Voices Wiener Sängerknaben

• Salomo Franck (1659 - 1725), Johann Sebastian Bach (1685 - 1750): Was mir behagt, ist nur die muntre Jagd, BWV 208:
• 1 Franck, Bach: Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden 04:05
• Friedrich Leopold zu Stolberg-Stolberg (1750 - 1819), Franz Schubert (1797 - 1828): Auf dem Wasser zu singen, D.774:
• 2 Stolberg-Stolberg, Schubert: Auf dem Wasser zu singen, D.774 03:53
• Wilhelm Müller (1794 - 1827), Johannes Brahms (1833 - 1897): 3 Duette, Op. 20:
• 3 Müller, Brahms: 3 Duette, Op. 20: No. 3, Die Meere 02:33
• Joseph von Eichendorff (1788 - 1857), Robert Schumann (1810 - 1856): Mondnacht Op. 39, No. 5:
• 4 Eichendorff, Schumann: Mondnacht Op. 39, No. 5 03:40
• Johann Gabriel Seidl (1804 - 1875), Robert Schumann: Romanzen & Balladen, Buch 3, Op. 53:
• 5 Seidl, Schumann: Romanzen & Balladen, Buch 3, Op. 53: No. 1, Blondels Lied 03:38
• Louise Colet 81810 - 1876), Gioachino Rossini (1792 - 1868): 3 choeurs religieux:
• 6 Colet, Rossini: 3 choeurs religieux: III. La carità 05:12
• Gustav Mahler (1860 - 1911): Lieder und Gesänge, Heft II:
• 7 Mahler: Lieder und Gesänge, Heft II: No. 1, Um schlimme Kinder artig zu machen 02:08
• Felix Mendelssohn-Bartholdy (1809 - 1747): Lobgesang in B-Flat Major, MWV A 18:
• 8 Mendelssohn-Bartholdy: Lobgesang in B-Flat Major, MWV A 18: Ich harrete des Herrn 03:43
• Der 95. Psalm, MWV A 16:
• 9 Mendelssohn-Bartholdy: Der 95. Psalm, MWV A 16: III. Denn in seiner Hand 04:36
• Antonio Vilvaldi (1678 - 1741): Nulla in mundo pax, RV 630:
• 10 Vilvaldi: Nulla in mundo pax, RV 630 06:04
• Georg Friedrich Händel (1685 - 1759): Messiah, HWV 56, Pt. 2:
• 11 Händel: Messiah, HWV 56, Pt. 2: No38a, How Beautiful Are the Feet 03:36
• 12 Händel: Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah 04:06
• Total Runtime 47:14

Info for Voices

Every voice is unique – a personal sound that is an expression of one’s own personality. The Vienna Boys’ Choir specifically nurtures this individuality: through intensive one-to-one vocal training based on the bel canto tradition, the children develop their own voices and blend them harmoniously into the choral sound.

The special quality of the boys’ voices lies in their fragility and transience, which lend every note a particular depth. An anthology of selected recordings from the last 15 years impressively demonstrates this diversity. The works – ranging from Johann Sebastian Bach to Franz Schubert and Georg Friedrich Händel – have been individually tailored to the singers’ voices.

The musical journey takes us through sacred and secular works, solo and ensemble pieces, and culminates in a collective sound. The result is a multifaceted portrait that reflects both the artistic excellence and the humanistic aspirations of the Vienna Boys’ Choir.

Wiener Sängerknaben

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