Down To My Last Bad Habit Vince Gill

Album info

Album-Release:
2016

HRA-Release:
02.06.2016

Album including Album cover

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  • 1Reasons For The Tears I Cry03:56
  • 2Down To My Last Bad Habit04:40
  • 3Me And My Girl03:20
  • 4Like My Daddy Did03:10
  • 5Make You Feel Real Good04:13
  • 6I Can't Do This03:29
  • 7My Favorite Movie03:56
  • 8One More Mistake I Made03:24
  • 9Take Me Down05:03
  • 10I'll Be Waiting For You03:26
  • 11When It's Love03:47
  • 12Sad One Comin' On (A Song For George Jones)03:52
  • Total Runtime46:16

Info for Down To My Last Bad Habit

GRAMMY Award-winning MCA Nashville country star Vince Gill revealed via NPR his new album Down To My Last Bad Habit is set for release on February 12. Gill wrote/co-wrote, co-produced and is a featured musician on all 12 songs on Down To My Last Bad Habit. The album also includes guest vocals from Little Big Town and Cam.

'Forty years into this, it's still as much fun as it s ever been to play music,' notes Gill. 'At the end of the day, what I get excited about is doing something I haven't done before. When I record a song, I feel successful if I've accomplished something new.'

Down to My Last Bad Habit marks Gill s first solo album since 2011 s Guitar Slinger. In 2013, The Oklahoma native partnered with famed steel guitarist Paul Franklin on Bakersfield as a tribute to the Bakersfield sound of Buck Owens and Merle Haggard. With 20 GRAMMY Awards to his credit, Gill has emerged as country music s most eloquent and impassioned champion. He is both a world-class guitar picker and a wide-ranging songwriter whose compositions earned him entry into the Nashville Songwriters Hall of Fame in 2005 and the Country Music Hall of Fame in 2007. Gill has produced albums for LeAnn Rimes, Amy Grant as well as Ashley Monroe and has made guest appearances on over 500+ albums including Barbra Streisand, Eric Clapton, Willie Nelson, Dolly Parton, George Jones and more.

Gill returns this holiday season for a set of shows at Nashville s famed Ryman Auditorium with his wife, Christian contemporary artist, Amy Grant. In February, Gill is set to reunite with Lyle Lovett for a 13-city tour of acoustic shows.

„The last two Vince Gill albums celebrated their intentions within their titles: 2011's Guitar Slinger found plenty of space for his six-string prowess and his 2013 duet LP with Paul Franklin was a valentine to Bakersfield country. Down to My Last Bad Habit, his first solo album in a half-decade, is a slightly more complicated affair. While it can't be called a concept album, it's certainly unified by a soulful sensibility, trading heavily on slow, simmering grooves and favoring a feel so warm it feels as comfortable as an old tattered sweater. A lot of skill went into a record that appears so casual, and Gill once again is the chief architect of this record, writing every number and co-producing with Justin Niebank, playing all the guitar and singing most of the harmonies, too. Each of these components is impressive on its own -- Gill is a consummate guitarist and his writing is nearly as tasteful and assured -- and it's possible to listen and concentrate only on these elements, marveling at craft that's polished but never too slick, or perhaps being struck how the guitarist finds space for both jazz trumpeter Chris Botti and Nashville upstart Cam, neither feeling out of place in this setting. Nevertheless, the primary attraction of Down to My Last Bad Habit is its vibe, how Gill maintains an elegant, soulful air throughout the record even when he's singing about Jimmy Dickens or sneaking in a little bit of fingerpicking. The only time he breaks the spell is for the closer, 'Sad One Comin' On (A Song for George Jones),' a hardcore honky tonky weeper that suits the spirit of the Possum and also serves as a reminder of Gill's deep country roots, but the appeal of Down to My Last Bad Habit feels more Memphis than Nashville: it's Vince Gill's soul album, which is a welcome thing indeed.“ (AMG)


Vince Gill For Down to My Last Bad Habit, his 18th studio album, it would have been easy for Vince Gill to kick back a bit. After all, when you’ve sold more than 26 million albums, won 20 Grammys, and earned 18 CMA Awards (including two Entertainer of the Year trophies), you’ve done it all, right?

