Robert Schumann / Heinz Holliger: Aschenmusik Heinz Holliger, Anita Leuzinger & Anton Kernjak

Cover Robert Schumann / Heinz Holliger: Aschenmusik

Album info

Album-Release:
2014

HRA-Release:
20.05.2014

Label: ECM

Genre: Classical

Subgenre: Chamber Music

Artist: Heinz Holliger, Anita Leuzinger & Anton Kernjak

Composer: Robert Schumann (1810–1856), Heinz Holliger (1939-)

Album including Album cover Booklet (PDF)

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  • 1 I. Nicht zu schnell 02:03
  • 2 II. Mit innigem Ausdruck 03:42
  • 3 III. Andantino 01:45
  • 4 IV. Innig 03:09
  • 5 V. Nicht zu schnell 02:13
  • 6 VI. Adagio 03:42
  • 7 I. Nicht schnell 03:19
  • 8 II. Einfach, innig 04:03
  • 9 III. Nicht schnell 05:11
  • 10 I. Kondukt I (C.s.- R.s.) 04:24
  • 11 II. Aurora (Nachts) 06:50
  • 12 III. R(asche)s Flügelschlagen 04:38
  • 13 IV. Der Würgengel der Gegenwart 03:29
  • 14 V. Heiter bewegt (Es wehet ein Schatten darin) 02:16
  • 15 VI. Kondukt II (Der bleiche Engel der Zukunft) 02:08
  • 16 III. Intermezzo. Bewegt doch nicht zu schnell 02:40
  • 17 I. Mit leidenschaftlichem Ausdruck 08:17
  • 18 II. Allegretto 03:52
  • 19 III. Lebhaft 05:56
  • Total Runtime 01:13:37

Info for Robert Schumann / Heinz Holliger: Aschenmusik

Heinz Holliger’s lifelong fascination with the music of Robert Schumann finds further expression on this newest release: on Aschenmusik, a new interpretation of the Swiss oboist-composer’s “Romancendres” is framed by Schumann’s own works. “Romancendres” refers to the lost “Cello Romances” which Clara Schumann burned on Brahms’s advice, an act of destruction which outraged Holliger and fuelled the composition of this “music from the ashes” in 2003. It’s a portrait of Schumann, packed with quotations, projected like a lifetime passing through the mind of a dying man. “Romancendres” is prefaced by Schuman’s “Romances” for oboe and piano, masterpieces which have been part of Holliger’s repertoire for 60 years, and by the rarely-played “Studies in Canon Form” which find Holliger on the oboe d’amore. The album closes with Schumann’s first sonata for violin and piano, with cello substituting for violin. Holliger: “Schumann himself thought it could also be played on a cello. I find it grandiose with this combination of instruments.” Strong performances by Holliger himself and by Anita Leuzinger, solo cellist from the Zurich Tonhalle Orchestra, and by Austrian pianist Anton Kernjak make this album another important addition to Heinz Holliger’s ECM discography. Aschenmusik is issued in time for Holliger’s 75th birthday on May 21st.

Heinz Holliger, oboe, oboe d‘amore
Anita Leuzinger, violoncello
Anton Kernjak, piano

Recorded July 2012 and November 2013 at Radio Studio Zürich
Tonmeister: Andreas Werner
Executive Producer: Manfred Eicher

No biography found.

Booklet for Robert Schumann / Heinz Holliger: Aschenmusik

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