A Cosmic Rhythm with Each Stroke Vijay Iyer & Wadada Leo Smith

• 1 Passage 06:15
• 2 All Becomes Alive 09:09
• 3 The Empty Mind Receives 04:55
• 4 Labyrinths 06:43
• 5 A Divine Courage 09:12
• 6 Uncut Emeralds 07:43
• 7 A Cold Fire 05:55
• 8 Notes on Water 07:58
• 9 Marian Anderson 08:23
• Total Runtime 01:06:13

Info for A Cosmic Rhythm with Each Stroke

A cosmic rhythm with each stroke features pianist Viay Iyer and the musician he has described as his “hero, friend and teacher”, trumpeter Wadada Leo Smith.

Vijay has previously played extensively with Wadada in Smith’s Golden Quartet, but the present album is the first documentation of their duo work, produced by Manfred Eicher at New York’s Avatar Studios in October 2015. The centre-piece of the album is the spellbinding title suite, dedicated to Nasreen Mohamedi (1937-1990), the innovative Indian artist whose improvisatory imagery evokes abstracted rhythms. Trumpet and piano interact here with creative sensitivity to tone, texture and space.

Vijay Iyer and Wadada Leo Smith will be premiering A cosmic rhythm with each stroke at New York’s Metropolitan Museum of Art in March 2016 in the context of a major exhibition dedicated to Nasreen Mohamedi’s art and writings. The “suite for Nasreen” is framed on the album by Iyer’s composition “Passage” and Smith’s concluding piece “Marian Anderson”, inspired by the great US contralto.

Vijay Iyer, piano, Fender Rhodes piano, electronics
Wadada Leo Smith, trumpet

Vijay Iyer
was born in Albany, New York. He studied mathematics and physics at Yale, and received an interdisciplinary Ph.D. in the cognitive science of music from the University of California, Berkeley. He has been on faculty at Manhattan School of Music, New York University, and the New School, and is the Director of The Banff Centre’s International Workshop in Jazz and Creative Music, in Alberta, Canada. In January 2014 he joined the Faculty of Arts and Sciences at Harvard University as the first Franklin D. and Florence Rosenblatt Professor of the Arts.

Iyer’s many musical collaborators have included Steve Coleman, Wadada Leo Smith, Roscoe Mitchell, Butch Morris, George Lewis, Amina Claudine Myers, William Parker, Graham Haynes, Rudresh Mahanthappa, Rez Abbasi, Craig Taborn, Ambrose Akinmusire, Liberty Ellman, Steve Lehman, Matana Roberts, Tyshawn Sorey, Miya Masaoka, Pamela Z, John Zorn, Mari Kimura, DJ Spooky, Karsh Kale, and Talvin Singh. He has also worked with poets Mike Ladd, Amiri Baraka, Charles Simic, and Robert Pinsky. His compositions have been commissioned and performed by The Silk Road Ensemble, Ethel, Brentano String Quartet, JACK Quartet, the American Composers Orchestra, Hermès Ensemble, the International Contemporary Ensemble, and Imani Winds.

The ensemble heard on Mutations was assembled especially for this album. Miranda Cuckson has worked closely with composers including Elliott Carter, Boulez and Lachenmann. Her recording of Luigi Nono’s ”La lontananza nostalgica utopica futura” was named a Best Classical Recording of 2012 by the New York Times. Michi Wiancko’s recent album releases include works by French composer/virtuoso Émile Sauret. She leads her own band Kon Michi. Kivie Cahn-Lipman is the founding cellist of the International Contemporary Ensemble. Violist Kyle Armbrust also plays with ICE, as well as with the Argento Ensemble and the Orchestra of the League of Composers. He has worked with Steve Reich, Elliott Carter and Charles Wuorinen, amongst other composers.

Vijay Iyer has recorded for labels including Asian Improv, Red Giant, Sunnyside, Savoy Jazz, Artist House, ACT and, most recently, Pi Recordings, which issued Holding It Down, a collaboration with Mike Ladd, setting poetry by veterans of the Iraq and Afghanistan conflicts. He first recorded for ECM in 2007, as a member of Roscoe Mitchell’s Note Factory on the live album Far Side. Further ECM recordings with Vijay Iyer are in preparation.

