saxophonist Emile Parisien is one of the most highly regarded European jazz musicians of our time. The three albums he made in just three years – “Belle Epoque” in 2014, “Spezial Snack” in 2015 and “Sfumato” in 2016 – have propelled him, at the age of just 35, to the top of the worldwide rankings on his instrument. One thing is abundantly clear: Europe has a new jazz star.
2017 was the year for Emile Parisien. No jazz artist received more prominent acclaim in his home country France, and beyond. Very few European jazz artists can have appeared at so many big jazz festivals and classical concert halls. Emile Parisien today is regarded the most important innovator on the soprano saxophone.
Right at the beginning of 2017, Jazzthing magazine (DE) set the tone with their CD review: “It is amazing how quickly Emile Parisien has become one of France’s most influential musicians. “Sfumato” is the title of the new album from the 34-year-old soprano saxophonist, who has nothing to fear from the competition of anyone of his own generation anywhere in the world. And this album is going to amplify the buzz about him which is starting to echo around Europe.” And that was exactly what happened: not long after the release, the French “Jazz Magazine” and German music magazine “Stereo” both voted “Sfumato” as their album of the year. Shortly after that, Emile Parisien received the “Victoires Du Jazz”, the jazz prize for album of the year at the most important French music awards.
In Germany Parisien also received the most important music award, the ECHO Jazz, for “best international saxophonist” of the year. Topping out an outstanding year, French “Jazz Magazine” chose Émile Parisien as its artist of the year for 2017.
Deutschlandfunk Kultur (Germany) called Parisien a “superstar of the jazz scene in France”, Fono Forum (Germany) stated: “Emile Parisien is taking the magical sound of the soprano saxophone onwards – following in the footsteps of Sidney Bechet, Johnny Hodges, Steve Lacy, John Coltrane, Wayne Shorter and Evan Parker.” The Guardian in the UK gave “Sfumato” a rare 5-star rating and called it “an exhilarating genre-hop bubbling with captivating remakes of US and European jazz traditions. An exuberant album”. And the widely-read French magazine “Télérama” wrote: “Parisien’s inventiveness and energy are nothing short of breathtaking.”
The year of 2017 also marked a new high-point for Emile Parisien’s career as a live performer. In that one year he played at festivals such as Jazz Sous Les Pommiers, Bergen Jazz Festival, Elbjazz, Jazz Baltica, Montreux Jazz Festival, Jazz à Vienne, Umbria Jazz, the London Jazz Festival and the Rheingau Musik Festival. He also appeared in the some of Europe’s finest classical concert halls: the Philharmonie in Essen, the Konzerthaus in Vienna, Hamburg’s new Elbphilharmonie and the Konzerthaus in Berlin.
A special highlight was Parisien’s residency at Jazz in Marciac, the place where Parisien’s enthusiasm for jazz had been originally been awakened as a young audience-member, and where he was invited to be Artist in Residence for 2017. Parisien’s “Sfumato” concert on 8 August 2017 was unforgettable and has been captured for ever on both CD & DVD. His quintet was augmented at this concert by illustrious guests: US trumpet star Wynton Marsalis, French jazz legend Michel Portal and Parisien’s alter ego and long-established duo partner Vincent Peirani.
Multi-layered, innovative and experimental, “Sfumato live in Marciac” is packed full of tension, excitement and turbulence. And yet is firmly grounded in jazz, brimming over with playfulness and adventures of improvisation; it is a testament to the intensity and to the magic of live jazz.
Emile Parisien, soprano saxophone
Joachim Kühn, piano
Manu Codjia, guitar
Simon Tailleu, double bass
Mário Costa, drums
Guests:
Wynton Marsalis, trumpet
Vincent Peirani, accordion
Michel Portal, clarinet
Produced by Emile Parisien
Emile Parisien
The French jazz scene has a vitality, an originality and a do-it- all and do-it-anyway mentality about it right now. It is French musicians who are blazing the new trails for contemporary European jazz. There is a wonderful open-mindedness towards all musical cultures, genres and tendencies; and yet French musicians also give off the sense of having a proper grounding in their own tradition. A musician who represents all of these tendencies ‘par excellence’ is saxophonist Emile Parisien. Born in Cahors in the wine-growing region of the Lot, he is a jazz visionary. He may have one foot in that ancient soil, but his gaze is firmly fixed on the future. The leading French newspaper Le Monde has called him “the best new thing that has happened in European jazz for a long time,” while the Hamburg radio station NDR made the point of telling its listeners to give Parisien their “undivided attention.”
The reference points on Parisien’s personal musical map are very widely spread indeed. They range from the popular folk traditions of his homeland to the compositional rigour of contemporary classical music, and also to the abstraction of free jazz. And yet everything he does has a naturalness and authenticity about it. Rather than appearing pre-meditated or constrained, his music has a flow, he traverses genres with a remarkable fleetness of foot and an effortless inevitability.
What is it that makes the simple urgency of Parisien’s music quite so enjoyable? How does he manage to combine a provocative and anarchic streak with such a captivating sense of swing? Anyone who has seen and heard him on stage will know: it is because he lives his jazz with body and soul, because there is an authenticity and honesty inflecting every breath and every note.