Tassis Christoyannis, Chantal Santon, Judith van Wanroij, Thomas Dolie, Purcell Choir, Orfeo Orchestra & Gyorgy Vashegyi
Biography Tassis Christoyannis, Chantal Santon, Judith van Wanroij, Thomas Dolie, Purcell Choir, Orfeo Orchestra & Gyorgy Vashegyi
György Vashegyi
was born in Budapest in 1970 and started his musical studies as an instrumentalist: he played the violin, flauto dolce, the oboe (then the baroque oboe) and the harpsichord. At the age of 16 he gave his first concert as a conductor and at only 18 he became a student of conducting under Ervin Lukács at the Ferenc Liszt Music Academy in Budapest, obtaining his diploma with distinction in 1993. He was a frequent participant in the conducting mastercourses of John Eliot Gardiner and Helmuth Rilling and, from 1994 to 1997, he was a student in the continuo master-class of John Toll at the Academy of Early Music, Dresden, where he also studied chamber music with Jaap ter Linden and Simon Standage. He played as a continuo-player in leading Hungarian chamber orchestras such as the Ferenc Liszt Chamber Orchestra and Concerto Armonico. In 1990 he founded the Purcell Choir in Budapest for a concert performance of Purcell's Dido & Aeneas, and one year later the Orfeo Orchestra (performing on period instruments), with which he performed the complete L'Orfeo by Monteverdi for the first time in Hungary. Since then the two ensembles have become the youngest of Hungary's leading early music groups: their main repertoire ranges from Gesualdo to Haydn and Mozart, but they also perform later compositions.
György Vashegyi graduated in Budapest with a concert performance of Mozart's Zauberflöte (1993). In 1991 he made his operatic début with Gluck's Orfeo (with Derek Lee Ragin in the title role) at the Budapest Chamber Opera, where he later conducted Il Ballo delle Ingrate and Il Combattimento di Tancredi e Clorinda by Monteverdi, and Zauberflöte once more. In 1994/95 he undertook successful tours with Orfeo by Gluck in France, Switzerland and Luxembourg. In his concerts (mostly in Budapest) he has conducted many important works of the 17-18th centuries which had never been performed in Hungary before: Buxtehude's Membra Jesu Nostri, Purcell's The Fairy Queen, Blow's Venus & Adonis, Draghi's From harmony, Charpentier's In Nativitatem, Actéon and Messe pour M. Mauroy, Rameau's Pygmalion and Castor et Pollux, Solomon, Aci,Galetea e Polifemo, Funeral Anthem and Theodora by Handel, A Shakespeare Ode by Linley, Requiem by Kraus, etc. Nevertheless, he emphasises the research and performance of 18th century works by Hungarian composers which are still unknown internationally. (Since 1992 he has been teaching at the Ferenc Liszt Music Academy in Budapest.)
He works primarily with his own ensembles but also gives concerts with other early music groups (Concerto Armonico, Capella Savaria and Musica Aeterna) as well as with modern symphony orchestras (National Philharmonic Orchestra, Hungarian Radio and Television Symphony Orchestra, MATÁV Hungarian Symphony Orchestra, Budapest Concert Orchestra, Sinfonietta Hungarica, Cluj Philharmonic Orchestra, Pécs Symphony Orchestra, Szolnok Philharmonic Orchestra, Miskolc Symphony Orchestra, 'Ernõ Dohnányi' Youth Symphony Orchestra, etc.) and chamber orchestras (Prague Chamber Orchestra, Budapest Strings and Erdõdy Chamber Orchestra) as a guest conductor. He has worked together with internationally renowned artists such as Derek Lee Ragin, David Cordier, Simon Standage, Malcolm Bilson, Sergiu Luca, Miklós Perényi, John Toll and Nigel North. In December 1998 he conducted the Romanian premiere of Mozarts Idomeneo at the State Hungarian Opera of Cluj, and in May 1999 and 2000 in Budapest the concert world premiere of Levente Gyöngyösi's The Stork Caliph. He made his début at the Hungarian State Opera of Budapest (with the Orfeo Orchestra) in August 2000 with Haydn's L'infedeltà delusa; this was the first opera performance with period instruments in the history of the Hungarian State Opera. Since 2001 he has conducted regularly at the State Opera: mainly Mozart operas which were in the repertoire (Entführung, Figaro, Così and La Clemenza di Tito), and in October 2003 he also conducted Verdi's Don Carlos (with Paolo Gavanelli). In 2004 he conducted the Prague Chamber Orchestra in Würzburg (at the - Mozart Fest -) and Kloster Eberbach (in the -Rheingau Festival-).