Wadada Leo Smith
trumpeter and multi-instrumentalist, composer and improviser has been active in creative contemporary music for over forty years. His systemic music language Ankhrasmation is significant in his development as an artist and educator.

Born in Leland, Mississippi, Smith's early musical life began in the high school concert and marching bands. At the age of thirteen, he became involved with the Delta Blues and Improvisation music traditions. He received his formal musical education with his stepfather Alex Wallace, the U.S. Military band program (1963), Sherwood School of Music (1967-69), and Wesleyan University (1975-76). Mr. Smith has studied a variety of music cultures: African, Japanese, Indonesian, European and American.

He has taught at the University of New Haven (1975-'76), the Creative Music Studio in Woodstock, NY (1975-'78), and Bard College (1987-'93). He is currently a faculty member at The Herb Alpert School of Music at California Institute of the Arts. He is the director of the African-American Improvisational Music program, and is a member of ASCAP, Chamber Music America, and the Association for the Advancement of Creative Musicians.

Mr. Smith's awards and commissions include: MAP Fund Award for “Ten Freedom Summers” (2011), Chamber Music America New Works Grant (2010), NEA Recording Grant (2010), Fellow of the John Simon Guggenheim Memorial Foundation (2009-2010), Other Minds residency and "Taif", a string quartet commission (2008), Fellow of the Jurassic Foundation (2008), FONT(Festival of New Trumpet) Award of Recognition (2008), Jazz Journalists Association Jazz Award (2005), Islamic World Arts Initiative of Arts International (2004), Fellow of the Civitela Foundation (2003), Fellow at the Atlantic Center for the Arts (2001), "Third Culture Copenhagen" in Denmark-presented a paper on Ankhrasmation (1996), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1996), Asian Cultural Council Grantee to Japan (June-August 1993), Meet the Composer/Lila Wallace-Reader's Digest Commissioning Program (1990), New York Foundation on the Arts Fellowship in Music (1990), Numerous Meet the Composer Grants (since 1977), and National Endowment for the Arts Music Grants (1972, 1974, 1981).

Mr. Smith's music philosophy Notes (8 Pieces) Source a New. World Music: Creative Music has been published by Kiom Press (1973), translated and published in Japan by Zen-On Music Company Ltd. (1976). In 1981 Notes was translated into Italian and published by Nistri-Litschi Editori.

He was invited to a conference of artists, scientists and philosophers "Third Culture Copenhagen" in Denmark 1996, and presented a paper on his Ankhrasmation music theory and notational system for creative musicians. His interview was recorded for Denmark T.V., broadcasted September 1996.

Some of the artists Mr. Smith has performed with are : Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Lester Bowie, Richard Teitelbaum, Joseph Jarman, George Lewis, Cecil Taylor, Andrew Cyrill, Oliver Lake, Anthony Davis, Carla Bley, David Murray, Don Cherry, Jeanne Lee, Milton Campbell, Henry Brant, Richard Davis, Tadao Sawai, Ed Blackwell, Sabu Toyozumi, Peter Kowald, Kazuko Shiraishi, Han Bennink, Misja Mengelberg, Marion Brown, Kazutoki Umezu, Kosei Yamamoto, Charlie Haden, Kang Tae Hwan, Kim Dae Hwan, Tom Buckner, Malachi Favors Magoustous and Jack Dejohnette among many others.

Mr. Smith currently has three ensembles: Golden Quartet, Silver Orchestra, and Organic. His compositions have also been performed by other contemporary music ensembles: AACM-Orchestra, Kronos Quartet, Da Capo Chamber Player, New Century Players, San Francisco Contemporary Music Players, Contemporary Chamber Players (University of Chicago), S.E.M. Ensemble, Southwest Chamber Music, Del Sol String Quartet, New York New Music Ensemble, ne(x)tworks, and California E.A.R. Unit.

Mr. Smith's music for multi-ensembles has been performed since 1969. "Tabligh" for double-ensemble was performed by Golden Quartet and Classical Persian ensemble at Merkin Concert Hall (2006) and by Golden Quartet and Suleyman Erguner's Classical Turkish ensemble at Akbank Music Festival in Istanbul (2007). His largest work "Odwira" for 12 multi-ensembles (52 instrumentalists) was performed at California Institute of the Arts (March 1995). His Noh piece "Heart Reflections" was performed in Merkin Concert Hall, NY (November 1996).

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