Not a chance, says this musician extraordinaire, who produced his new album with engineer Justin Niebank. Down to My Last Bad Habit, available February 12, is his first solo album as part of a new deal with MCA, the label he joined in 1989.

“Forty years into this, it’s still as much fun as it’s ever been to play music,” says Gill, sitting in his home studio in Nashville. “At the end of the day, what I get excited about is doing something I haven’t done before. When I record a song, I feel successful if I’ve accomplished something new.”

That’s no small feat, considering that on his first solo album since 2011’s Guitar Slinger, Gill returns to his favorite theme, love in all its incarnations: Love sweet and celebrated (“Me and My Girl,” “My Favorite Movie”), love on fire (“Take Me Down,” “Make You Feel Real Good”), love denied (“I’ll Be Waiting for You,” “Down to My Last Bad Habit”), and love lost and mourned (“I Can’t Do This,” “Reasons for the Tears I Cry”).

The Oklahoma native wrote or co-wrote all of the songs on the album. “I love the diversity of the songs. Some of them are brand new, and some of them have a lot of years on them,” he notes. Gill took two years to make the record, during which he co-produced the second of two albums (Like a Rose, The Blade) with the old-soul vocalist Ashley Monroe. And with steel guitar wizard Paul Franklin, he recorded Bakersfield, an album composed of the hard-country songs of Buck Owens and Merle Haggard.

The new album likewise acknowledges country’s deep roots with the steel-guitar laced “Sad One Coming On (A Song for George Jones).” Gill, who approximates Jones’ clench-jawed vocal, sang at Jones’ funeral in 2013, but he was so broken up that he could hardly get through it. He wrote the new song as a way to assuage his own pain, and to give the King of Broken Hearts his due as perhaps the greatest country singer ever.

“If something’s country, I want it to sound about 1958,” says Gill, with a laugh. “I want it deep, as honest and authentic as it should be.”

The songs on Down to My Last Bad Habit run the gamut of styles, including the jazzy “One More Mistake I Made,” the down-and-dirty Chicago blues of “Make You Feel Real Good,” and

the blistering “I Can’t Do This,” which hearkens to the pop power ballads of the ‘70s. One of the album’s highlights, “I Can’t Do This” captures the excruciating pain of a man who runs into his old flame with her new beau, and remembers the nights “I’ve seen that red dress hanging on our bedroom door.”

“Boy, you talk about torment!” Gill says. “But I like melancholy. It’s light years more fun to sing. There’s so much more emotion in it.”

As a producer, Gill wants every note to matter, and to feel equal to the others. He picks his musicians and guest vocalists much the way a film director makes a movie. “I’m always casting,” he explains. “I ask myself, ‘Who’s right for this part? Who will play it the best?’ That to me is the most fun part of making a record.”

While he chose such luminaries as Sheryl Crow, Alison Krauss, Bekka Bramlett, jazz trumpeter Chris Botti, Little Big Town and guitarist Sonny Landreth for this record, he also found new friends in Ellie Holcomb, Charlie Worsham and Cam, in addition to his favorite vocalists close by: daughters Jenny and Corrina. “I feel like the Partridge Family is rearing its ugly head in my life,” he says, laughing. “But in a great way.”

Fresh off a run of Christmas shows at Nashville’s famed Ryman Auditorium with his wife, Christian contemporary and pop legend Amy Grant, Gill reunites with Americana star Lyle Lovett for a 14-city tour in February and March, reprising their witty, wry, and musically superb concerts of 2015. In addition to his own solo concerts, he also does about 30 gigs a year with the Grammy-nominated The Time Jumpers, the sophisticated Nashville-based ensemble dedicated to revitalizing western-swing and classic honky tonk.

“Since I put this studio in the house, I think I’m playing, singing, and writing better than I ever have,” he offers. “And that inspires me.”

Though Down to My Last Bad Habit is sure to appeal to fans old and new. “I was meant to play music,” he says, summing it all up. “And I don’t want to leave anything in the bag.”

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