The Purcell Choir and Orfeo Orchestra have been performing continuously since their foundation in Budapest. The chief conductor and artistic director of both ensembles is György Vashegyi, but they have also given concerts with guest conductors such as Nicholas McGegan and Howard Williams. The choir consists of 20-45 young soloists; the orchestra plays - on period instruments - with 15-45 members, and has undertaken successful tours in Austria (Vienna/Salzburg, -Toujours Mozart- 2004, 2005), Germany (Dresden, "Festspiele" 1993), France (Paris, "Festival d'Art Sacré" 1995, "Festival Périgord-Noir" 2001, etc.), Belgium (Namur, Europalia 1999), Switzerland, Luxembourg, Italy, Israel (Rishon LeZion Spring Festival 2001) and South America. The Hungarian recording company HUNGAROTON has produced several recordings on CD with the Purcell Choir and Orfeo Orchestra, including works by Istvánffy, Kraus, Charpentier, Tunder and Tartini. The two ensembles performed the following compositions on period instruments for the first time in Hungary: Mozart's Requiem (November 1998), Così fan tutte (August 1999 - the first historic stage performance of the opera in Hungary), Brahms's A German Requiem (November 1998) and the St. Matthew Passion by Bach (April 2000). Since the founding of the Haydn Festival by the Hungarian Haydn Society (1998) they have regularly given concerts in the Esterházy Palace at Fertőd, featuring first performances of important compositions (masses and other church music, symphonies and concertos) by Joseph Haydn on period instruments in Hungary. In 2002 they embarked on a 6-year project to perform the first 80 of Haydn's symphonies at Fertőd, employing the unusually small ensemble which Haydn used for these symphonies.
The PURCELL Choir
was founded in 1990 in Budapest by György Vashegyi for the performance of Purcell's Baroque opera Dido & Aeneas. Few suspected at the time that the group was to become the most respected choir in Hungary fifteen years later. All the choir members are excellent professional singers, musicians and instrumentalists, and some of them are also members of other choirs and orchestras.
The core repertoire of the Purcell Choir ranges from works by Gesualdo to Mozart, but they also perform pieces by later composers.
The Purcell Choir is a regular performer at Haydn Festivals in Hungary, where it was conducted in 2004 by Nicholas McGegan, with the Capella Savaria Ensemble.
The PURCELL Choir and the ORFEO Orchestra are closely connected as performing partners, and together they have taken part in a large number of TV, CD and concert recordings in Hungary.
The ORFEO Orchestra
was founded in Budapest in 1991 by György Vashegyi, receiving its name from Monteverdi's L'Orfeo, following the first full performance of the opera in Hungary. The orchestra consists of professional musicians with Hungarian and international experience as either orchestra members or instrumental soloists.
The Orfeo is the most authentic exponent of classical compositions in Hungary and has given many first performances on period instruments under the baton of György Vashegyi. Between 2002 and 2007 are being performed Haydn's first 80 symphonies as part of Mr. Vashegyi's own concert series (venue: Esterházy Palace), enabling these to be heard there for the first time since the 18th century with the same number of players, on period instruments, as Haydn himself used to perform them.
The names of the ORFEO Orchestra and the PURCELL Choir have now become inseparably linked to that of Mr. Vashegyi, who can rightly be described as the outstanding exponent of classical and early music compositions and the person who has revitalized these works in Hungary.
